Limbus Fatu Orum Map of a Mechanical Opera by Jay Bolotin Woodcut Print, 1992

"Sound of Moon' by Roy Fairchild-Woodard A colorful hand signed limited edition serigraph featuring dancing figures/muses #210/465 Roy Fairchild-Wo...

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...

"Museum exhibit sculpture by Jay Bolotin. Aptly titled Angel, this art sculpture is larger than life. The wooden body shows elegance as it points to the sk...

Nine part series by Margaret Wharton showing a deconstructed chair arranged in a variety of new forms. “Margaret Wharton (1943-2014) was an American a...

"Series of 11 prints, marked JB 1995, numbered 3/20. Artist Jay Bolotin (American, born 1949) crosses many disciplines, including visual art, theatre, fil...

East German born artist Victor Klauss was introduced to America in the late 1990's. Since then his artwork has gained acclaim primarily due to his expres...

A wonderful image by British artist or printmaker Frank Martin titled "Maened". The image is of dancer Olga Tshechowa and was later used for the poster of...

Very large woodcut by Leonard Baskin (1922-2000) titled "Angel of Death". Leonard Baskin is widely considered one of the preeminent figures of 20th cen...

Selection of Abstract Black and White Woodcuts by Hap Grieshaber, German, circa 1960s. They have been recently professionally framed in vintage gilt woo...

This is a digitally remastered World Map Conjuring up the golden age of exploration, from an original 1642 double hemisphere map of the world. It...

Robert Combas, large original serigraphy mounted on canvas, 83/100, 1992, signed in pencil, framed. 125 x 98cm with frame, 110 x 85cm without.  

A complete set of “Three Aquatints” prints by Robert Mangold. Published by Parasol Press Ltd., on Rives BFK paper. Each signed, numbered and annotated A, B, C in pencil. Framed using...