Enameled Paintings
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Technique: Enameled
Pair of Arts & Crafts Style Hand Painted & Enameled Tropical Fish Paintings 1940
Located in Lisse, NL
Amazing workmanship enamel paintings in original frames.
This unique and stunning pair of Midcentury Modern enamel paintings, in our view, is fit for a fine art museum, because thi...
Category
Mid-20th Century European Arts and Crafts Enameled Paintings
Materials
Copper, Gold
Sevres Porcelain Painting Of Raphael`s Madonna By Marcel Prunier
Located in Lisbon, PT
A Sèvres enamelled porcelain scene, inspired on the well-known Raphael painting from 1513, that shows the Madonna of Segiore. It depicts the Christ Child...
Category
20th Century French Renaissance Enameled Paintings
Materials
Porcelain, Wood
Monumental 'Oil Slick' Abstract Masterpiece by Blakely Bering
Located in West Palm Beach, FL
Monumental 'Oil Slick' Abstract Masterwork by Blakely Bering
BLAKELY BERING (American/Texas 21st Century)
USA, Circa 2006, Frame, Imported from Italy by Larsen-Juhl
Experience the grandeur of artistic innovation with this massive abstract painting...
Category
21st Century and Contemporary American Modern Enameled Paintings
Materials
Lucite, Wood, Paint
Mid Century Enamel Painting on Copper by C. C. Chu
Located in Nova Scotia, NS
This unique and vibrant enamel painting on copper is of a sailboat in stormy waters. The sky is aglow in bright yellow, ochre, and white mixing with hints of blue and green. The roll...
Category
Mid-20th Century American Chinoiserie Enameled Paintings
Materials
Metal, Sheet Metal, Enamel, Copper
20Th Century Mixed Media On Enamelled Metal Italian Abstract Painting, 1970
Located in Vicoforte, Piedmont
Italian painting from the second half of the 20th century. Framework mixed media on enamelled metal depicting architectures, signed in the lower right corner (see photo), signature u...
Category
Late 20th Century Italian Enameled Paintings
Materials
Metal
Rare Set of 4 Antique Miniature Saint Paintings, 3 in Brass Gothic Frames 1890
Located in Lisse, NL
Beautifully hand painted set of 4 Mary & Jesus paintings on porcelain plaques.
If you were to spend the rest of your week looking for antique Gothic ph...
Category
19th Century European Gothic Revival Antique Enameled Paintings
Materials
Brass, Enamel
Edouard Debat-Ponsan Allegorical French Enamel Plaque
Located in New York, NY
Our enamel plaque on copper after the French enamelier, Edouard Bernard Debat-Ponsan (1847-1913) depicts Truth Emerging from the Well, Vérité sortant du puits. Plaque measures approx...
Category
Early 20th Century French Neoclassical Revival Enameled Paintings
Materials
Copper
1950s, Set of Two Mid-Century Modern Paintings on Mural Triangular Glass Plates
Located in Aci Castello, IT
Two under enameled paintings on triangular mural glass plates manufactured in Italy in the Fifties. They are very nice Mid-Century Modern wall decorations and in perfect conditions.
Category
Mid-20th Century Italian Mid-Century Modern Enameled Paintings
Materials
Glass
Giltwood Framed Limoges Enamel after François Boucher 'The Bird Catchers'
Located in West Palm Beach, FL
Giltwood Framed Limoges Enamel after François Boucher 'The Bird Catchers'
France, Circa 1880s
Framed in an elaborate hand carved pierced and giltwood t...
Category
Late 19th Century French Baroque Antique Enameled Paintings
Materials
Copper
Camuflatge by Rosa Cortiella, Grogged Clay Fruit Bowl
Located in Barcelona, ES
Working from ceramics as a broad discipline that includes design, sculpture and painting, this work belongs to a collection of objects in which the forceful volumetries dialogue with...
Category
2010s Spanish Enameled Paintings
Materials
Ceramic, Clay, Canvas
Limoges Enamel Plaque “La Fileuse”
By Limoges
Located in Dallas, TX
A large enamel on a convened copper plaque. The scene is of a seated elderly woman looming cotton or wool yarn, Circa 1900. Hand painted then baked on in a oven by Limoges.
Signed “...
Category
Early 1900s French Aesthetic Movement Antique Enameled Paintings
Materials
Copper
Limoges Enamel Plaque “La Fileuse”
By Limoges
Located in Dallas, TX
A large Limoges enamel painting on a convexed copper plaque. The scene is of a mother and daughter sitting in front of a fireplace drying yarn while the...
