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Andy Warhol Flowers Castelli Gallery Mailer 1964

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    By Andy Warhol
    Located in New York, NY
    After Warhol Brillo pillow, red, white, blue, inflatable, signed. Large promotional inflatable pillow produced by the Purex Corporation for their brand, ...
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    Vintage 1960s American Mid-Century Modern Pillows and Throws

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    Plastic

  • Ito Takashi Lanscape Woodblock Print, "Mt. Fuji from Susono", Signed
    Located in New York, NY
    Ito Takashi Landscape Woodblock: Mt. Fuji from Susono. Beautiful Japanese woodblock with good colors; under glass with 1960s era matting and framing. The b...
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    Vintage 1950s Japanese Mid-Century Modern Prints

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  • Friedel Dzubas Lithograph, Abstract, Blue, Orange, Green, Signed
    By Friedel Dzubas
    Located in New York, NY
    Friedel Dzubas Lithograph, Abstract, Blue, Orange, Green, Signed. Large color lithograph printed on heavy Authenticated brand wove paper and floating inside a period 1970's plexibox....
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    Vintage 1970s American Mid-Century Modern Prints

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  • Adja Yunkers, "Red Echo", Abstract Lithograph, Signed
    By Adja Yunkers
    Located in New York, NY
    "Red Echo" by Adja Yunkers (1900-1983), abstract lithograph, signed. Lithograph on wove paper, signed, dated and numbered in pencil lower right: 2/40 Adja Yunkers 1976. Titled "Red Echo" in lower left in pencil. Lithograph was been archivally matted and framed with a 1.5 inch white lacquered wood molding and UV plexiglass. Framed size: 41 inches x 30.38 inches x 1.5 inches. Yunkers, a major New York mid-twentieth century abstract painter and printmaker, was part of a group of New York artists (and friends) which included Robert Motherwell, Willem De Kooning, Mark Rothko, Phillip Guston...
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    Vintage 1970s American Mid-Century Modern Prints

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  • Adja Yunkers "Requiem for a Virgin King", Abstract Lithograph, Yellow, Signed
    By Adja Yunkers
    Located in New York, NY
    Requiem for a Virgin King by Adja Yunkers (1900-1983), abstract lithograph, yellow, signed. Large lithograph on wove paper. Signed and dated in pencil in lower right. Numbered 39/50 and titled: Requiem for a Virgin King. Image size measures: 46 x 35. Framed size: 54.5 inches x 45 inches. Archivally matted and framed with a 1.5 inch white lacquered wood molding and UV plexiglass.  Yunkers, a major New York mid-twentieth century abstract painter and printmaker, was part of a group of New York artists (and friends) which included Robert Motherwell, Willem De Kooning, Mark Rothko, Phillip Guston...
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    Vintage 1970s American Mid-Century Modern Prints

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  • After Robert Indiana, Golden Love, Screenprint, Serigraph, Yellow, Orange, Red
    By Robert Indiana
    Located in New York, NY
    After Robert Indiana, Golden Love, Screenprint, Serigraph. Unsigned color screenprint on heavy wove paper with bright pop art colors: orange, yell...
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  • Andy Warhol "MAO"
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  • Andy Warhol Mick Jagger Framed Lithographs by Castelli Multiples Inc
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    Framed Group of Ten Mick Jagger Lithographs, after Andy Warhol, American, circa 1975. This group of ten offset color lithographs was published by Multiples, Inc./Castelli Graphics. S...
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  • Pair of Andy Warhol Fish Prints (F. & S. IIIA.39) 1983
    By Andy Warhol
    Located in New York, NY
    Pair of framed Fish (F. & S. IIIA.39) screen prints in color, on wallpaper, with full margins by Andy Warhol, American 1983. These have been custom framed by Lobel Modern as a match...
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  • Querelle A27 'White' Screen Print by Andy Warhol
    By Andy Warhol
    Located in San Diego, CA
    Querelle A27 (white) screen print by Andy Warhol, circa 1982. The print is in very good vintage condition and measures 27.5"W x 39.25"H. Very impressive piece in person, sorry about the glare in the photos. #2631 This rare print of two young men in a rather provocative pose, Andy Warhol used a photograph taken in preparation of his poster for Rainer Werner Fassbinder’s film Querelle. In 1982, Warhol was commissioned by the German film director Rainer Fassbinder, to design a poster for his adaptation of Jean Genet’s classic novel, ‘Querelle’. The story of a sailor’s journey into the sexual underworld of a French port appealed to Warhol’s cinematic sensibilities and could easily have been one of his own productions (he had started making films in the 1960s). This design is based on a photograph by Warhol of two young men with bare shoulders. It is characteristic of his work in the 1980s, incorporating elements of both hand-drawn and photographic screen printing. He focuses attention on the suggestively licking tongue by splashing it with a vibrant red. The film is based on Jean Genet’s scandalous novel Querelle de Brest, written in 1947 and published only six years later. It is not difficult to imagine that both Fassbinder and Warhol where fascinated by Genet’s violent and explicitly homoerotic story of the sailor, opium dealer and murderer Georges Querelle. The film’s notoriety was further heightened by Fassbinder’s death of drug overdose and its posthumous release in 1982. Warhol’s screen prints...
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  • Andy Warhol, Joe Dellasandro, ‘Flesh, 1968’, Black & White Photograph, 1978.
    By Andy Warhol
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    Andy Warhol, Joe Dellasandro, ‘Trash’, 1968 (1978), Black & White Photograph. Large silver gelatin print. Printed in 1978. Provenance: Archive of After Dark Magazine, New York. This ...
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