Man of the Sandwich Islands, with His Helmet J. Webber del. J.K. Sherwin Sc.

A 19th century steel plate engraving depicting the Banishment of Cleombrotus after the original by Benjamin West oil on canvas painting executed in 1768 and held at the Tate Gallery. The engraving is presented with beige matting and a gilded wooden frame. Benjamin West showed this painting at the second exhibition of the newly formed Royal Academy. After several years in Italy, West had established himself in London as the leading painter of subjects from classical history...

A 19th century engraving of a young Mozart playing the harpsichord in the court of Hapsburg Emperor Francis I featuring the Emperor and a number of courtesans and members of the Haps...

A set of three original copperplate engravings by the renowned Parisian 18th century Engraver Antione Aveline ( b 1718 - d 1762 ). The three engravings are numbered 62, 64 and 45 and were commissioned with the permission of the Louis XV the King of France at the time. All three engravings show views and perspectives of features in the gardens of Versailles...

The oil painting on canvas is of a young boy 'hugging' his dog, which lies on the boy's lap. It is very much in the style of the Scottish painter Henry Raeburn. The boy is dressed in...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

A calming bucolic painting of a shepherd herding his flock of sheep back home at sunset along a country lane assisted by his sheepdog. The painting is presented in a gesso carved g...

Original antique print of various inhabitants of the region of the Sandwich Islands ('Capi ell'isola Mowé'). This print originates from 'Costume Antico e Moderno: Palestine, China, I...

This engraving, published in London by Alex Hogg at the Kings Arms, No.16 Paternoster Row, features two side-by-side portraits with the labels "Portrait of ...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

Antique print titled 'Werktuigen van de Sandiwch-Eilanders'. This print depicts various tools of the Inhabitants of the Sandwich Islands. Originates f...

This original antique engraving is a set of two portraits side by side from "A New, Royal, Authentic and Complete System of Universal Geography, Antient and Modern" published by C. C...

Antique map Atlantic titled 'Kaart van de Ontdekkingen gedaan in den Zuider Atlantischen Oceaan (..)'. Antique chart depicting Southern Georgia and the Sandwich Islands. Originat...