Derek Sullivan 'After the Life for the Most Part (D)' Silkscreen, 2014

Derek Sullivan silkscreen in colour 'After the life for the most part (e)'. Made by the artist in Canada, circa 2014. In original condition, with minor wear consistent with age...

Derek Sullivan silkscreen in colour 'After the life for the most part (g)'. Made by the artist in Canada, circa 2014. Edition of 16. In original condition, with minor wear c...

Bronze sculpture book by Alexander Calder for Perl's Galleries. Manufactured in New York, circa 1950. In good original condition, with cons...

Embrace the captivating beauty of nature with this iconic Karl Blossfeldt Black & White Flower Photogravure, a striking piece of botanic photography from 1942. Renowned for his groun...

Karl Blossfeldt Photogravure from the edition of the book 'Wunder in der Natur' in 1942. Photography number 7. 'Aspidium filix mas. Wurmfarn. Junge gerollte Blätter in 4 facher Ve...

Karl Blossfeldt Photogravure from the edition of the book 'Wunder in der Natur' in 1942. Photography number 30. 'Chrysanthemum Leucanthemum. Gemeine Wucherblume, große Maßliebe, M...

Vik Muniz The Glass House, after Robin Hill Digital C print Measures: 20 in. x 29.6 in. Accompanied by a complete signature label Edition of 25 U...

Christo / The Pont Neuf Wrapped / Project for Paris, 1984 / Collage En Deux Partes Offset lithograph in colors on woven paper, published by Nouvelles Ima...

Possibility of laminated on dibond, with metal structure, on request. Depth 3 cm for lamination otherwise photograph sent in roll - Printing in seven copies. CEDRIC ROULLIAT (Bor...

"Print Philippe Vogelenzang - The Neck" White wooden frame clear glass Dimensions : Lengh: 104 / Height: 124 / Depth :6 cm.    

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

No. 41 of the collection of plates published by Kleynenberg & Co. Each plate includes a title and number. This plate is titled ‘Riet-Transpo...