Jean Carlu - Pépa Bonafé

"The love that Americans poured out for the work and person of Ansel Adams during his old age, and that they have continued to express with undiminished enthusiasm since his death, i...

Grant, Ulysses S. Large Albumen Photograph Magnificent large albumen photograph of Ulysses S. grant by Abraham Bogardus. An unusually large late (circa 1880) photograph of Grant, post-presidency, in formal dress, sitting and in partial profile. Mounted on thick card with the photographer’s credit and address (“A. Bogardus / 872 Broadway, NY”) on matte below the photo. The photographer, Anthony Bogardus, was a photographic pioneer, described by the New York Times as “the best-known photographer in the United States” in his prime who took “the first photographs of Gen. Grant, Gen. Hancock, Samuel D. Morse, inventor of the telegraph; Horace Greeley, Henry Ward Beecher and other equally well-known men.” The engravers Currier & Ives produced an engraving based on this photograph, calling it “the last and best taken of General Grant...

Photograph Signed

ORIGINAL VINTAGE PHOTOGRAPH SIGNED BY CHARLES LINDBERGH.

Photograph of a young Lindbergh sitting at h...

Flower Is… “is one of Frank’s great books (which means it is one of the greatest of photobooks), demonstrating magisterially, as he himself says in the boo...

Large, iconic robe painting by legendary American artist Jim Dine. “What motivated you to begin the series of Bathrobes pictures?" "Well, I had been seeing a psychiatrist for two,...

"Some people mistake my work for satire. I don't object because satire is a powerful force, so if the work is seen that way it serves one function. But I don't agree. The pictures are taken in the spirit of finding myself in the other, or finding the other in myself."—Larry Fink...

Original Art Deco Vintage Poster-Jean Carlu-Jif-Foot Pen Magnet, 1923 The pencils, pen holders and fountain pens of the JiF brand attract amateurs like a magnet. Additional Det...

Posters from the Museum of Decorative Arts created by Jean Carlu in 1956 for an exhibition on Ancient Peruvian Art from the Nathan Cummings Collection. Artist: Jean Carlu (1900-1997...

Original, midcentury poster dated 1975 from Gallerie Lovreglio in Nice, France. Signed by the artist Jean Messagier (1920-1999), multi-faceted artist. Measures: 17" W × 1" D × 24" H "Like the meanders of the Doubs so dear to Jean Messagier, the furrows that the artists on the paths of art history are sometimes complex and tortuous. Messagier, famous since the 1950s, exhibited all over the world, a friend of painters, rockstars and poets, began the 1980s with a retrospective exhibition at the Grand Palace (Paris) which then marks, paradoxically, the beginning of a certain forgetfulness. The reasons are many times that today the work of this immense artist is partly forgotten, in all unknown cases, and is probably the object of a misunderstanding. Messagier, abstract? Arise then these images of colorful tracery, this so-called "tile washer" painting, which was, he, is true, that of her first successes and her consecration, but which is only one of facets of a gigantic and protean work that has endlessly put itself in danger and to reinvent herself. The object of the retrospective imagined at the Musée de Dole in 2019 is clearly to show that Messagier was working beyond the issues of figuration and of abstraction, in an urgency to paint, to draw, to create, which has as principal obsession to respond to the cruel creativity of nature. Messagier, springtime specialist, ecologist almost before the hour, experimenter of frost painting winter, poet of the sap and pollen, draws his breath in that, vital, libidinal of nature. It's the same energy that pushed him to touch everything, with a freedom and a lack of interest manifest for opinion or criticism. It does not matter if we say crazy - on the contrary - Messagier the almost American abstract painter never finished with the figure or the figuration and allowed herself as early as the 1970s to both summon images from the popular culture like Goldorak, the Marsupilami, Betty Boop, glamorous figures like Lady Di or Greta Garbo, to jostle her masters by quoting Delacroix, Matisse, Picasso ... with total irreverence. These years 1970-1980, where will face jovial triviality, fried eggs, radishes, a thousand giant leafs...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Jean Dubuffet was one of the most famous European artists of the postwar era, “I have a great interest in madness, and I am convinced art has much to do with madness,” Dubuffet said ...

This original and authentic Mid-Century Modern French stone lithograph designed by Jean Cocteau from the 1950s is for a ceramic exhibition of his pieces at Galerie Pont de Arts in th...