Hand-Painted Paintings

Either in the Bern or Early Hitchcock Series. In the original thick wood frame and stretchers. The largest being offered from my collection-a very good size at- ( Frame: 48"H x 38.25"W - Art: 42"H x 32.5"W ) The early Hitchcock series began to show some of the dramatic shadow effects of this series but did not move to the solid-form objects of the later period.  At the same time, it looks very close to several other Natkin paintings (including one very close example listed in this same category on 1st Dibs) identified as being from the "Bern" series. That one was painted in 1983. This piece shows some transitional elements in that the objects still show some of the crisscross technique that helps give texture to the various objects in the painting. This painting currently hangs in the middle of a 12-ft high By 12 ft wide Entry wall...

Let this lovely bowl of juicy apricots brighten up your kitchen or dining area. The gold frame accentuates the golden undertones of the fruit, making the perfect pairing.

A charming and rare set of 3 Chinese gouaches of sailing vessels/ junks, painted on pith paper, no frames but matted. Size: 15" W x 10.75" H with Mat; 12" W x 7.75" H without mat...

Stunning Signed, Lowell Nesbitt Paper Collage and Hand Painting, 1981 Lowell Blair Nesbitt (October 4, 1933 - July 8, 1993) was an American painter, draughtsman, printmaker, and sculptor. He served as the official artist for the NASA Apollo 9, and Apollo 13 space missions; in 1976 the United States Navy commissioned him to paint a mural in the administration building on Treasure Island spanning 26 feet x 251 feet, then the largest mural in the United States; and in 1980 the United States Postal Service honored Lowell Nesbitt by issuing four postage stamps depicting his paintings. In 1958 the Baltimore Museum of Art hosted the first solo museum exhibit that Nesbitt was to have in his lengthy career, but it was in 1964 with his debut at the Corcoran Gallery of Art (Museum) in Washington, D.C. that Nesbitt received greater recognition. The array of botanical works most likely would not have been created had it had not been for the beckoning of fellow artist Robert Indiana, who, in 1962, after viewing some of Lowell Nesbitt's abstract paintings drawings and prints, suggested that he attempt to make a conversion from the abstraction which Nesbitt’s career had been focused on pre-1962, to the style of realism. Museum and government collections Lowell Nesbitt’s artwork is owned by hundreds of public collections worldwide. Those collections include, American Embassy art program; The Art Institute of Chicago, Illinois; David Geffen Hall, Lincoln Center, New York, New York; Baltimore Museum of Art, Maryland; Butler Institute of American Art, Youngstown, Ohio; Castle Gandolfo, Rome, Collection of the Vatican Museums; Cleveland Museum of Art, Ohio; Corcoran Gallery of Art, Washington, D.C. (transferred to the National Gallery of Art, Washington D.C.); Dallas Museum of Art, Dallas, Texas; Detroit Institute of Arts, Detroit, Michigan; Ulrich Museum, Wichita State University, Kansas; United States Environmental Protection Agency, Washington, D.C.; Federal Reserve Bank, Baltimore, Maryland; Federal Reserve Bank of Richmond, Virginia; Harvard Art Museums, Harvard University, Cambridge, Mass; Modern Art Museum of Fort Worth, Texas; Goucher College, Baltimore, Maryland; High Museum of Art, Atlanta, Georgia; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Hunt Institute for Botanical Documentation, Canegie-Mellon University, Pittsburgh, Pennsylvania; International Monetary Fund, Washington, D.C.; Israel Museum, Jerusalem; John and Mable Ringling Museum of Art, Sarasota, Florida; Museum of Contemporary Art San Diego, La Jolla, California; Library of Congress, Washington, D.C.; Orlando Museum of Art, Florida; Massachusetts Institute of Technology, Boston; Memorial Art Gallery, University of Rochester, New York; Miami-Dade Public Library System, Miami, Florida; Milwaukee Art Museum, Wisconsin; Morris Museum of Art, Morristown, New Jersey; Museum of Modern Art, New York; National Aeronautics and Space Administration, Washington, D.C.; National Gallery of Art, Washington D.C.; American Art Museum, The Smithsonian Institution, Washington, D.C.; Te Papa, Wellington, New Zealand; New York City Center, New York; Oberlin College, Ohio; Oklahoma City Museum of Art, Tulsa; Parrish Art Museum, Southampton, New York; Ludwig Forum für Internationale Kunst, Germany; Philadelphia Museum of Art, Pennsylvania; The Phillips Collection, Washington, D.C.; Centre national des arts plastiques, Paris, France; Renwick Gallery, Smithsonian Institution, Washington D.C.; Saginaw Art Museum, Saginaw, Michigan; San Antonio Museum of Art, Texas; SEB Group, Goteborg, Sweden; Temple University, Philadelphia, Pennsylvania; Thyssen-Bornemisza Museum; Tucson Museum of Art, Arizona; Twelfth Naval District, Treasure Island Museum, San Francisco, CA; United States Department of the Interior, Washington, D.C.; University of Maryland, College Park, Maryland; University of North Texas, Denton, Texas; University of Virginia, Charlottesville; Washington and Lee University, Lexington, Virginia; Worcester Art Museum, Worcester, Massachusetts; and Yale University Art Gallery, Yale University, New Haven, CT.[10] Nesbitt was often classified as a Photorealist artist, though he fought inclusion with this group of artists throughout his career. Nesbitt established himself as an artist who could employ both diversity of technique and subject matter while creating paintings, drawings and prints using studio interiors, articles of clothing, piles of shoes, x-ray figures (Nesbitt was the first highly recognized artist to use this subject matter since the artists of the New Zealand region unknowingly painted "x-ray style" figures at the early portion of the last millennium), caverns, ruins, landscapes, flowers, groupings of fruits and vegetables, and electronic components (he is credited for being the first artist to use computer parts as subject matter for his artwork). He also used his pet dogs in addition to birds, reptiles, various mammals and the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges, in addition to a number of series in which he incorporated numerous Victorian staircases...

