An Untitled Dyptych By American Artist Richard Mann

An original, large-scale, acrylic on masonite painting by American artist Richard Mann. The piece is unframed and marked R. Mann on the lower centre of the painting.

A large Richard Mann acrylic painting on masonite with blue, white, yellow and madder lake green .The piece is titled #2711 and signed R. Mann.

Large MCM abstract acrylic on panel original painting by listed artist Richard Mann, circa 1960s. The piece is in very good vintage condition and is presente...

"Blue Grid III" by Richard Rumi, a 2007 acrylic on canvas of horizontal and vertical brown, white, brown, and blue stripes.

A mixed media on board from the 1960's by American Artist Agnes Sims "Agi" Sims is known for paintings and sculptures inspired by prehistoric rock art of New Mexico. Born in Devon, Pennsylvania, Sims attended the Pennsylvania Academy of Fine Art and the Philadelphia School of Design for Women. She managed a traveling marionette theater before establishing herself as a textile and needlework designer in Philadelphia. After a visit to New Mexico in 1938, Sims returned to Philadelphia, packed her belongings, and returned to make Santa Fe her permanent home. She opened a classical record store in an eighteenth-century farmhouse on Canyon Road, but the shortage of shellac during the War put her out of business. Sims then became a building contractor (skills taught her by her contractor father), purchasing and renovating historic houses around Santa Fe. She later bought a nineteenth-century house with acreage on Canyon Road and built a compound including a house for herself and one for her long-time partner, Mary Louise Aswell, the fiction editor at Harper's Bazaar who had brought writers such as Eurdora Welty and Truman Capote to the public's attention. Shortly after her arrival, a friend introduced Sims to the Galisteo Basin south of Santa Fe which was dotted with the ruins of prehistoric Indian Pueblos, and home to tens of thousands of ancient petroglyphs. The rock art captivated Sims and became her primary inspiration for the rest of her career. Over the next decade she recorded 3000 petroglyphs in drawings and thousands more in photographs. In 1949 she received a grant from the American Philosophical Society to further her research, and in 1950 she published a portfolio of selected rock at drawings in her monograph, San Cristobal Petroglyphs. Most of Sims paintings and sculptures were inspired by petroglyphs, but unlike her documentary drawings they never were literal copies. Rather she adopted and adapted the two-dimensional representations of people and animal into an art that fit comfortably into the larger world of mid-century modernism. She used simple, idiosyncratic figures to create her own symbolism, the original meanings of the ancient art being mostly lost to the past. Sims worked in a wide array of media. Her oil paintings on canvas often were mixed with an earthen medium which gave them a rough, stone-like texture. She developed a batik-like resist process for painting on cloth, and used it to produce large, un-stretched wall hangings. She used this technique to produce an architectural frieze 3.5 feet high and almost 150 feet long which still adorns the Century Bank lobby in downtown Santa Fe. Sims was a prolific sculptor, working in wood, stone, bronze, terracotta, fiberglass, and polyester. Sims was given one-woman shows at the Brooklyn Museum, U.S. Embassy in London, Folger Library, Colorado Springs Fine Art Center, Santa Barbara Museum of Art, McNay Art Institute in San Antonio, Texas, and the Museum of Fine Art in Santa Fe. She also showed her work at the gallery she owned on Canyon Road. At times, she rented studio space in her gallery building to local artisans, hoping to spark a revival of early New Mexico...

RICHARD HENNESSY AMERICAN, b. 1941 "Abstract, Untitled" Oil on canvas Signed and dated 1975 on verso 48 by 36 in. Provenance: From the estate of Christopher Scott, acquired from the artist. Note: Christopher Scott was a painter who was best known as curator/gadfly Henry, Geldzahler's partner. This relationship was immortalized in one of David Hockney's best portraits of 1969. EDUCATION: EASTMAN SCHOOL OF MUSIC, 1954-59 COLUMBIA COLLEGE, B.A., 1963 INSTITUTE OF FINE ARTS, NEW YORK UNIVERSITY, 1963-66 PUBLIC COLLECTIONS: ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK AMERICAN TELEPHONE AND TELEGRAPH BROOKLYN MUSEUM, BROOKLYN, NEW YORK CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA CENTRO CULTURAL, MUSEO CONTEMPORANEO, MEXICO CITY COPLAND HOUSE, CORTLANDT MANOR, NEW YORK DAYTON ART INSTITUTE, DAYTON, OHIO DOW JONES HEALTH SCIENCE CENTER, UNIVERSITY OF TEXAS, SAN ANTONIO HECKSHER MUSEUM OF ART, HUNTINGTON, NEW YORK I. T. & T. ITALIAN RELIEF FUND J.P.MORGAN CHASE JACK S. BLANTON MUSEUM,UNIVERSITY OF TEXAS, AUSTIN METROPOLITAN MUSEUM OF ART, NEW YORK MOMA/P.S.1, STAIRWELL MURAL NEW YORK UNIVERSITY, NEW YORK PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA PHOENIX ART MUSEUM, PHOENIX, ARIZONA READER'S DIGEST SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE SAN FRANCISCO MUSEUM OF MODERN ART SHEPHERD SCHOOL OF MUSIC, RICE UNIVERSITY, HOUSTON SHIMIZU CONSTRUCTION, TOKYO SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK THE COMMODITIES CORPORATION, TRINITY UNIVERSITY, SAN ANTONIO, TX THE LANNAN FOUNDATION, LOS ANGELES, CALIFORNIA THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT WESTINGHOUSE CORPORATION WHITNEY MUSEUM OF AMERICAN ART, NEW YORK AWARDS: 2008 THE POLLOCK-KRASNER FOUNDATION 1988 THE POLLOCK-KRASNER FOUNDATION 1987 THE ANN AND ERLO VAN WAVEREN FOUNDATION 1983 INGRAM MERRILL FOUNDATION SOLO EXHIBITIONS: 2008 CARRIE HADDAD GALLERY HUDSON, NY 1991 MARGULIES/TAPLIN GALLERY BAY HARBOR ISLANDS, FL 1989 BALL STATE UNIVERSITY MUNCIE, IN 1986 NINA FREUDENHEIM GALLERY BUFFALO 1986 JOHN GOOD GALLERY NEW YORK 1985 GETLER/PALL/SAPER GALLERY NEW YORK 1983 HAMILTON GALLERY NEW YORK 1982 HAMILTON GALLERY NEW YORK 1981 IVORY KIMPTON GALLERY SAN FRANCISCO 1980 HAMILTON GALLERY NEW YORK 1978 ROBERT MILLER GALLERY NEW YORK 1976 OLIVER BERNIER, INC. NEW YORK 1976 GREY ART GALLERY, NYU NEW YORK RETROSPECTIVE EXHIBITION 1976 OLIVIER BERNIER, INC. NEW YORK 1970 TIBOR DE NAGY GALLERY NEW YORK 1969 OLIVIER BERNIER, INC. NEW YORK GROUP EXHIBITIONS: 2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD 2006 WEBER FINE ART GREENWICH, CT MY FRIENDS-THEIR VISION 2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES 2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND�S AMERICA 1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE 1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF G��N��RATION) 1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW 1991 NINA FREUDENHEIM GALLERY BUFFALO RICHARD HENNESSY AND JEFFREY WASSERMAN 1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S 1991 FRENCH CULTURAL SERVICES NEW YORK LIVRES D'ARTISTES OF COLLECTIF G��N��RATION 1991 SAMUEL P. HARN MUSEUM, UNIVERSITY OF FLORIDA AT GAINESVILLE GAINESVILLE, FL CONTEMPORARY ART 1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES...