Baroque Revival Paintings

In excellent condition with original Giltwood frames... you can tell from the back. One painting is signed. Hard to read: Harold Holding?? Paintings look very real.

'Erblüth' a large and very fine Berlin (KPM) Porcelain plaque, after Angelo Asti. In a giltwood and composition shadow box frame. Signed 'Weigel', impr...

19th century American portrait of a gentleman in a wood frame.

Title: Landscape. Date/Period: 19th century. Dimension: 28cm x 44cm without frame. Frame measures 12cm (plus). Materials: Oil on canvas. Additional information: Dutch School, 19th ce...

These wonderful porcelain plaques were created in circa 1860 by the prestigious Konigliche Porzellan Manufaktur or KPM (German, founded in 1763). The plaques feature beautiful paintings based on works by the famous Seville-based Baroque artist, Bartolome Esteban Murillo (Spanish, 1618-1682). One plaque is decorated after Murillo...

George Vempley Burwood British (1844-1917) signed and dated. Sailing ship, schooner diorama shadow box with figures and painted background.

A Dutch 19th century oil painting on panel. A Dutch school ( Hollandsche School) painting, oil on an oak panel with a scene of a river landsca...

Beautiful oil on canvas of reclining blonde nude on a white bed sheet. Framed. Signed (see attached photo). 20th century. Painting dimensions: H. 20...

Pair of portraits, husband and wife 19th century oil on canvas inscribed and dated 1838 wax relined in giltwood frames.

This 19th century oil on canvas depicts the first kiss between Cupid and Psyche. It symbolizes the moment of innocence right before the sexual awakening happens. The two characters a...

A beautiful French antique oil on canvas painting in the Manner of Jean-Antoine Watteau (1684-1721) 'The Serenade' dating from the early 19th century. The delightful subject of the painting is a courting couple in a rugged country landscape with a large chateau in the background. The couple are seated in period costumes, while the gentleman serenades the lady. Framed in its delightful original gilt frame, add this lovely period scene to your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: height 73 x width 106 x depth 3 height 64 x width 97 Dimensions in inches: height 2 foot, 5 inches x width 3 foot, 6 inches x depth 1 inch height 2 feet, 1 inch x width 3 foot, 2 inches Jean-Antoine Watteau was baptised October 10, 1684 – died July 18, 1721) was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Jean-Antoine Watteau[n. 1] was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) and Michelle Lardenois (1653–1727), and was presumed to be of Walloon descent. The Watteaus were a quite well-to-do family, although Jean-Philippe, a roofer in second generation, was said to be given to brawling. Showing an early interest in painting, Jean-Antoine may have been apprenticed to Jacques-Albert Gérin, a local painter, and his first artistic subjects were charlatans selling quack remedies on the streets of Valenciennes. Watteau left for Paris in 1702. After a period spent as a scene-painter, and in poor health, he found employment in a workshop at Pont Notre-Dame, making copies of popular genre paintings in the Flemish and Dutch tradition; it was in that period that he developed his characteristic sketchlike technique. His drawings attracted the attention of the painter Claude Gillot, and by 1705 he was employed as an assistant to Gillot, whose work, influenced by those of Francesco Primaticcio and the school of Fontainebleau...

19th century antique decorative panel on paper, idea for above fireplace or headboard, soft and pastel colors, coming from the old Italian house.