Hand-Crafted Paintings

A stunning pair of columns or a pair of terracotta stands painted with an oriental scene on one and a Japanese scene with two cranes in a pond and water lilies on the other. French w...

In excellent condition with original Giltwood frames... you can tell from the back. One painting is signed. Hard to read: Harold Holding?? Paintings look very real.

The cranes by the river painting of this two-panel screen is hand-painted in watercolor, on squares of gold leaf which are applied by hand to the paper base over carefully jointed wo...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

Large abstract painting "Rainforest" in patinated and engraved bronze and pewter with deep green and blue enamels by Philip & Kelvin LaVerne, American 1970s (signed “Philip. Kelvin L...

Decorate an office or a study with this colorful suite of antique wall decorations. Crafted in Italy circa 1870, each panel is framed and features an hand painted coat of arms...

We are in love with this artists work. Based and working in his studio in Brazil., Cícero Silva created this limited edition piece with wood cubes painted...

A pair of carved giltwood Chippendale crossed palm frames, with inset hand-painted chinoiserie portraits of 18th century oriental nobility. We a...

Impressive pair of 17th century Japanese Edo period Rinpa school screens made in the manner and style of Autumn Grasses by Tawaraya Sotatsu (1570-1640). Beautifully decorated with wi...

19th C. Orientalist Painting Pastel Arab and Camel, desert landscape fauna Flora . Beautiful and fine 19th century orientalist Pastel painting of an Arab Man with his camel traveling...

Impressionist Abstract Oil on Canvas Painting Gold Framed A very serene abstract, painted in oil. Seemingly simple and relaxed scene yet very effective in composition. Sweeping brus...

A large antique artist paint brush - perfectly aged rounded oval shaped wood handle w/ large horsehair bristles encased in riveted metal. Incise signed on handle but cannot decipher....

A beautifully painted Ancestral Painting from the Qing Dynasty period, late 19th Century. The genre of ancestor paintings, first seen in the Ming dynasty (1368-1644), embodies the C...

Wonderful contemporary feeling watercolor. Framed in Baltimore, not sure if this is the original frame for the work. Signed and dated 1932, Unknown artist. Procured in US. W 19.5 ...

Unique work of religous art, former church or cloister window. This 'fire-painted' or stained glass church window possibly depicts a biblical scene or maybe 'just' the image of the ...

A set of 4 vintage large hand-painted framed Gracie wall panels. These vintage panels are unique in the sense that they are not only wide but tall as well. These panels would nicely ...

The red plum blossom and birds painting of this two-panel screen is hand-painted in watercolor, on squares of gold leaf which are applied by hand to the paper base over carefully joi...

Landgarten, signed on verso. Estate fresh. Beautiful calming painting. Unrestored, and in Fair/Poor vintage condition, no rips, no holes, but a dark scuff streak on left side, and ...

A 19th century portrait of a young girl attributed to French artist Jean-Baptiste Greuze (1725-1805). Oil on canvas. Unsigned, possibly an early copy of this prolific painter who was...

Single french 1950's abstract acrylic panel. Screen is made from browns, oranges, yellows and greens with gold leaf in places. It has been photographed with front light, front light...

Antique Pair of Chinese Pink Botanical Dogwood Watercolors in SilverFrames A lovely antique pair of Chinese watercolor wall hangings of dogwood trees with peonies, butterflies, and ...

19th century Japanese Edo period six-panel screen painted in Haboku (splashed ink) style. Depicts Four Seasons landscape scenes with two portraits of Chinese sages. One sage is trave...

Large size and slightly abstract Arab street scene painting. This larger size and very well executed painting is another one of our recent great finds. It may be abstract in style, ...

A recently made painting of a lady by an unknown Dutch artist. The mixed media collection of materials on canvas depicts a lady's face and is framed in a simple wood frame. Be sure t...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

A recently made painting of a lady by an unknown Dutch artist. The mixed media collection of materials on canvas depicts a lady's face and is framed in a simple wood frame. Be sure t...

19th century oil painting of yorkshire flither pickers by robert farren circa 1890. Painted by robert b. Farren (1832-1912) This is a a skilfully executed and coloured oil painting...

Pair of large french 1950’s acrylic and resin abstract panels gold leaf circa 1950. Screens are made from browns, oranges, yellows and greens with gold leaf in places. They have be...

