1750s Paintings
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Period: 1750s
Antique Greek Orthodox Icon "The Annunciation of Mary" Egg Tempera Gilt 1750
Located in Portland, OR
A fine antique 18th Century Greek Orthodox icon, egg tempera & gold leaf on wood panel, circa 1750.
The icon depicts the Annunciation of the Virgin Mary, to the left is the Angel Gab...
Category
Greek Revival Antique 1750s Paintings
Materials
Gold Leaf
18th Century Oil on Canvas Italian Framed Oval-Shaped Still Life Painting, 1750
Located in Vicoforte, Piedmont
Antique Italian painting from the 18th century. Artwork oil on canvas depicting still life with fruit of good pictorial quality. Oval-shaped painting adorned with a non-coeval, carve...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Genre Scene View Architectures Painting, 1750
Located in Vicoforte, Piedmont
Antique Italian painting from the 18th century. Artwork oil on canvas depicting genre scene, View with architectures, animals and characters of popular taste with excellent pictorial...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Painting Genre Scene Popular Style, 1750
Located in Vicoforte, Piedmont
Antique Italian painting from the 18th century. Artwork oil on canvas depicting genre scene, View with architectures and characters of popular style of excellent pictorial quality. P...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Oval Painting Still Life with Fruit , 1750
Located in Vicoforte, Piedmont
Antique Italian painting from the 18th century. Artwork oil on canvas depicting still life with fruit of good pictorial quality. Oval-shaped painting adorned with a non-coeval, carve...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil Painting Portrait of Petrus Chevallier
Located in 263-0031, JP
A charming French 18th-century oil-on-canvas portrait of a pharmacist named Petrus Chevallier. Signed “Davila” verso, where it also dated “20 - 09 - 1753" and the title “Petrus Cheva...
Category
French Antique 1750s Paintings
Materials
Canvas
Italian Landscape Oil On Canvas
Located in Essex, MA
The oil on canvas depicting an ocean bay with castle ruin and man on horseback with red jacket. Farm animals and waterfall. Estate of William Hodgins. Boston Mass. Silver leaf carved...
Category
European Antique 1750s Paintings
Materials
Silver Leaf
Antique Oil Painting on Canvas Coastal Scene with Galleons, 18th century
Located in Casale Monferrato, IT
Beautiful antique marine oil painting on canvas, 18yh century. Excellent pictorial quality. Large antique Italian painting beautiful marine scene a coast with some large galleons arr...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil On Panel Flemish Bucolic Landscape With Frame Paintin, 1750
Located in Vicoforte, Piedmont
Antique Flemish painting from the 18th century. Framework Oil on panel depicting a bucolic landscape with a shepherd, dog and goats of good pictorial quality. Painting of contained s...
Category
Belgian Antique 1750s Paintings
Materials
Wood
Portrait of a Nobleman, 18th Century
Located in Madrid, ES
Portrait Of A Nobleman 18th century
PORTRAIT OF AN 18TH CENTURY NOBLE ELEGANT AND LARGE PAINTING WITH THE PORTRAIT OF AN 18TH CENTURY EUROPEAN ...
Category
Antique 1750s Paintings
Materials
Canvas
Oil on Canvas English School Marine Scene Eighteenth Century
Located in Madrid, ES
Oil on canvas English school marine scene eighteenth century
On the back part it has a label with a note in ink: coast of Scarborough-England
E...
Category
Antique 1750s Paintings
Materials
Canvas
European Reverse Painting on Glass of a King Praying for a Child
Located in Essex, MA
In a giltwood frame and scene of a king with hands clasped over a bedridden child with Christ at his side.
Category
European Antique 1750s Paintings
Materials
Glass
Antique Oil Painting "Sacrifice to Minerva" Odoardo Vicinelli Letterfourie 18thC
Located in London, GB
A large antique oil on canvas painting entitled "Sacrifice to Minerva", circle of Francesco Solimena, attributed to Odoardo Vicinelli, dating from the mid 18th Century.
The painting depicts a man standing, behind an altar, shielding himself from a kindling fire. To the left of the altar is seated Minerva, in classical flowing white robes, surrounded by a crowd of people.
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Verso: Title, describtion, inventory marks and later restoration stamp: Aitken Dott & Son, Edinburgh 15 July 1970.
Also bears an inscription attributing the painting to Odoardo Vicinelli:
Odoardo Vicinelli, scholar of Giovanni Maria Morandi, flourished about 1750
an excellent master of the Venetian and Roman Schools,
Provenance:
Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family
Letterfourie House is a Georgian house in Moray Scotland, built by Robert Adam and completed in 1773 for Clan Gordon...
Category
Italian Antique 1750s Paintings
Materials
Canvas
A Beautiful Antique Portrait Of.A Boy
Located in Søborg, DK
A Beautiful oil on board antique portrait of a boy by an unknown artist.
The artist succeeded in capturing this boys striking expression.
Age related wear and patina.
May have had...
Category
Danish Early Victorian Antique 1750s Paintings
Materials
Paint
18th Century Elegant Portrait of Noble Lady with Necklace and Pendant
Located in Montreal, QC
18th Century elegant portrait of noble lady with necklace and pendant inset with ruby and emerald stone.
Oil on canvas.
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Italian Antique Oil on Canvas Painting Saint Francesco Saverio
Located in Casale Monferrato, IT
Beautiful antique Italian oil painting on canvas. Excellent pictorial quality great attention to detail. Italian school of the 18th century. Not signed. A beautiful religious painting Saint Francesco...
Category
Italian Antique 1750s Paintings
Materials
Canvas
Italian Landscape in the Manner of Vernet
Located in Greenwich, CT
18th century oil on canvas of a Mediterranean harbor scene, in the manner of Claude Vernet (1714-1789) depicting a fanciful scene with castles and villas...
Category
Italian Rococo Antique 1750s Paintings
Materials
Canvas, Giltwood, Paint
18th Century Oil on Canvas Italian Antique Landscape Painting, 1750
Located in Vicoforte, Piedmont
Antique Italian painting from 18th century. Framework oil on canvas, on the first canvas, depicting a view with characters, animals and ruins of good pictorial quality. Large size fr...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Religious Painting Adoration of Magi, 1750
Located in Vicoforte, Piedmont
Ancient Italian painting from the 18th century. Framework oil on canvas depicting a religious subject Adoration of the Magi of good pictorial quality. Painting of great sige and impa...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Religious Painting Saint in Ecstasy, 1750
Located in Vicoforte, Piedmont
Ancient Italian painting from the 18th century. Framework oil on canvas depicting a religious subject Saint (under study) in ecstasy, with lily and skull, of good pictorial quality. ...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas French Religious Painting Saint Francis, 1750
Located in Vicoforte, Piedmont
Antique French painting from the 18th century. Framework oil on canvas depicting a religious subject Saint Francis of good pictorial quality. Non-contemporary frame in wood and plast...
Category
French Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Flemish Painting Interior Scene of a Tavern, 1750
Located in Vicoforte, Piedmont
Antique Flemish painting from the 18th century. Framework oil on canvas depicting an interior scene of a tavern with characters of good pictorial quality. Nice size and pleasant impact painting, for antique dealers, interior decorators and collectors of old Dutch painting...
Category
Belgian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Religious Painting Saint Anthony Abbot, 1750
Located in Vicoforte, Piedmont
Ancient Italian painting from the 18th century. Framework oil on canvas depicting a religious subject Saint Anthony the Abbot of good pictorial quality. Antique wooden frame, not coe...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Oil on Canvas Italian Painting Landscape with Characters, 1750
Located in Vicoforte, Piedmont
Ancient Italian painting from the 18th century. Framework oil on canvas depicting landscape with characters and animals at the well of excellent pictorial quality. Painting of great ...
