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  • Ölgemälde Neoklassizistische mythologische Szene "Sappho, Phaon und Cupid"
    Located in Aachen, DE
    Neoklassizistische mythologische Szene "Sappho, Phaon und Cupid" nach Jacques Louis David (1748-1825), gemalt wohl um 1850. Das Original im Hermitage Museum (The State Hermitage Muse...
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  • Painting of Queen by Masuo Asaki
    Located in Los Angeles, CA
    Painting of a Queen in brilliant jewel tone colors - framed in an impressive gilt surround. Instantly brings vibrancy to any room in the home - wonderful in a home office, kitchen or...
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  • Fine Miniature of the Queen of Prussia, Louise
    Located in Dresden, DE
    Miniature portrait of Louise of Mecklenburg-Strelitz , Queen of Prussia. Very detailed painting after J.M Grassi. Watercolours on ivory. Framed in a g...
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  • Mary Queen of Scots period painting 16th.Century
    Located in Perth, GB
    This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...
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    Mary Queen of Scots period painting 16th.Century
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  • KPM Porcelain Plaque of the Prussian Queen Louis of Mecklenburg-Strelitz
    By Königliche Porzellan-Manufaktur (KPM)
    Located in Brighton, Sussex
    This beautiful KPM porcelain plaque replicates an extremely famous painting of Louise of Mecklenburg-Strelitz, the celebrated 19th century Prussian Queen. The subject of this port...
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  • 19th Century KPM Porcelain Plaque of the Queen of Prussia
    By KPM Porcelain
    Located in London, GB
    This beautiful antique porcelain plaque exhibits the fine quality of craftsmanship and artistry that the prestigious Berlin porcelain manufactory, KPM, is renowned for. The plaque is delicately painted with the full-length portrait of Duchess Louise of Mecklenburg-Strelitz (1776-1810), Queen of Prussia and wife of King William III (1770-1840). Louise was a popular Queen and was respected for her successful negotiations with Napoleon, before he became Emperor of France. In this plaque, she is depicted descending the steps of the Charlottenburg Palace, Berlin, which was the seat of the Prussian monarchy. She wears a simple robe a l'anglaise, which was fashionable at the time, and looks directly at the viewer in a symbol of power and majesty. The plaque is signed to the lower right by the artist 'Emile Eckhart', who worked for KPM. It is painted after a famous work by celebrated German artist Gustav Karl Ludwig Richter...
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    Antique Late 19th Century German Decorative Art

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