Category
Early 1900s French Aesthetic Movement Antique Enameled Paintings
Materials
Copper
Abstract Painting, Agner, Hans Peter, Cascade of Colors, 1989
Located in Albignasego, IT
Agner, Hans Peter, Cascade of colors, 1989
Measures: cm80 x cm66
Oil on panel
Abstract composition in which white, green, blue and red brushstrokes chase each other. The eff...
Category
1980s German Vintage Enameled Paintings
Materials
Paint
Lyn Howley Gold Water Lilies Lithograph Matisse Impressionist Van Amstel CA
Located in Hyattsville, MD
USA, circa 1960s. Lyn Howley Water Lilies Studio editions lithograph on framed board. Monumental size, in Earthtones, Metallics and Golds. Made in Culver Ci...
Category
1960s American Mid-Century Modern Vintage Enameled Paintings
Materials
Wood
Russian Icon Style Painting 'The Thousand Dreams' by Eugeniy Titov, 2008
Located in West Palm Beach, FL
Russian Icon Style Painting 'The Thousand Dreams' by Eugeniy Titov, 2008
Eugeniy Titov, St. Petersburg, Russia, Born 1969
A magnificent profusely decorated work, Including artist ...
Category
21st Century and Contemporary Russian Art Nouveau Enameled Paintings
Materials
Canvas, Giltwood
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Figurative Abstract Oil Painting by Warren Fischer
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Pair of Minton-Spidell Vintage Hand Painted Scenic Diptych Oil Painting Panels
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Additional information:
Materials: Giltwood, Paint
Color: Blue
Period: Mid-20th Century
Art Subjects: Landscape
Styl...
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Mid-20th Century Belle Époque Enameled Paintings
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H 96.5 in W 19 in D 2 in
After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
Located in Los Angeles, CA
A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900.
Subject: Religious painting
Measures: Canvas height: 29 1/4 inches (74.3 cm)
Canvas width: 29 1/4 inches (74.3 cm)
Painting diameter: 28 1/4 inches (71.8 cm)
Frame height: 57 7/8 inches (147 cm)
Frame width: 45 1/2 inches (115.6 cm)
Frame depth: 5 1/8 inches (13 cm).
Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking.
After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters.
Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin.
Early Life and Works
His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello.
According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500.
His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career.
Influence of Florence
Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
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19th Century Portrait Miniature of a Young Man with Curly Red Hair
Located in San Francisco, CA
19th century fine portrait miniature of a young man with curly red hair
Dimensions 3" x 2.5". The velvet lined mat measures 3.75" x 5".
The portrait is in very good condition. ...
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Late 19th Century British Late Victorian Antique Enameled Paintings
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KPM Porcelain Plaque of Mary and Her Child after Madonna of the Chair Painting
Located in Boston, MA
This is a beautifully painted KPM porcelain plaque after the famous painting of the Madonna of the Chair or Madonna della Sedia by Raphael, which was originally painted 1513-1514. Ma...
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Early 20th Century German Renaissance Enameled Paintings
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The Spiritual in Art Abstract Painting 1890-1985 Book
Located in North Hollywood, CA
The Spiritual in Art: Abstract Painting 1890-1985 Art Book.
Judi Freeman, Carel Blotkamp
Abbeville Press, 1987 - Art - 435 pages. Paperback.
Traces the use of geometric signs by t...
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20th Century French Modern Enameled Paintings
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Previously Available Items
Orientalist Enamel Miniature, Late 19th Century
Located in Saint-Ouen, FR
Orientalist enamel miniature, late 19th century.
Orientalist style enamel miniature in a gilt bronze frame, showing a beautiful woman in a blue dre...
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Late 19th Century European Napoleon III Antique Enameled Paintings
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Bronze
Russian Icon Style Painting 'The Thousand Dreams' by Eugeniy Titov, 2008
Located in West Palm Beach, FL
Russian Icon Style Painting 'The Thousand Dreams' by Eugeniy Titov, 2008
Eugeniy Titov, St. Petersburg, Russia, Born 1969
A magnificent profusely decorated work, Including artist ...
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Giltwood Framed Limoges Enamel after François Boucher 'Shepherd's Idyll '
Located in West Palm Beach, FL
Giltwood Framed Limoges Enamel after François Boucher 'Shepherds Idyll '
France, Circa 1880s
Framed in an elaborate hand carved pierced and giltwood three- dimensional Baroque sty...
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Willi Burger Enamel on Metal Painting, Italy 1977
Located in New York, NY
Willi Burger ( b.1934)
A beautifully composed abstract work, translucid enamels applied to white grounds on aluminum. Mounted on a polished wood frame.
Burger, the son of Italian...
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1970s Italian Mid-Century Modern Vintage Enameled Paintings
Materials
Metal
Limoges Miniature Enamel Still Life Plaque by P Bonnet
Located in Trensacq, FR
Limoges Miniature Enamel still life plaque by P Bonnet
Charming still life Miniature Enamel plaque.
