William Johnstone, Autumn Landscape, 1970

"Harbour View, Marseille". Oil on board painting of the port of Marseille with sloops passing the Cathedral “Nouvelle Major” in an associated lemon gold M...

Rico Tomaso (1898-1985) original oil on canvas "Woman Playing Violin, Men Enthralled" illustration for McCall's magazine. Signed top right with original McCall's magazine label on ba...

Giuseppe Casciaro, Ischia, 1929. Giuseppe Casciaro (1861-1941) Amalfi coast landscape with watchtower on the island of Ischia. Pastel and gouache on card. Signed and dated 19 Feb VII...

Mid-century view of Piazza del Popolo. Large pastel and gouache on paper of the obelisk with lions and the twin churches of the famous Piazza Del Pop...

Sardine Colazione fish painting. Contemporary blue white and green on black gesso painting on wood panel of breakfast sardines, Italy, 2019. Dimensio...

Ada Pratella (1901-1929) Houses at Capri, oil on canvas in gold frame, signed lower left. Italy, circa 1920 Dimensions: 17" W x 14.5" H x 1.88" D; sight 12.5" W x 10.25"H.

William Henry Chandler (1854-1928) Pastel, a cottage in an autumn landscape, signed "Chandler" on lower right. Pastel on paper in period mahogan...

Set of two gouache watercolor paintings featuring Birmingham England landscapes, country roads, stone bridges birds flying in winter. Autumn painting features castle house, dirt road...

PAINTING "Autumn landscape" Author - Danish painter Finn Wennerwald (1896-1969) Oil on a wooden board. dimensions: Frame: height 61 cm; width 80.5 cm depth 5 cm Image: height 46...

William Morehouse [1929-1993] was a Bay Area painter who was renowned for his work in both Abstract Expressionism, as well as plein air landscapes, mostly done in a style known as Ab...

Magnificent Japanese four-panel 19th century Meiji screen. Made in the Rimpa School style depicting a serene floral autumn landscape. Beautifully painted sumi ink and color pigments ...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...