20th Century Prints

Pair of framed Fish (F. & S. IIIA.39) screen prints in color, on wallpaper, with full margins by Andy Warhol, American 1983. These have been custom framed by Lobel Modern as a match...

A screenprint in colors on Lenox Museum Board, titled “Gertrude Stein” by Andy Warhol. Hand signed in pencil on the bottom right with an annotation of 168/200. Blindstamp bottom left corner. Published by Rupert Jasen Smith and co-published by Ronald Feldman Fine Arts, Inc., New York, and Jonathan A. Editions, Tel Aviv. In 1979. From Ten Portraits of Jews of the Twentieth Century. Warhol began working on the series which was suggested to him by art dealer Ronald Feldman. The subjects included in this series are George Gershwin, Sarah Bernhardt, Louis Brandeis...

Andy Warhol, Joe Dellasandro, ‘Trash’, 1968 (1978), Black & White Photograph. Large silver gelatin print. Printed in 1978. Provenance: Archive of After Dark Magazine, New York. This ...

Jack Mitchell black and white photograph of Andy Warhol as filmmaker. This silver gelatin print is dated 1968 on the back. 11 x 14 in. Rare image, original print. Jack Mitchell (1925 - 2013) Photographer for the American Ballet Theater, the Alvin Ailey American Dance Theater, Dance magazine. His Photos appeared in Time, Life, Newsweek, Rolling Stone, The New York Times, Vanity Fair, Vogue, New York Times. Permanent collection National Portrait Gallery, the Museum of African American History...

Querelle A27 (white) screen print by Andy Warhol, circa 1982. The print is in very good vintage condition and measures 27.5"W x 39.25"H. Very impressive piece in person, sorry about the glare in the photos. #2631 This rare print of two young men in a rather provocative pose, Andy Warhol used a photograph taken in preparation of his poster for Rainer Werner Fassbinder’s film Querelle. In 1982, Warhol was commissioned by the German film director Rainer Fassbinder, to design a poster for his adaptation of Jean Genet’s classic novel, ‘Querelle’. The story of a sailor’s journey into the sexual underworld of a French port appealed to Warhol’s cinematic sensibilities and could easily have been one of his own productions (he had started making films in the 1960s). This design is based on a photograph by Warhol of two young men with bare shoulders. It is characteristic of his work in the 1980s, incorporating elements of both hand-drawn and photographic screen printing. He focuses attention on the suggestively licking tongue by splashing it with a vibrant red. The film is based on Jean Genet’s scandalous novel Querelle de Brest, written in 1947 and published only six years later. It is not difficult to imagine that both Fassbinder and Warhol where fascinated by Genet’s violent and explicitly homoerotic story of the sailor, opium dealer and murderer Georges Querelle. The film’s notoriety was further heightened by Fassbinder’s death of drug overdose and its posthumous release in 1982. Warhol’s screen prints...