Category
Italian Antique 1750s Paintings
Materials
Canvas
18th Century Watercolor of a Great Sword Duel in Germany
Located in Wiscasset, ME
A truly rare and remarkable scene of hundreds of swordsmen meeting in a towns square. The circle is closed around the two in the duel, each of whom have drawn blood. German school 18...
Category
German Folk Art Antique 1750s Paintings
Materials
Paint, Paper
Young French Portrait 18th Century
Located in Madrid, ES
Young French Portrait 18th century
Pastel on paper. 18th century french portrait of a young girl. It is framed with a vintage frame and with gl...
Category
Antique 1750s Paintings
Materials
Fruitwood
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Greek Orthodox Icon
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Fine Museum Quality Large Antique 18th Century Greek Orthodox Icon, Pentecost
Located in New York, NY
An exceptional, museum quality very large 18th century Greek icon of the Pentecost.
Egg tempera and gold leaf on wood, primed with gesso.
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Wood
H 22.75 in W 15.75 in D 0.75 in
18th Century French Genre Scene Overdoor Painting, circa 1770
Located in Dallas, TX
This colorful and gleeful genre painting is from France, circa 1770. Genre paintings depict people engaged in common activities, such as picnicking, strolling through a park, or romantic settings. In the 17th and 18th centuries, paintings of this style typically came from France, The Netherlands, and Belgium. This particular painting can be considered to be after Nicolas Lancret...
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French Antique 1750s Paintings
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Wood, Canvas
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Paper
H 13.78 in W 23.23 in D 1.58 in
Young French Portrait 18th Century
Located in Madrid, ES
Young French Portrait 18th century
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Pietro Longhi Antique Venetian Harlequin Painting 'Attr.'
Located in Milano, IT
This painting depicts Harlequin who, because of his coloured lozenge dress, has become synonymous with 'multicoloured' in the Italian language. His name is perhaps taken from that of Hellequin, a jester devil of the French Middle Ages, and initially connoted a poor man, stupid and ready to fight.
Harlequin represents Venetian culture just as Pulcinella represents Campania culture. He is the fortunate emblem of comedy and is a cunning servant-servant who tries to extract money from stingy and stupid masters. He has a remarkable wealth of expression, is plagued by chronic hunger and is amoral. His famous and traditional costume consists of a black, flamboyant mask and a suit made of shiny multicoloured lozenges.
Here, too, a legend sets out to explain the origin of Harlequin's all-coloured dress. The story goes that Harlequin was a child from a very poor family. On the occasion of Carnival at school, the teacher decided to organise a party, in which, however, the child was the only one unable to participate because he could not afford a suitable costume. His schoolmates came to his aid, who, driven by a sense of solidarity, each brought Harlequin's mother a small piece of fabric from their own dress. With all these scraps of cloth, the poor child's mother made an original dress, which was characterised by its varied colours. Harlequin was the most admired child on the day of the Carnival feast.
It is a mask that is still alive and well thanks to the modern representations of Goldoni's 'Harlequin, servant of two masters'.
The technique is a very hasty but precise oil painting on canvas, in fact there are not many details, but remaining in Longhi's style it is very essential. It is the vices of the Venetian aristocracy that Longhi wants to highlight. He is depicted dancing with a mandolin in
The frame has been restored, varnished and repositioned, making the painting suitable for even the most sparse, but art-loving environments.
An unmissable piece of art from 18th century Venice.
Pietro Longhi portrays events in the daily life of the Venetian aristocracy contemporary to him in a very realistic manner. His canvases depict typical moments of the Venetian world.
In his paintings we find the same atmosphere as in Goldoni's comedies, the settings are discreet, in private and intimate contexts. Goldoni himself, a contemporary of Pietro Longhi, admired his work and dedicated a sonnet to him in which he indicated Longhi's work as a pictorial version of his theatre. With Goldoni, we are in the midst of the 16th century, in the middle of the Venice Carnival, amid masks, music, laughter and haggling merchants. In the darkness of the calli we meet a figure dressed in red wrapped in a black cloak...
