20th Century Graphic, Russel's History of England, Judge Jeffreys Captured

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18th century. The author of the drawing is Wale Samuel (1720-1786), and the template was made by James Walker. This piece of art is entitled: “King Edgar...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18...

We present you one of the fourteen graphics from the series, depicting the history of England. The graphic is from Russel’s New and Authentic History of England, published in the 18th century. The author of the drawing is Wale Samuel (1720-1786), and the template was made by Debroche. This piece of art is entitled: “Edward, Prince of Wales arrested by the Duke of Clarence and others on the Signal given by Edward IV...

Whimsical set of 16 Mid-20th Century Japanese woodblock prints. Potentially available in blocks of four.

20th century framed block print.

This is an original antique print titled 'Photographische Apparate II'. It shows various photo equipment and cameras. This print originates from Volume 5 of Meyers Konversations-Lexikon, published between 1893 and 1897. Meyers Konversations-Lexikon or Meyers Lexikon was a major encyclopedia in the German language that existed in various editions, and by several titles, from 1839 to 1984, when it merged with the Brockhaus Enzyklopädie. Joseph Meyer (1796–1856), who had founded the publishing house Bibliographisches Institut in 1826, intended to issue a universal encyclopaedia meant for a broad public: people having a general knowledge as well as businessmen, technicians and scholars, considering contemporary works like those of Pierer and Brockhaus to be superficial or obsolete. The cameras in more detail described: The print titled "Photographische Apparate II" features a detailed collection of photographic equipment from the late 19th century. This would have been state-of-the-art technology at the time, showcasing the various types of cameras and accessories used in the field of photography. The print originates from Meyers Konversations-Lexikon, which was a major German encyclopedia that was known for its comprehensive and well-illustrated articles. The fact that this print comes from Volume 5 of the encyclopedia, published between 1893 and 1897, places it at the end of the 19th century, a period of rapid advancement in photographic technology. The apparatuses shown include: 1. **Darkroom lamps and safelights** used to provide illumination in darkrooms without affecting light-sensitive materials. 2. **Various camera designs**, including folding cameras, box cameras, and plate cameras, reflecting the technological diversity of the time. 3. **A camera with a plate magazine** allowing for multiple exposures before needing to reload. 4. **A stereo camera...

A pair of 20th century decorative prints, depicting two Indian couples. Material: print in wooden frame. Dimensions: H84.5 x W64.5 cm (framed dime...

A pair of 1910 framed prints of Asian porcelain in giltwood frames. Beautifully matted in French matts.

The brilliant colors of this French nature morte are quite impressive, allowing the imagery to be seen crystal clear. Oil enhancements have been applied to this 20th-century transferred image to evoke similarities to the painting that it is after, which is currently housed in Le Louvre Museum in Paris. Our version is incredibly well-done and true to the Alexandre François Desportes original, which is entitled Game, Fruit, Flowers, and a Dog (1712). A variety of felled game (a rabbit and six birds) and a hunting rifle are displayed next to a stone fountain with a mythical creature mascaron water feature. The gadrooned basin is not filled with water, but rather a woven basket of blueberries next to a cluster of fruits including peaches and cherries (there is also a blue and white ceramic bowl full of peaches on a stone to the right of the fountain). Vibrant flowers in a wicker basket sit atop the thickly molded entablature of the cream-colored fountain. A pink rose bush grows on one side of the fountain, opposite from large, verdant bushes that obscure most of the blue sky. Laying beneath the fountain basin is a white hunting dog with black markings on its ears and face. Desportes was born in 1661 in Champigneulle, in northern France, later studying in Paris with the Flemish painter, Bernaerts. Initially, Desportes was a well-respected portrait painter, living in Poland during his mid-thirties to paint aristocrats such as King John III Sobieski. Upon the king’s death, Desportes returned to Paris and switched his focus to painting animals and floral arrangements. Both Louis XIV and Louis XIV commissioned Desportes to paint portraits of their favorite hunting dogs. Desportes would often join the kings on royal hunts, where he would travel with a notebook for still life sketches...