Old Engraving of the Battle of Chatham or Raid on Medway on the Thames, England

Antique print titled 'Aftekening der Schilderye op 't Stadhuis te Dordrecht (..)'. Scene of the battle of Chattam during one of the many Anglo-Dutch wars. In this battle, the Dutch sailed up the river Thames and destroyed part of the English fleet at anchor in the harbor of Chattam. Pictured in the foreground is the Dutch commander, Cornelius de Wit, being presented with the spoils of war...

Rare antique print titled 'Plan de la Ville et Chateau Traarbach (..)'. Battle plan of Trarbach, Rhineland-Palatinate, Germany. Published circa 1710 b...

Antique map titled 'Carte d'Angleterre ou l'on fait observer les Batailes les plus Memorables de ce Royaume'. Original antique map of England, showing the most memorable battles. Thi...

Antique print titled 'Eauweck, capitale de Camboye'. Decorative panoramic view of the town of Longvek (or Lavek) in Cambodia. It was the second capital city during the Cambodia's Mid...

Description: Antique map titled 'Prussia'. Original map of Prussia, a historically prominent German state that originated in 1525 with a duchy centered on the region of Prussia o...

Antique print titled 'Antiquities found in a bed of chalk, near Winchester, 1789'. Antique print depicting antiquities found near Winchester. Artists and Engravers: Made by J. Basire...

ST/520 - Old rare Italian map of England, dated 1826-1827 - by Girolamo Tasso, editor in Venise, for the atlas of M.r Le-Sage.

ST/426 - Antique French Map of the estuary of the Thames, map dated 1769 - "Mape of the entrance of the Thames. Designed by filing of Navy cards fo...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Lithographic print of the Naval Battle of Beziers on 10th July 1690, taken from the book Historical Gallery of Versailles 319bis. Skelton is the engraver. Original print by Victor Gilbert Théodore Gudin...