18th Century Italian Virgin Mary with Child after Baroque Genoese School

Pair of Gilt bronze reliefs of early 18th century, after François Girardon (1628-1715) The original model for these two profiles of the Virgin and Christ dates from 1691. These works...

A Baroque Capriccio with ruins and figures, an early 18th century Italian painting showing an imaginary landscape with roman ruins and figures, an antique oil on canvas Italian...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

A stunning Italian gilt copper ewer dating back to 18th century with a circular body featuring a quadripartite decoration defined by the repoussé of a double vertical ribbed frame that frames tableaux decorated with floral scrolls; the background of these sections is finely dotted by chisel tool to underline a very pleasant relief to the embossed parts thanks to the burnishing. An excellent and unique hand-made pitcher, selected in a private collection of Northern Italy. This rare golden jug was created to serve wine during the Eucharistic celebration, the Christian liturgical practice. it is an Italian work of art that dates back to 1700, with a wonderful fire gilding, for collectors. In good age related condition regardless of a small dent in the middle part of the body, consistent with the eighteenth-century dating. The cast handle takes up the motif of the volutes present on the body of the ewer. The spout is closed by a hinged lid with a small floral knob, with minimal deformations near the hinge compromising its perfect closure. In the upper part, there are welding signs...

Madonna and Child with St. Joseph oil painting on canvas from the early 19th century depicting the Virgin in an interior by the side of a green curtain intent on taking textiles from...

A stunning pair of antique Italian trompe l’oeil still life paintings, a pair of 18th century oil on canvas vision jokes, false still life paintings known as deception paintings by a follower of Cristoforo Munari (Reggio Emilia 1667- Pisa 1720) of Italian origin, dating back to the first half of 1700s. These 18th century Italian Baroque trompe l'oeil paintings depict an abundance of objects are arranged on a table. The background of the disordered compositions consists of a wooden board wall with hanging sketches and other objects. Both still life compositions are painted in soft ocher tones and have the same unseen source illuminating the display from the left, creating a dark shadow on the right side of both paintings. Biscuits, a glass vase of flowers, earthenware pots, a wooden instrument...

Late 18th century or early 19th century French school, antique painting featuring the Virgin Mary holding Jesus Child, Saint John the Baptist around. Our work has been painted using ...

17th-18th century: The holy Virgin Mary's soul being pierced by a sword. Unsigned. Oil on canvas. 91.5 × 67 cm. Unframed.

The good Samaritan. Unsigned. Oil on canvas. Measures: 80 x 100 cm. Provenance: Former chief curator at The Royal Collection of Prints and Drawings a...

Delicate portrayal of a classic theme of Christian fervour. The painting represents the most depicted motherhood in the history of art. The Madonna with the baby Jesus on her lap. Th...

Our Lady with the Child Jesus 18th century Italian school according to model by Reni Guido. Oil on canvas DIM.: 45 x 37 cm good conditions.

18th century sanctuary oil on panel The Roman Sanctuary of the Felix father in Jativa, Valence, Spain.