"Tres Hermanas" Framed Chromolithograph by Amado Maurillo Pena

Midcentury whimsical portrait in the style of Art Nouveau of a girl in a serigraph form. The artwork is signed by Frank Gallo (American b. 1933) an...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

Mid-20th century Twiggy-inspired 1960s mod stylized portrait of a woman. The harlequinesque black and white figure is wearing a flowing coral b...

20th century Haitian oil on canvas of a village painted in hues of black, white, grey, and pale pink. Signed by the artist, bottom right, Nicolas Jose Perez and held in a wooden frame.

Late 19th or early 20th century garden portrait of a lady painted in the period of Art Nouveau. Stylized palms serve as an elegant backdrop for a seated heiress painted in soft paste...

A beautifully composed still life watercolor of blue and white petite floral print wallpaper in the background layered with a copper plate, blue and white porcelain pitcher...

Mixed media monotype on handmade paper by Amado Pena (b. 1943) Arizona. Signed in pencil along lower margin. Unframed, image size 6" x 6".

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...

Two framed panels measuring 48.5 x 26.5 to create one Chromolithograph by Greg Copeland signed and numbered 4/250. Asian inspired with flat coloring of yellows and browns. Behind gla...

[English Gentlemen], from Vanity Fair twelve chromolithographs, on wove papers. Printed by Vincent Brooks Day & Son., with various dates from 1875 to 1897. Eight are by Spy, two are by Ape, one by "T" and one by Lib. Professionally framed with black and gilt frames and beige silk mats, with margins, apparently in excellent condition, not examined out of the frames. Titles comprise: "Accrington", June 11, 1892, "Newcastle Upon Tyne" July 18, 1893, "A New Peer", October 5, 1878, "South Bucks", June 4, 1896, "South Kensington", September 2, 1897, "Lord Salisbury's Manners", July 13, 1893, "The Blister", August 4, 1888, "A Postmaster General", April 30, 1892, "Sir James Miller", September 6, 1890, "Sol", October 28, 1897, "A Young Man" September 11, 1875, and "A Naturalist", September 9, 1882. Vanity Fair was a weekly magazine published in London, founded & edited by Thomas Gibson Bowles. His aim was to expose to contemporary vanities of Victorian society. From 1868 to 1914, full page colour lithographs appeared in most weekly issues, frequently lampooning or lauding their subjects which included artists, athletes, royalty, politicians, scientists, authors, actors, sportsmen, lawyers, diplomats, soldiers, clergy, scholars and other celebrities of the day - mostly British, but also many other internationally significant personalities. Over 2,300 of these colour cartoons were printed, and they are considered the chief cultural legacy of the magazine, forming a pictorial record of many of the most significant public figures of the period. They are renowned throughout the world and highly collectible and recognisable. Famous artists contributed to Vanity Fair, typically under pen names. The best remembered today is Leslie Ward (1851-1922), who signed his works as "Spy", and whose caricatures account for well over half of those featured in Vanity Fair. So famous have these fabulous prints become, Vanity Fair caricatures today often are referred to simply as "Spy Cartoons...

Antique print titled 'Arabisches Pferd'. Original chromolithograph of an Arabian horse. Published circa 1890.