Robert Combas, Original Serigraphy, 83/100, 1992

Pop Art Pol Mara, mix-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 107 x 72cm, the original presentation is head down (Photo n°2), but ...

Pop Art Pol Mara, mixed-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 107 x 72cm, Signed and dated 71 Pol Mara (1920-1998) was a Belgia...

Pop Art Pol Mara, mix-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 107 x 72cm, signed and dated '74. Pol Mara (1920-1998) was a Bel...

Albert Bitran mixed media, (colored pencil, charcoal, and chalk) on paper, signed and dated 1982, in excellent condition. Framed Dimension of the drawing: 52 x 40 cm Albert Bitra...

Pop Art Pol Mara, mix-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 70 x 50cm, signed and dated '74. (there are reflections that are not...

Pair of table lamps in green Murano glass.

We present you this original print by a renowned contemporary French painter and sculptor, Robert Combas. This is an original print created in 2016 using a mixed media technique that...

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...

Yellow curled figure a silkscreen by Robert Mangold. Produced by Pace Editions, New York, 2002. Signed and Numbered 10/10 in pencil. Full sheet. 29 3/8" X 36" Framed using acid free ...

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

A lithograph titled, "Elegy ( Study )" by Robert Motherwell 1979, signed and numbered 42/98 in pencil with Motherwell's blind stamp. There were 12 artist proofs in addition to the 98...

Lithograph in Colors Composition 57/100 by Egill Jacobsen ( Danish. 1918 - 1998 ). Signed lower right. Framed using acid free materials, UV protective plexiglass in 22 karat yellow g...