Category
Italian Renaissance Antique 1750s Paintings
Materials
Canvas, Wood
Pietro Longhi Antique Venetian Pantalone Painting 'Attr.'
Located in Milano, IT
This painting depicts the mask of Pantalone, who was born in Venice around 1500, and impersonates the classic Venetian merchant, miserly, lustful and despotic. The mask of Pantalone is among the best known and best loved in theatre. Hardly anyone manages to be recognized by the public like this character. This depends on the verisimilitude to reality. In fact, the character of this mask is inspired by a satirical mispronunciation of the typical Venetian merchant, seen as a malignant figure, attached to money and glitz, always ready to sniff out any bargain that comes his way.
Apart from this, Pantalone also has other characteristics that distinguish him, such as lust and love for young women. These peculiarities are not randomly inserted into an already negative character, but underline his evil and profiteering nature.
Strange as it may seem to us, the mask of pantalone and the mask of brighella have much more in common than we think. In fact, even though they have very distant geographical origins, their birth is closely linked to the figure of the Zanni from Bergamo. But what is the Zanni? He is the classic servant of masters, used to make trouble, get into trouble and cheat the people around him. In addition, both figures started out in shows where the Zanni was the protagonist, Brighella as sidekick and Pantalone as antagonist. It was then Carlo Goldoni who unified the two characters, making them much more similar to each other and more suited to a type of comedy that was no longer the commedia dell'arte, mainly followed by the poorer class, but bourgeois comedy. Visually they are also very similar, both masks cover a large part of the face, and both have thick eyebrows. In this painting he is depicted in a red suit and a long black cloak...
Category
Italian Renaissance Antique 1750s Paintings
Materials
Canvas, Wood, Paint
Pietro Longhi Antique Venetian Brighella Painting 'Attr.'
Located in Milano, IT
This painting represents the mask of Brighella, who owes his name to his lively, brawling, insolent and mischievous character. He is Harlequin's best friend: both are servants in the commedia dell'arte and both were born in Bergamo. In contrast to his friend, however, Brighella is not only a servant but a host of other more or less licit professions, so he always finds himself in the middle of various intrigues. The main characteristic elements of the character are his alertness and agility of mind, which he uses to devise deceptions and traps into which to make others fall just for the sake of cheating them. He is also intriguing, very cunning, unscrupulous and a liar capable of telling fibs with such confidence and conviction that it is almost impossible to distinguish them from the truth. He is also very skilled at singing, playing and dancing. He is depicted wearing a jacket and trousers decorated with green chevrons; he also has green shoes with black pompoms. His cloak is white with two green stripes while his mask and hat are black.
The technique is a very hasty but precise oil painting on canvas, in fact there are not many details, but remaining in Longhi's style it is very essential. It is the vices of the Venetian aristocracy that Longhi wants to highlight.
The frame has been restored, varnished and repositioned, making the painting suitable for even the most sparse, but art-loving environments.
An unmissable piece of art from 18th century Venice.
Pietro Longhi portrays events in the daily life of the Venetian aristocracy contemporary to him in a very realistic manner. His canvases depict typical moments of the Venetian world.
In his paintings we find the same atmosphere as in Goldoni's comedies, the settings are discreet, in private and intimate contexts. Goldoni himself, a contemporary of Pietro Longhi, admired his work and dedicated a sonnet to him in which he indicated Longhi's work as a pictorial version of his theatre. With Goldoni, we are in the midst of the 16th century, in the middle of the Venice Carnival, amid masks, music, laughter and haggling merchants. In the darkness of the calli we meet a figure dressed in red wrapped in a black cloak...
