Alberto Giacometti Lithograph, 1962
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Alberto Giacometti Lithograph, 1962
About the Item
- Creator:Alberto Giacometti (Artist)
- Dimensions:Height: 39.75 in (100.97 cm)Width: 31.75 in (80.65 cm)Depth: 1.5 in (3.81 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1962
- Condition:Wear consistent with age and use.
- Seller Location:West Palm Beach, FL
- Reference Number:1stDibs: LU2978316615742
Alberto Giacometti
Alberto Giacometti was a painter, printmaker and furniture designer but he is best known as one of the 20th century’s most important sculptors. He is revered for the elongated, slender human figures he created in the years following World War II that reflected existentialism and the trauma associated with the conflict.
Giacometti was born in Borgonovo, Switzerland, in 1901 to a creative family. His father Giovanni was a Post-Impressionist painter, his godfather Cuno Amiet was a Fauvist painter, his brother Bruno was an architect, and his other brother Diego was an artist and furniture designer who also served as Giacometti’s model. (The sculptor worked chiefly with models plucked from his personal life.)
Beginning in 1922, Giacometti studied at the Académie de la Grande-Chaumière in Paris and was influenced by the Cubist work of Alexander Archipenko, Raymond Duchamp-Villon and the post-Cubist sculptures of Jacques Lipchitz and Henri Laurens.
During the 1930s, Giacometti designed furniture such as lamps, vases and wall décor to earn a living, often collaborating with interior designer Jean-Michel Frank, whose interiors tastefully mixed extravagance with sophisticated simplicity. However, Giacometti’s passion lay in creating sculptures.
Alberto and his brother Diego left Paris in 1940 to escape the Nazi invasion and spent time in the South of France before fleeing to Geneva, remaining there until 1946. In 1947, Giacometti began work on his most famous sculptures — very tall and thin figurines that came to be associated with frailty and loneliness.
Giacometti catapulted to fame in the United States following two exhibitions of his sculptures in 1948 and 1950 at the Pierre Matisse Gallery in New York City — Jean-Paul Sartre authored the catalogue essay for the latter. In 1961, Giacometti’s friend, Irish playwright Samuel Beckett, asked him to design the set for a re-staging of his play “Waiting for Godot.” His response took on the form of a single plaster tree.
In 1962, Giacometti won the grand prize for sculpture at the Venice Biennale, and for much of the rest of his career, he created modern paintings, drawings and sculptures of plaster, clay and bronze in his small Paris studio. He died in 1966.
Giacometti’s works continue to enthrall collectors. In 2010, his life-size bronze sculpture L'Homme qui marche (“the man who walks”), which now adorns the 100 Swiss Franc banknote, became one of the most expensive sculptures to be sold at auction.
On 1stDibs, discover a range of vintage Alberto Giacometti wall decorations, prints and sculptures.
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- Alberto Giacometti Mid Century Modern The Search Collectors Guild Etching 20"By Alberto GiacomettiLocated in Dayton, OH1960's original etching of "The Search" by Alberto Giacometti. The Collector's Guild Ltd. Certificate of Authenticty attached to back of frame. Plain wood frame with slightly raised bevel; no mat. "Alberto Giacometti (October 10, 1901-January 11, 1966) - The son of Swiss impressionist painter Giovanni Giacometti, he was born in Stampa in the Bregaglia Valley. He displayed a talent for painting art and sculpture at an early age and with his father's guidance he made his earliest drawings, paintings and sculpture using his family for models. By age ten he had progressed from a simple illustration of Snow White to a detailed copy of Rembrandt's Good Samaritan. His first bust, made when he was just thirteen, was of his younger brother, Diego, who would become his lifelong assistant. Alberto spent six months when he was eighteen as a student at the Ecole Des Arts et Metiers in Geneva. He visited Venice with his father where he first experienced paintings by Tintoretto. He stayed a short period in Italy, where he studied Byzantine Mosaics and Baroque architecture. On the way home they visited a church in Padua filled with frescoes by Giotto where he had his first experience with an almost hallucinatory vision giving him a challenge to portray the world according to his own desires rather than the conventional ones. He went to Paris in 1922 to study with Rodin's pupil Bourdelle and settled in the tiny Montparnasse studio where he worked the rest of his life. He allied with the surrealists, until he wearied of creating what he called "these mental reconstructions." He sought, through his sculpture, to probe for the essence of life, but was never satisfied with the search. During this period he started the usual figures and busts at typical sizes and after several months of work the figures had shrunk to the size of a pin. One of the great bohemians, Giacometti loved to haunt cafes until late at night. His dingy studio, lit by a dusty studio window and bare light bulbs, heated by a potbellied stove, was strewn with cigarette butts. He traveled little, except to Switzerland at Christmas and New Years. He left Paris in December 1941 for Switzerland, but Diego stayed behind in Paris to take care of the studio. Giacometti's extremely personal conception of space and figuration matured after the Second World War and he developed still further his elongated and isolated figures with a suggestion of existentialist tragedy, skeletal and emaciated groups which created their own spatial environment in a unique way. Between 1940 and 1945 he produced works on a miniature scale which nevertheless created a symbolic impression of magnitude. It was during the years in Geneva that he met Annette Arm. She moved in with him and abided by his request that she not change the way he lived. She became his model, his muse and after a few years, his wife. He continued to make nocturnal visits to cafes and to use prostitutes for his models. His personal life has been described (perhaps wrongly) as dealing with impotence, a foot fetish...Category
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