Signed Dated and Dedicated Original Contemporary Lithograph by Pierre Boncompain

Woman “Nude” figurative etching by Renato Guttuso. Very important Italian artist. Signed on the lower right. This etching, never before on the market, comes from a private collection...

Luciano Ventrone Painting Oil on canvas, signed lower right L. Ventrone '76 The work has been authenticated directly by the artist and cataloged in the Ventrone Archive under the num...

Yasse Tabuch Signed Dedicated and Dated Watercolor Asian Fine Art Painting Yasse Tabuchi’s paintings belongs to the same line as that of the group of pai...

This beautiful work features on the front a lithograph from a 1958 drawing by Henry Moore from the series 'Heads, figures and ideas'. on the verso an origi...

Lithograph realized by Giorgio de Chirico in 1973 Title "Trovatore tra le nubi". Edition 42\110 numbered and hand signed. Published on the catalogue "Giorgio de Chirico. Catalogo ...

Mimmo Rotella silkscreen printing Title “Marilyn The magnificent prey” Mimmo Rotella silkscreen print taken from the poster of the film "The magnificent prey" with Marilyn Monroe. The silkscreen is made in 125 copies. This is 45 out of 125. Dry stamp of the Mimmo Rotella Foundation and numbering at lower left. Signature at lower right. This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in silvered wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

Exceptional vintage signed and framed lithograph by Sam Briss. Features a surreal depiction of a nude woman with birds.   

This is a beautiful custom-framed lithograph by Hungarian-born French artist, Marcel Vertes, entitled "Circus Queens". The piece is signed, Vertes, in the lower right corner and numbered, "30/50" in the lower left corner. The image itself measures 23" high x 16" wide. The frame is a 2" thick 2 toned framed, black and a subtle cerused-like grey. It was originally sold through the Vincent Price...

This original is from portfolio number: 711 Ben Shahn (1898 - 1969) was one of the most skilled and creative lithographers America has ever known. From easel painting to massive murals, from original lithography to calligraphy, there is no facet of modern art in which Shahn has not been monumentally successful. Born in Lithuania in 1898, he and his family moved to Brooklyn, New York, when he was eight. He worked as a professional lithographer while attending high school, New York University, the City College of New York, and the Art Students League. In 1925, and again from 1927 to 1929, the traveled in Europe and North Africa. Shahn’s first one-man show, mainly on African subjects, was help in New York in 1930. His superb series od 23 gouaches, The Passion of Sacco and Vanzetti, was exhibited for two years at the Downtown Gallery in New York City. This series is now in the permanent collection of the Whitney Museum of Art. His works have been exhibited at many museums and galleries in the United States and Europe. Important one-man retrospectives were presented at the Museum of Modern Art in New York in 1947 and at Amsterdam in 1961. The works of Shahn and Willem de Kooning alone were chosen to represent contemporary American art in 1954 Venice Biennale. In June of 1973, Pop Paul VI opened a select Museum of Modern Art in Vatican City. Alon with Picasso, Dali and Rouault, Ben Shahn’s work is proudly displayed. His death in 1969 left a major void in the art world - but his work shall live forever. AUTHENTICATION The Société de Vérification de la Nouvelle Gravure Internationale of New York and Paris certifies and warrants that this lithograph, signed in the stone bu Ben Shahn is from a limited portfolio entitles “for the Sake of a Single Verse...

An engaging modern abstract lithographic print that appears to be featuring a human torso/ body - somewhat reminiscent of the abstract works of Henry Moor...

A very interesting surrealist lithograph work of contemporary work of art signed by the artist, Gerald Moreno. Moreno's work is often described as "magic...

An artist signed and numbered limited edition lithograph screen print of the painting “Dionus”, by the famous American artist Mel Ramos. This is number 84 of a limited edition of ...