Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 18

Set of Four Panels by Fabrique Par J. Zuber Et Cie

About the Item

Set of four panels, mounted in mdf (two lateral and two central) Decorated with wreaths and other floral motifs. Central panels decorated with medallions in shades of blue, representing landscapes Edition from 1804 to 1904, with maker's mark on base "J. Zuber et Cie" With the following references - 10284 (left side panel); 10290 (center panel); 10286 (center panel); 10292 (right side panel) (minor defects). Dim.: 262 x 56 cm (each lateral panel) 262 x 91 cm (each central panel) The Zuber factory is a French company specialized in the production of high quality wallpapers. Founded in 1797 by Jean Zuber, it is located in Rixheim, Alsace, France, and is one of the oldest wallpaper mills in continuous operation. Zuber is known for panoramic wallpapers, which are wallpaper panels that depict landscapes or detailed scenes on a large scale. These panoramic wallpapers are produced using hand-engraved wooden block printing techniques, resulting in high-quality pieces and artistic detailing. The Zuber factory is also known for its extensive collection of historical wallpaper designs, many of which are based on classic designs of the XVIII and XIX century. They have been used in many prestigious locations around the world, including royal palaces, private residences and museums, and are considered pieces of decorative art. The production of Zuber wallpapers involves a highly specialized process, which includes the careful selection of materials, the preparation of the printing blocks, the application of colors through traditional printing techniques, and the finishing of the wallpapers in a slow and careful drying process. Each wallpaper is a unique and handmade work of art, produced with attention to detail and quality. Zuber wallpapers are highly valued by collectors, interior designers and decoration lovers from all over the world due to their artistic quality, historical authenticity and exclusivity. The Zuber factory continues to be an iconic example of excellence in the production of luxury wallpapers and is considered a reference in the field of interior decoration.
  • Dimensions:
    Height: 103.15 in (262 cm)Width: 115.75 in (294 cm)Depth: 0.79 in (2 cm)
  • Style:
    Neoclassical (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1804-1904
  • Condition:
    Minor losses.
  • Seller Location:
    Lisboa, PT
  • Reference Number:
    1stDibs: LU7365233386842
More From This SellerView All
  • Pair of Watercolors - Marie Louise Anne Victoire de la Fouchardière (1814-1903)
    Located in Lisboa, PT
    Watercolor paintings depicting flowers are a popular and beautiful form of art. This particular artist Marie-Louise-Anne-Victoire de la Fouchardière, used watercolors to capture th...
    Category

