Wichie Torres, Caribbean Horse Show Serigraph, Signed, Puerto Rico, 1993

Vintage Caribbean watercolor painting on paper - initialled lower right and dated - unframed - circa 1994. Good vintage condition - no loss - no damage - no restoration - bright & s...

Leopoldo Torres Agüero (b.1924 Argentina - d.1995 France) - 'Untitled' - Rare and early Mid-Century Modern three color monotype on buff paper - signed and dated lower right - signed ...

PIERRETTE VILLENEUVE (b.1944 - Aboriginal Metis Huron Wendat) - 'Les Patineurs - Canal Rideau' (The Ice Skaters - Rideau Canal) - Vintage watercolor painting on paper - original meta...

N.C. - 'Mother & Daughter' - Expressionist mixed media painting on paper - dry brush technique on gloss finish paper - initialed and dated lower right - contained in a double matte -...

Zamy Steynovitz (Israeli 1951-2000) - "Bride On Her Wedding Night" - fine art serigraph on wove paper - signed in pencil lower right - Artist's Proof 8/65 lower left - artist's inven...

HELENA BOUCHER (Unknown/Unidentified Artist) - Vintage pastel landscape drawing on buff paper - featuring a horse in the foreground set agains...

Original 1993 U.S. one sheet poster for the film Totally F***ed Up directed by Gregg Araki with James Duval / Roko Belic / Susan Behshid / Jenee Gill. Sign...

Signed Mira Nakashima Poster "The Soul of a Tree - George Nakashima" 1993. The original lithograph from an exhibition at the Museum of Modern Art, Toyama. This poster has a black lac...

Black and white poster shows a photograph of a nude man standing on his tiptoes in profile at center on the page. The man wears a pair of long feather wings that extend from his shou...

Thomas McKnight serigraph. Artwork is 39" x 35". Framed measures 49" x 45.5" x 1.5". Acrylic cover has scratches and frame has chips, so reframing ...

Gorgeous set of 3, colorful Tropical foliage paintings. Painting need a little refreshing but can definitely be used as is if you don't mind small imperfections. Small chips to bla...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...