Andy Warhol S & H Green Stamps, Offset Lithograph

Friedel Dzubas Lithograph, Abstract, Blue, Orange, Green, Signed. Large color lithograph printed on heavy Authenticated brand wove paper and floating inside a period 1970's plexibox....

After Warhol Brillo pillow, red, white, blue, inflatable, signed. Large promotional inflatable pillow produced by the Purex Corporation for their brand, ...

"Red Echo" by Adja Yunkers (1900-1983), abstract lithograph, signed. Lithograph on wove paper, signed, dated and numbered in pencil lower right: 2/40 Adja Yunkers 1976. Titled "Red Echo" in lower left in pencil. Lithograph was been archivally matted and framed with a 1.5 inch white lacquered wood molding and UV plexiglass. Framed size: 41 inches x 30.38 inches x 1.5 inches. Yunkers, a major New York mid-twentieth century abstract painter and printmaker, was part of a group of New York artists (and friends) which included Robert Motherwell, Willem De Kooning, Mark Rothko, Phillip Guston...

Requiem for a Virgin King by Adja Yunkers (1900-1983), abstract lithograph, yellow, signed. Large lithograph on wove paper. Signed and dated in pencil in lower right. Numbered 39/50 and titled: Requiem for a Virgin King. Image size measures: 46 x 35. Framed size: 54.5 inches x 45 inches. Archivally matted and framed with a 1.5 inch white lacquered wood molding and UV plexiglass.  Yunkers, a major New York mid-twentieth century abstract painter and printmaker, was part of a group of New York artists (and friends) which included Robert Motherwell, Willem De Kooning, Mark Rothko, Phillip Guston...

The Beatles by Richard Avedon, offset lithographs, for Look Magazine, framed. Set of 4 Look Magazine Beatles posters with bright colors and minor toning and handling wear. The posters are in very good condition - having been stored in the original shipping tube (included in the listing). Each poster has been archivally floated on a white matte board, under UV plexiglass and framed in a 1.25 inch white lacquer wood cube molding. Measurements: Sheet image sizes: 31 inches H; x 22.5 inches W; Framed size: 39 inches H x 30 inches W x 1.25 inches D. Printed in the lower left of each poster is the band member's name; E.g., JOHN LENNON photographed by Richard Avedon for Look Magazine. Original Look Magazine shipping tube is emblazoned with groovy psychedelic "Beatles", shows the recipient's address and the sender's return address: Beatles Posters Box 1 Look Building Des Moines, IA. 50304 Background of Avedon/Beatles Collaboration: The Beatles were photographed by Richard Avedon on August 11th, 1967. The shoot took place at a photography studio in a penthouse at Thompson House, 200 Gray's Inn Road, London, England. The American photographer took a number of shots of the group, four of which were later embellished with psychedelic effects. The posters were printed by Waterlow & Sons Ltd of London/ The publisher's information appears in the lower right margin of each poster. One a side note, Avedon sold the copyrights of both the photos he took that day and his psychedelic embellishments, executed in post production, to NEMS Enterprises, Ltd. - a firm run by the Beatles music manager Brian Epstein. On Aug 27, 1967, sixteen days after Avedon’s Beatles photo session, Beatles manager Brian Epstein died from an overdose of Carbitol. The Beatles were shocked. By strange twist of fate, the Beatles were attending Maharishi Mahesh Yogi’s meditation seminar at Bangor, North Wales. The guru they had just met in London became a substitute for their use of psychedelics and a cushion for their bereavement. Avedon, unknowingly to the Beatles, or even himself, had captured this true spiritual essence just weeks before. January 1968 was the initial concurrent publication of the Avedon photos...

Ito Takashi Landscape Woodblock: Mt. Fuji from Susono. Beautiful Japanese woodblock with good colors; under glass with 1960s era matting and framing. The b...

Andy Warhol "Mao" Color Screen Print Printed at Styria Studio Inc. Catalogue raisone Feldman/Schellman,90 Signed and Stamped to verso AP 25/50

This stylish and iconic limited edition lithograph of an Absolute Vodka bottle was created by Andy Warhol in 1986. The piece is signed and numbered 10/200 in pencil.

A vintage Warhol Kestner-Gesellschaft retrospective German gallery show poster which ran through Oct. 23rd-Dec. 13th 1981. Printed to the lower edg...

Framed Group of Ten Mick Jagger Lithographs, after Andy Warhol, American, circa 1975. This group of ten offset color lithographs was published by Multiples, Inc./Castelli Graphics. S...

Pair of framed Fish (F. & S. IIIA.39) screen prints in color, on wallpaper, with full margins by Andy Warhol, American 1983. These have been custom framed by Lobel Modern as a match...

Querelle A27 (white) screen print by Andy Warhol, circa 1982. The print is in very good vintage condition and measures 27.5"W x 39.25"H. Very impressive piece in person, sorry about the glare in the photos. #2631 This rare print of two young men in a rather provocative pose, Andy Warhol used a photograph taken in preparation of his poster for Rainer Werner Fassbinder’s film Querelle. In 1982, Warhol was commissioned by the German film director Rainer Fassbinder, to design a poster for his adaptation of Jean Genet’s classic novel, ‘Querelle’. The story of a sailor’s journey into the sexual underworld of a French port appealed to Warhol’s cinematic sensibilities and could easily have been one of his own productions (he had started making films in the 1960s). This design is based on a photograph by Warhol of two young men with bare shoulders. It is characteristic of his work in the 1980s, incorporating elements of both hand-drawn and photographic screen printing. He focuses attention on the suggestively licking tongue by splashing it with a vibrant red. The film is based on Jean Genet’s scandalous novel Querelle de Brest, written in 1947 and published only six years later. It is not difficult to imagine that both Fassbinder and Warhol where fascinated by Genet’s violent and explicitly homoerotic story of the sailor, opium dealer and murderer Georges Querelle. The film’s notoriety was further heightened by Fassbinder’s death of drug overdose and its posthumous release in 1982. Warhol’s screen prints...