    Antique Mid-19th Century French Neoclassical Paintings

    Materials

    Paper

  • Portrait of D. Maria Bárbara De Bragança, Circle of Louis-Michel Van Loo
    By H. van Loon
    Located in Lisboa, PT
    PORTRAIT OF D. MARIA BÁRBARA DE BRAGANÇA (1711-1758), QUEEN OF SPAIN Circle of Louis-Michel van Loo (1707-1771) Oil on canvas Her Royal Highness, the Infanta Maria Barbara of Braganza (1711-1758) was the first-born child of King John V of Portugal (1689-1750) and his queen consort Maria Anna of Austria (1683-1754). Born in December 1711, she had the Convent Palace of Mafra built in her honour following a vow made by her royal father. Her status as Princess of Brazil, inherent to 18th century Portuguese presumptive heirs, would however be superseded once the queen gave birth to two male princes, D. Pedro (1712-1714) and D. José (1714-1777), preventing her from ascending to the throne. Daughter of one of the most illustrious monarchs of his time, Maria Barbara was carefully educated to become a fond admirer of the arts, and of music in particular, having had the Italian composer Domenico Scarlatti (1685-1757) as her music teacher. On the 10th January 1723 the young princess was betrothed to the Infante Ferdinand of Spain (1713-1759), eldest son of King Philip V (1683-1746). Six years later, on the 19th January, she entered her new country in a carefully choreographed ceremony that became known to history as the “Exchange of the Princesses”. This unique event took place on a specially built Bridge-Palace, a wooden, luxuriously decorated structure that included various modules and rooms, on both banks of the river Caia, the natural border between the town of Elvas in Portugal and of Badajoz in Spain. Simultaneously, on the same day that the Portuguese Infanta crossed the border to marry the Spanish Crown Prince, her new sister in law, the Infanta Mariana Victoria of Bourbon (1718-1781), her husband’s sister, crossed the same bridge in the opposite direction to marry Prince D. José, the Portuguese heir to the throne. Once married, Maria Barbara would spend 17 years as Princess of Asturias, only becoming Queen of Spain at her husband’s accession following the death of Philip V in 1746. She is portrayed in the 1743 painting by Louis-Michel van Loo (1707-1771) now in the Prado Museum, in which Philip V had himself represented with all his close family. The new Queen would take an important role at court eventually becoming the liaison between her husband and the King of Portugal, particularly throughout the negotiations for the Treaty of Madrid (1746-1750). Maintaining her interest in music, she patronized the Italian castrato singer Farinelli (1705-1782) while remaining close to her old master Scarlatti, having herself composed some sonatas for a large orchestra. She would also commission and fund the building of the Royal Salesians Monastery complex in central Madrid, where both her and Ferdinand VI are buried. The portrait we are presenting for sale shows the Queen in half-length, turning left at three quarters. She is wearing a blue low-cut dress embroidered with flowers and foliage, over a lace cuffed white blouse, and an ermine cloak pined on the left-hand side by a diamond broach. The powdered hair style is held sideways by a seven diamond and black plume headdress and topped by a small gold and pearl crown. The right arm rests on a cushion while the left hand, at chest height, holds a miniature male portrait. The Infanta’s features are analogous to the 1725 portrait by the painter Domenico Duprà (1689-1770), also in the Prado Museum collection. Further similarities can be found in another portrait by Louis-Michel van Loo, in which a seven diamond and black plume headdress is also present. In this work, the cushion supporting Maria Barbara’s right arm has also some obvious similarities to our painting. The same diamond headdress reappears in Van Loo’s above-mentioned portrait of Philip V’s family dated from 1743. It is nevertheless in Lisbon’s Ajuda National Palace that it is possible to find an almost identical depiction of the Infanta holding a miniature portrait of her husband. In it, the future Ferdinand VI is portrayed facing right at three quarters and wearing a curly wig, suit of armour, the golden fleece insignia and a blue band, in a composition that closely resembles an 18th century Spanish school painting that appeared in the art market in January 2016. Another detail common to various portraits of the Portuguese Infanta and Queen of Spain is the small gold and pearl crown on her head. In another Van Loo painting, also from the Prado Museum, in which Maria Barbara is portrayed as Queen, this crown is represented together with a headdress similar to the one previously described. Another two paintings by the same artist, at the Royal Academy of Saint Ferdinand, include the same ornament. We must also refer the paintings by the artist Jean Ranc (1674-1735). In one, dating from 1729 (Prado Museum), the Infanta is depicted outdoors holding a flower bouquet and wearing a yellow silk dress with red cloak, and a set of diamond and ruby jewellery that includes a headdress similar to the one present in our portrait. Another work by the same artist, belonging to the Complutence University of Madrid, depicts the Infanta sumptuously dressed in identical colours to our painting and wearing an elaborate headdress and diadem. These portraits, beyond their iconographical importance as contemporary records of the Infanta and Queen Maria Barbara, are also illustrative of 18th century fashion for jewelled head dressing. Often, flowers were combined with joyful adornments, composing almost theatrical displays that would reinforce the ostentatious nature of the image. The ornamental flowers and the chromatic character of the jewels would complement the luxury of the colourful dresses in blue, crimson, green or other silk shades, in compositions whose sole purpose was to highlight a royal sitter’s wealth and power, becoming an essential statement accessory within the strict court protocols and codes of conduct. Circle of Louis-Michel van Loo (1707-1771) Slowly but steadily, the resolute, tranquil and dignified attitude of Renaissance and Baroque portraiture becomes artificial and presumptuous. Mid 18th century society favours elusive expression and psychological deepness, albeit limited to the face, that, with emphasis on detail, on the rich colour palette and on changing costumes and landscapes, associated to the courtliness of gestures, creates a strongly artificial environment while maintaining a highly poetic intrinsic character. Louis-Michel van Loo followed a dynasty of famous Dutch origin artists that had settled in France. Initially taught by his father, Jean-Baptiste von Loo (1684-1745), the younger van Loo studied in Turin and Rome and frequented the Paris Academy. In Rome he worked with his uncle Charles-André van Loo (1705-1765) and become a painter for the Turin Court. In 1737 he arrived in Spain being summoned by Philip V to succeed Jean Ranc as painter of the king’s chamber. In Madrid, his work covers the numerous Court commissions and the Royal Saint Ferdinand Fine Arts Academy, of which he was a founding member and director for the Painting department in 1752. Is production at court consisted essentially of numerous portrait paintings, often Royal gifts...
    Category