A recently made painting of a lady by an unknown Dutch artist. The mixed media collection of materials on canvas depicts a lady's face and is framed in a simple wood frame. Be sure t...

A recently made painting of a lady by an unknown Dutch artist. The mixed media collection of materials on canvas depicts a lady's face and is framed in a simple wood frame. Be sure t...

An original wallpaper strike off from England in the 1930’s has recently been framed. The new frame is carved and scalloped in an ebonized finish and new protective glass. The mat bo...

Original oil on canvas 'laid on wood panels', by gasparo lopez (gasparo "Dei fiori" lopez; 1650-1732) florence, italy. Faintly signed with the initials 'gl', see close ups, sepia ins...

Vintage mid-century modern still life oil painting on canvas by Vintage mid-century modern still life oil painting on canvas by Joseph Duv. He was born in Algeria in 1918 and at the ...

A fine work of Gothic Art depicting iris flowers, associated with the Passion of Christ and the Resurrection. This Gothic quatrefoil design umbrella stand is another one of our rece...

Rare extra-large (cm 59 x 85) antique watercolour of capital from a collection of architectural details of Florence monuments painted in Italy in the middle of 19th Century. Black ma...

Swedish naive oil painting with the original frame, from the 2nd part of the 19th Century. This folk art work on canvas represents kids and a dog playing by a courtyard, opening the...

A large scale framed painting by Belgian Artist, Gerard Roosens 1869 - 1935. Entitled “Girl on a Beach” is signed by the artist. The oil painting is on canvas and is surrounded by a ...

This extraordinarily unique 19th century art piece is a reflection of one artists unique perspective of life by way of creative execution and means. The scene dimensionally depicts a...

This is an oil on canvas landscape painting by Knud Edsberg (1911-2003) from Denmark estimated to be from the 1950s. The motive is cows in a field. The painting is signed in the bot...

Here we have a oil on board attributed to denner circa 1730. Depicting a typical subject of his, showing the face in high detail. Would benefit from a professional clean. Which we co...

Two very pleasant musical themed silhouettes mixed media paintings. These lovely drawings are made of ink and watercolor on paper enriched by a musical score fixed with a red lacquer wax mold...

We are delighted to offer for sale this lovely original 17th century Dutch, oil on canvas painting of a noble gentleman. The condition of the oil is very good, the frame is distr...

Impressive antique wall panels crafted in hardwoods and paint decorated in floral motifs retrieved as architectural remnants from an Addison Mizner Palm Beach Estate.

5065 The Trafalgar naval battle sign painted on metal restrant food sign

Step into the peaceful landscapes of rural Poland with our vintage hand painting on board, a masterpiece that beautifully captures the essence of nature's tranquility. Signed by the ...

Symbolic and meaningful work of religious art with original label on the back. Framed oil on wooden panel, Madonna and child, after Italian Nicolo Barabino (1833-1891). The original...

An 18th century French Louis XVI style trumeau mirror with a large painting depicting Venus at the Forge of Vulcan. Fine quality oil on canvas with vivid color. Gilded wood frame is ...

A Gothic Revival style engraved brass rubbing, English or Continental, from the 19th Century. This is a beautiful piece with two figures who are dressed in elaborate clothing reserve...

Another stunning, hand painted, oil on canvas, work of religious art. This antique oil painting was first hand painted on canvas and later glued to a zinc backplate which is one wa...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Pieta, oil painting on copper, Northern Italy, 17th century In the foreground is The Dead Christ, lifeless and limply reclining on Mary's knees, supported and adored by a woman who...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Large Modernist Impressionist Oil Painting Seascape Village, 1950's Italy A very restful large Mid-20th Century Mediterranean seascape composition, painted in oil. Seemingly simple...

Fabulous period of abstract expressionism 1962 created by Zubel Kachadoorian, "Andromeda" signed and dated in verso. Madison Ave Gallery label affixed. Gallery 831 Madison Nordness p...

Early 20th Century Framed Landscape with Haystacks, France A beautiful European painting on board depicting a bucolic landscape with haystacks at the forefront. Lush green landscape with trees, a split rail...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Amazing workmanship enamel paintings in original frames. This unique and stunning pair of Midcentury Modern enamel paintings, in our view, is fit for a fine art museum, because thi...