Park Seo-Bo - “Ecriture”, 1988 - Lithograph, hand signed. Edition 300, framed

Artist François Morellet (Cholet 1926 – Cholet 2016) was a French painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. Morellet began his artistic career - still working in his parents' business - as a autodidact painter. His work was influenced by the work of the Dutch painter Piet Mondriaan and by the French painter Pierre Dmitrienko...

Wrapped coast project, little bay, Australia, 1968-1969 (Schellmann 87A) Offset print on Offsetpaper Edition: 100 Signed and numbered (12/100) by the artist in lower right corner. Or...

Maurice Estève – Bank Street, 1967 – Lithograph on Arches paper, professionally framed, museum-glass “Bank Street”, 1967. Colour lithograph on Arches paper. Signed and numbered (76/...

André Lanskoy – Abstract composition, lithograph on Arches paper circa 1965, professionally framed museumglass. An abstract-expressionist composition, printed on Arches paper ca. 1...

Victor Vasarely - "Venus", silkscreen on plexiglass 1987, edition 250, framed Artist Victor Vasarely (Pécs, Hungary 1906 – Paris, France 1997) is one of the founding fathers of the Op-Art movement in Europe. His brightly colored optical patterns introduced a visually kinetic aspect to the traditionally flat paintings...

Pop Art Robert Indiana Yield Brother 1971 Screenprint Edition 230 Red Blue “Yield Brother”, from the “Decade” suite. Screenprint on heavy wove-paper, 1971. An impactful work where Indiana made use of military signage, stenciled letters and a palette of strong colours creating tension between it’s call for peace and the visual language of military posters. Signed and dated and numbered (46/200) in pencil by the artist. The print also bears the artist’s copyright ink stamp. Part of an edition of 230 total: 30 artist’s proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Professionally framed in a brushed aluminium frame. Museum-glass was used to minimize reflection. Ready to hang. About the artist Robert Indiana (pseudonym of Robert Clark) ( New Castle, USA 1928 – Vinalhaven, USA 2018) was an American painter, sculptor and poet. He was a leading representative of pop art and created the internationally famous LOVE symbol in 1964. A self-described American painter of signs”, Robert Indiana’s works explore visual culture, national identity and personal history through symbols and colours inspired by signage and graphic design. Indiana had his first solo exhibition in 1962 at Eleanor Ward’s Stable Gallery, which at that time also represented Cy Twombly and Robert Rauschenberg. In 1962 he participated with the work The Black American Dream #2 in the exhibition New Realists, organized in the gallery of Sidney Janis. It was here that pop art first announced itself as a new movement in visual art. In the following years, Indiana would participate in all the important group exhibitions of this movement. Although the Pop Art movement made Indiana famous, he was never fully comfortable with the consumerist nature of Pop Art as his work often was very politically outspoken. In 1978 Robert Indiana left New York City for good, moving to the remote island of Vinalhaven in Maine, close to where his hero, the painter Marsden Hartley had lived. Since then he rarely gave interviews or engaged in the art world, yet he continued to align himself with political causes, designing the official poster for Barack Obama’s Presidential campaign in 2008. During his lifetime Indiana had countless exhibitions all over the world, and his work is included in the collections of numerous international museums: among others Metropolitan Museum New York, Museum of Modern Art New York, Tate Modern London, Stedelijk Museum Amsterdam and Hara Museum of Contemporary Art, Tokyo. Signed Signed and numbered (46/200) by the artist in pencil. Condition Overall good condition. Full margins. Slight undulation on right side of the print. Slight moisture damage in upper left margin. Edition Part of an edition of 230 total: 30 artist's proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Literature Robert Indiana Prints...

This iconic Mercury Seven color lithograph, by artist George Bishop, is a signed limited edition collector's piece celebrating America's seven first space pioneers; the seven chosen astronauts for Project Mercury and the race to space with the Soviet Union. This poster was issued in two limited editions; one edition of only 125 prints and one edition of 1500 prints were created. This lithograph is numbered "513/1500", making this the 513th print in the larger edition. This large lithograph was conceived to raise seed money for the Mercury Foundation. The poster vividly depicts an historic Redstone rocket at the moment of lift off. In the plumes of the rocket's exhaust are the portraits of these seven courageous men, with the Moon in the upper background. The Mercury Seven were made up of Alan Shepard, Gus Grissom, John Glenn, Deke Slayton, Scott Carpenter, Wally Schirra, and Gordon Cooper. This poster has been hand signed in pencil by six of these seven astronauts for Project Mercury. Gus Grissom did not have the opportunity to participate in the signing, having died tragically in 1967 in the fire that consumed the Apollo 1 team during a pre-flight simulation. Instead, his wife, Betty Grissom, has signed the lithograph over his mission patch in his memory and for the benefit of Mercury Foundation. The astronauts signed largely and clearly next to each of their mission patches. Before Project Mercury, no person had even attempted to reach space. There was no guarantee that the project would work, yet these men volunteered to put their lives on the line for their country and science. The Mercury Seven were devoted, fearless, diligent, and bold — all the heroic attributes that Tom Wolfe waxes poetically about in “The Right Stuff.” Condition: The condition of this lithograph is excellent. Paper is healthy with no tears. The original color is still intact with no fading. The signatures at bottom have been verified as original signatures, not copies or autopen reproductions. Signatures are in pencil. Numbered #513/1500 in bottom margin. The poster is artfully presented framed with two additional photographs of the original Mercury 7...

For your consideration is a fun, framed lithograph, entitled "Five Plus Five Plus Two," signed by Barbara Oldsheusky, numbered 181/300. In very good condition. The dimensions are 22....

For your consideration is a wonderful, framed lithograph of a cafe scene, signed by the artist Susan Sahall, numbered 292/300. In excellent condition. The dimensions of the frame are...

An imaginative and whimsical embossed lithograph titled "A Parliament of Owls" by American artist Judith Bledsoe. Hand signed in pencil on the bottom left with an annotation of 294/3...

An imaginative and whimsical embossed lithograph titled "A Shrewdness of Apes" by American artist Judith Bledsoe. Hand signed in pencil on the bottom left with an annotation of 294/3...

An imaginative and whimsical embossed lithograph titled "A Knot of Toads" by American artist Judith Bledsoe. Hand signed in pencil on the bottom left with an annotation of 294/300 on...