    Antique 18th Century Spanish Baroque Paintings

    Materials

    Canvas

  • Pair of Portraits of Dom Miguel and Dona Maria ii, 19th Century Portugal
    Located in Lisboa, PT
    Pair of portraits of Dom Miguel and Dona Maria II, 19th Century Portugal.
    Category

    Antique 19th Century Portuguese Paintings

    Materials

    Canvas

  • Judgment of Solomon Painting under Glass
    Located in Lisboa, PT
    The Judgment of Solomon painting under glass according to an original drawing by Nicolas Poussin, dated 1649, in the Louvre Museum, Paris. Portu...
    Category

    Antique 18th Century Portuguese Paintings

    Materials

    Glass, Oak

  • XX Century Wall Decoration in Style of Pompeii
    Located in Lisboa, PT
    The ancient city of Pompeii was founded sometime around the 7th or 6th century BCE by the Oscans, an Italic tribe that inhabited the region of Campania in what is now southern Italy....
    Category

    Mid-20th Century European Paintings

    Materials

    Canvas

  • 18th Century Oil on Wood Paintings of Angels
    Located in Lisboa, PT
    18th Century Oil on Wood Paintings of Angels.
    Category

    Antique 18th Century Portuguese Paintings

    Materials

    Oak

You May Also Like
  • Four panel set of Chinoiserie paintings by artist Richard Holton
    Located in Dallas, TX
    A charming set of four Chinoiserie panels depicting vignettes of everyday life in China by famed American artist and designer Richard Holton. This French term meaning “China-esque” r...
    Category

    20th Century American Paintings

    Materials

    Canvas, Acrylic

  • Set of Four Japanese Fusuma Painted Door Panels
    Located in Rio Vista, CA
    Rare set of four Japanese Showa period door panels known as Fusuma in Japanese architecture. Similar to a Shoji room divider but made of an opaque materia...
    Category

    20th Century Japanese Showa Paintings and Screens

    Materials

    Brass

  • The Hindustan Panoramic Wallpaper Panels by Zuber & Cie. Rixhem, France
    By zuber, Jean Zuber
    Located in North Hollywood, CA
    "The Hindustan" Panoramic wallpaper panels by Zuber & Cie. Rixhem, France. The frame with 4 panels is 59"-inches high x 106"-inches wide. Each panel measures 59"-inches high x 26"-inches wide, Artist: Zuber Period: 20th century Material: Papier peint Condition: Picture # 12 shows a small incident in the sky, you need to be close to see it, it is above the house dome. As originally, the panoramic scenery "The Hindustan" is printed "à la planche" with the 1265 antique woodblocks, carved in 1807 by the manufacturory's workers. The lavishness of the panoramic wallpaper by Zuber & Cie called Hindustan (printed using 1,265 woodblocks carved in 1807) Panoramic "Hindoustan" of the prestigious Zuber manufacture in Rixheim. This wallpaper created by the manufacture in 1807 presents a panorama of the Indian subcontinent. Hindustan is of an incredible richness of decoration as much by the diversity of the buildings, the animals and the scenes represented, it is a motionless journey that this panoramic offers us. The Zuber factory, founded in 1790, is one of the most prestigious wallpaper manufactures known worldwide, its panoramas and wallpapers decorate many palaces, embassies, castles, such as the reception room for diplomats at the White House in Washington decorated at the instigation of Jacky Kennedy...
    Category

    Early 20th Century French Anglo Raj Wallpaper

    Materials

    Paper

  • Set of Four Engravings by J F Herring
    Located in Cheshire, GB
    J. F. Herring, set of four 19th century Hunting colour engravings encased in giltwood frames. Dimensions Height 33.5 Inches Width 44 Inches Depth 2 Inches.
    Category

    Antique Late 19th Century British Paintings

    Materials

    Paint

  • Set of 4 Handpainted Panels “Telemachus” by Dessin Fournir
    By Dessin Fournir
    Located in Plainville, KS
    Set of 4 original, hand-painted panels marketed by Dessin Fournir and produced by Fromental in London England for the Dessin Fournir Collection. T...
    Category

    Antique Mid-18th Century English Other Paintings

    Materials

    Gold Leaf

  • Paintings Set of Four Seasons
    Located in Alessandria, Piemonte
    O/5542 - What to say about this rare set of four large paintings ? It's certainly an idea for wall decoration: inside a boiserie (wooden panels) or with golden frames. in the dini...
    Category

    Early 20th Century French Aesthetic Movement Paintings

    Materials

    Canvas

Recently Viewed

View All