"Sunny desert" with small bare tree in one corner: canvas hand painted, very textural painting, by an Italian artist after a trip to Morocco: he loved the sunny and earthy colors of ...

A fantastic original oil on canvas by Naohiko Inukai. This is number forty in a series of colored scapes he created in the mid 1960's and is in excellent condition. This work is signed and dated on the reverse It's color changes subtly with the lighting, when properly lit it casts a beautiful warm orange tone throughout the room. Born in 1937 in Kurashiki-city Okayama,Japan. He came to the US around 1960 and returned to Japan around 1982 were he still resides. Education:Cooper Union School of Art and Architecture New York...

Monument forms are a series of paintings by Louis Jobst experimenting with form and color. Here there are two black abstract forms amongst a metaphysical landscape. The painting focu...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin...

Frambuesas Del Sur. Francisco Mery. Oil painting on linen. Francisco Mery is a Chilean artist born in 1961. He is a graphic designer and self-taught painter. According to the arti...

Paintings depicting portraits of a lady wearing a traditional sari style attire and head cover. Looks like and Asian traditional attire, bright colors, probably Afghani or Persian or Indian lady...

Fusion is a collection of handcrafted unique pieces blending the three dimensional objects with their background, combining functionality and free forms, sculpture and painting. In F...

Impressionist landscape of a cottage house surrounded by hills and forests. Spain, 1930-1940. This painting is heavily textured in shades of green and blue with accents of white. Th...

Midcentury flower paintings executed with acrylic on canvas in a bold vibrant style, titled Buttercup and Trout Lilly. Signed McFeatters an...

Set of 3 Contemporary abstract paintings (triptych) with gouache on rectangular canvas in shades of pink, red and white. (TOM JOHN, 2010)

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War during the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

Modern oil on canvas painting, titled “Don’t Forget About Me” by Benjamin Rankin, a conceptual fine artist, signed on front bottom right; measuring approximate 80" H x 64" W x 2” D. ...

This vibrant original painting by Miami based artist, Johanna Boccardo, was created with the meticulous signature style of the artist. The painting boldly displays her chromatic mast...

Whimsical outsider, Folk Art oil painting by William R. Straly, excellent use of color. Texture and space.

Very well executed Painting of a European village street scene, without a soul on the street. This fine Painting gives us the absolute feeling of standing alone on the street in this...