Category
Italian Renaissance Antique 1750s Paintings
Materials
Canvas, Wood
Pietro Longhi Antique Venetian Colombina Painting 'Attr.'
Located in Milano, IT
There are a series of four vertical paintings that create a splendid set of late 18th century paintings attributed to Pietro Longhi. The frame has been restored, varnished and repositioned, making the painting suitable for even the most sparse, but art-loving environments.
The painting depicts the mask of Colombina, who cleans the floor with a broom made of straw and wood. The woman is depicted in a wide yellow dress with a pompous skirt and chiffon flounced sleeves. The neckline is very deep, allowing a glimpse of part of her breasts, also swollen by the bodice worn, typical of the period.
She can be distinguished from a servant girl because she is adorned with gold jewellery, both on her wrist and around her neck. She has two earrings that act as a very elegant spotlight. Her neck is slightly reclined as if she wanted to portray herself. The technique is a very hasty but precise oil painting on canvas, in fact there are not many details, but remaining in Longhi's style, it is very essential.
A piece of art from 18th century Venice, a must-have piece.
Pietro Longhi portrayed events in the daily life of the Venetian aristocracy contemporary to him in a very realistic manner. His canvases depict typical moments of the Venetian world.
In his paintings we find the same atmosphere as in Goldoni's comedies, the settings are discreet, in private and intimate contexts. Goldoni himself, a contemporary of Pietro Longhi, admired his work and dedicated a sonnet to him in which he indicated Longhi's work as a pictorial version of his theatre. With Goldoni, we are in the midst of the 16th century, in the middle of the Venice Carnival, amid masks, music, laughter and haggling merchants. In the darkness of the calli we meet a figure dressed in red wrapped in a black cloak...
Category
Italian Renaissance Antique 1750s Paintings
Materials
Canvas, Wood
18th Century Oil on Canvas Italian Antique Oil Paintings Landscapes, Set of 2
Located in Casale Monferrato, IT
Beautiful antique oil painting on canvas, 1750. A splendid landscape with peaple and architectural elements. Excellent pictorial quality. Sold with antique gilded frame.
Category
Italian Antique 1750s Paintings
Materials
Canvas
H 17.72 in W 29.93 in D 1.97 in
18th Century Italian Antique Oil on Canvas Painting, Religious Subject
Located in Casale Monferrato, IT
Beautiful antique Italian oil painting on canvas. Excellent pictorial quality great attention to detail. Italian school of the 18th century. Not signed. A beautiful religious paintin...
Category
Italian Antique 1750s Paintings
Materials
Canvas
H 41.34 in W 34.26 in D 1.58 in
18th Century Italian Antique Oil on Canvas Painting Portrait of a Noble Lady
Located in Casale Monferrato, IT
Beautiful antique oil painting on canvas 1750s. A splendid portrait of a Noble Lady. Excellent pictorial quality great attention to detail. Gorgeous Lady with a sweet and happy expre...
Category
Italian Antique 1750s Paintings
Materials
Canvas
H 44.1 in W 34.65 in D 1.97 in
George II Oil on Canvas Portrait of a Young Man
Located in Essex, MA
Gentleman standing with blue coat and hand tucked into his vest. In a period giltwood frame.
Category
English George II Antique 1750s Paintings
Materials
Canvas
18th Century Antique Oil on Canvas Painting Oval Portrait of a Young Noble Lady
Located in Casale Monferrato, IT
Beautiful antique oil painting on canvas 1750s. A splendid portrait of a young Noble Lady. Excellent pictorial quality great attention to detail. Gorgeous ...
Category
Italian Antique 1750s Paintings
Materials
Canvas
H 28.75 in W 23.63 in D 1.97 in
18th Century Italian Antique Oil on Canvas Painting Sorrowful Mary
Located in Casale Monferrato, IT
Beautiful antique Italian oil painting on canvas. Excellent pictorial quality great attention to detail. Italian school of the 18th century. Original painting and frame, never restor...
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