Hand painted bouquet of poppies, daisies and cornflowers.
Signed P. Bonne...
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1930s European Vintage Enameled Paintings
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Pair of K. M. Galloway Large Abstract Expressionist Paintings, 1980
By Galloway
Located in San Francisco, CA
A pair of large and evocatively enigmatic 1980 abstract expressionist acrylic paintings on canvas by K. M. Galloway, presented as a thematic diptych that calls to mind austerely surreal sci-fi and fantasy cover art of the ‘70s and early ‘80s.
Work at left suggests a pale mint green body of water meeting a sandy shore, upon which looms a geometrically improbable multiplanar monolith. Within this imposing portal floats a deceptively complex abstract-cubist organic form rendered in rust-colored impasto with translucent glass-like details.
Work at right distinguished by a towering quasi-heroic figure on a pedestal of stacked blocks, its body and cape or wings given substance by impasto in shades of blue and brown. It stands against a pale mint blue sky and looks down upon a light sand-colored expanse—echoing elements of the work at left—with a ghostly moon hanging overhead.
Both works display impressive technical skill and mastery of medium throughout, with razor-sharp lines, cleanly done color fields, very subtle gradients, and judicious use of impasto all combining to striking effect. Almost imperceptible tonal variations between the pair shift beautifully with the light.
Work at right is signed “K. Galloway” at bottom right, and signed and dated “K. M. Galloway Mar 15/80” on verso at top. On verso at bottom is the label for since-closed high-end Haight-Ashbury concert poster & frame shop Off the Wall. Work at left is unsigned.
Presented in their original custom teal enameled metal frames. Dimensions listed are for each individual work including frame; dimensions for the pair as shown in the second image are H 38.38 in. x W 52.13 in.
From the estate of a discerning San Francisco art collector that also included works that we acquired by Jean Hyson...
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1980s American Expressionist Vintage Enameled Paintings
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Enamel Portrait of Fabiola Round Plaque
Located in Guaynabo, PR
This is an enamel portrait of Fabiola framed in a small round wood plaque. Fabiola was a member of a wealthy Roman patrician family. She devoted herself to charitable works. She buil...
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Early 20th Century French Neoclassical Enameled Paintings
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German Porcelain Miniature Portrait Kpm Style Madonna and Child After Raphael
Located in Vero Beach, FL
German Porcelain miniature portrait KPM style Madonna and Child after Raphael
German porcelain hand painted plaque of Madonna and Child after Raphael. This 19th century oval minia...
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Late 19th Century German Victorian Antique Enameled Paintings
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Porcelain
H 7.75 in W 6.75 in D 1.25 in
Felix Schlenker “Quadrat-Collage”, 1983
Located in Albignasego, IT
Felix Schlenker “Quadrat-Collage”, 1983
Measures: 30 cm x 30 cm
Enamels on wood
Abstract work that investigates the essence of white, through games of geometries and volumes, swinging the matte and glossy finishes.
About the author:
Felix Schlenker, Felix Schlenker-Mauch (12 July 1920 Schwenningen-July 2010 Ebenda)
After graduating from high school in 1939, Schlenker was drafted into military service until 1945. From 1945-1978 he worked as a teacher at elementary and middle schools on the subject of painting design. He also founded the "Kleine Galerie Schwenningen" in the early 1960s. In his artistic work he dedicates himself to graphics and images with a clear optical didactic and the most economical use of color. In 1966 he exhibited his “nail pictures” in a personal exhibition at Galerie Wirth Berlin, pictorial objects in which he mounts horseshoe nails arranged in rows on hard or chipboard panels. Of course, due to the material used, they were less detailed and beautiful than his screen prints. In May / June 1967, Schlenker took part in the legendary "Serial Formations" exhibition in the study gallery of the Johann Wolfgang Goethe University, curated by Paul Maenz...
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1980s German Vintage Enameled Paintings
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Enamel on Porcelain Plaque after Diana Coomans
Located in New York, NY
Finest quality and very large French 19th century enamel on porcelain plaque signed T. Leroy after Diana Coomans, (1861-1952). In a giltwood frame.
Plaque measures: 18 x 25 in. Fram...
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Impressionistic Marcel Dupond Enamel on Copper Plaque Painting of Dancer
By Dupond
Located in Big Flats, NY
A French impressionistic Marcel Dupond plaque offers hand enameled painting of young dancing girl on copper seated in giltwood frame, en verso original labels, circa 1940
Measures...
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Judith Danner Large Enameled Copper Fishing Boat Tryptic in Custom Frame, 1971
By Judith Danner
Located in San Francisco, CA
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