Antique Chippendale Needlework Display, 18th Century

A charming petit-point needlework picture of floral design, in its original convex moulding frame. English, late 18th century.

A superb quality George III Chippendale period serpentine-fronted chest of drawers. English, c. 1770. Why we like it A most perfect embodiment of the Chippendale taste: superb quali...

An exquisite early 19th century gros-point and beadwork tapestry picture, in antique parquetry frame. Size of the panel: 20.75 in / 52.5 cm by 21.25 in / 54 cm.

A very fine George III period Gainsborough armchair of superb quality and large scale, attributable to Wright and Elwick. English, circa 1760. Why we like it We love the imposing scale of this iconic design from the mid-18th century, superbly handcrafted and beautifully reupholstered in a luxurious Claremont silk damask. Provenance With a pre-1903 label underneath reading GEO TROLLOPE & SONS / BELGRAVE SQUARE, / LONDON, S.W.  Attribution This armchair relates to 'French Chair' designs in the George II picturesque manner illustrated in Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, London, 1754. The pattern relates closely to a suite of five library armchairs from Swinton in Yorkshire and now attributed to the Yorkshire cabinet-makers, Wright and Elwick, who were known to have worked for William Danby at Swinton in around 1775, and who were both subscribers to the first edition of the Director. The suite was sold by the Earl of Swinton and the Hon. Nicholas Cunliffe-Lister, from Swinton House, Masham, Yorkshire, in Christie's house sale, 20-21 October 1975, lot 17.  Wright and Elwick Established in 1747 by Richard Wright and Edward Elwick, this prolific partnership '[had] the honour to serve most of the Nobility & Gentry in the West and North Rideing' (G. Beard and C. Gilbert, eds., Dictionary of English Furniture-Makers 1660-1840, Leeds, 1986, pp. 1006-1008). Certainly, records indicate that they received patronage from such distinguished clients as Sir Rowland Winn at Nostell Priory, the Duke of Norfolk at Worksop Manor, Viscount Irwin at Temple Newsam House, John Spencer at Cannon Hall and most notably, the Marquess of Rockingham at Wentworth Woodhouse.  A pair of virtually identical armchairs is in the collestion of the Museum of Fine Arts, Houston. An identical armchair was sold Christie's, London, Ronald Phillips Ltd - Making Room, 2 July 2014, Lot 69. The design also corresponds to a chair in the collection at Southill, Bedfordshire (P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, rev. ed., 1954, vol. I, p. 277, fig. 160). A pair of armchairs of this form was sold Christie’s New York, 19 October 2000, lot 100 ($182,000); a single chair of virtually identical form was sold Christie's London, 15 April 1999, lot 65; a further related pair was sold Sotheby's London, 5 July 1997, lot 58. George Trollope & Sons - Retailers The  firm, established in 1820 as 'paper hangers...

A superbly decorative six-panel lacquered 'Coromandel' screen, exquisitely carved and hand-painted with oriental figures, flowers and exotic beasts on a dark brown background, in the traditional 17th century manner.  China, Canton, Qing dynasty, late 19th – early 20th century. Why we like it We like its impressive proportions which make it perfect for a feature wall, and the exquisite quality of decoration. The subtlety of colours lends a 'soft' look to the piece. The central motif depicts a scene set in the gardens of a Han dynasty palace, while the outer borders are decorated with the “one hundred antiques” motif interspersed with floral arrangements. In this regard, the present screen not only conveys auspicious meanings but also demonstrate the owner’s fine scholarly taste. History The term 'Coromandel', which is used to describe this particular type of lacquer technique (kuancai), is rather misleading. In the 18th century it was used commercially to indicate the place from which these objects were shipped to England through the East India Companies, and had no reference to China, the place of their origin. Similarly, Chinese painted wallpaper was often called 'India paper' in historic documants. The kuancai lacquer technique, literally meaning “cut out colour” and found almost exclusively on screens, emerged in the 16th century to serve the domestic market. The iconographic elements were carved through the built-up coats of dark lacquer and filled with pigments and gold. Seventeenth century examples usually consisted of twelve panels, and were often employed in entrance halls or as room dividers or windscreens for gardens and terraces. They were often commissioned as gifts and depicted court scenes, episodes from the world of the immortals, panoramic or landscape views and auspicious symbols. This type of lacquerware was flourishing during the reign of the Kangxi emperor (1662-1722) and saw a revival in the 19th century. Stylistically the present screen may be compared with the twelve-panel lacquer screen from the Kangxi period in the Victoria and Albert Museum illustrated by W. De Kesel and G. Dhont in Coromandel Lacquer Screens, ill. 23, pps 36-37. Such luxurious items were popular in England during the height of fashion for oriental exoticism, called chinoiserie in Europe. In the 20th century, Coromandel screens still remained a staple in the European interior design. Coco Chanel had a collection of 32 rare Coromandel screens, which she proudly displayed in her home at 31 Rue Cambom, Paris. She one...

An outstanding pair of George II period hall armchairs in black walnut, of unusual 'Windsor' design.   England, circa 1740–50. Why we like them Items that are not merely quirky, but...

Unusual antique 18th century Flemish (or French) needlework tapestry with countryside scenes.  

An antique 18th century Flemish verdure landscape tapestry, size: 8.0 H x 4.6 W. This fine handwoven European wall hanging features a lovely land...

Antique American needlework sampler by Eliza Jordan, aged 12, late 18th century, a very fine and fanciful pictorial needlework sampler on l...

A very special tapestry with the theme of "carefree" in nature, which depicts a group of calm people enjoying nature like a magnificent theater scene. This unique tapestry...

In the centre, with a kabbalistic/gematric representation, the biblical tetragrammaton (yhwh) yahweh, which is the sequence of the four Hebrew letters (Greek, tetragràmmaton; t?t?a, ...

Early 19th century French six-panel painted screen. Beautifully hand painted.