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Brussels Tapestry Fragment, circa 1700

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  • Brussels 18th Century Bacchanale Tapestry, circa 1760 10'6 x 7'4
    Located in New York, NY
    Brussels 18th century Bacchanale Tapestry, circa 1760 7'4 x 10'6 wide. A Brussels tapestry early 18th century. A Bacchanale scene of young children drinking from wine barrels under a...
    Category

    Antique 18th Century Belgian Tapestries

    Materials

    Wool

  • Brussels 18th Century Tapestry Teniers, Marché Poisson 12'6 x 8'6
    Located in New York, NY
    Brussels Circa 1750-Probably woven by Francois Van Der Borcht 1720-1765-Tenier's Style-A placid harbor with a perspectival weighted fortified city scape to left and a stone quay in t...
    Category

    Antique 16th Century Tapestries

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    Wool

  • Brussels Late 17th Century Tapestry Asia from a Four Continents Series 9'4 x 18
    Located in New York, NY
    Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...
    Category

    Antique 17th Century Belgian Tapestries

    Materials

    Wool

  • Antique English Soho Tapestry Circa 1900 6'7 x 6'7
    Located in New York, NY
    Antique English Soho Tapestry Circa 1900 6'7 x 6'7 depicting a hunting scene. The tapestry is filled with detailed depictions of hunters on horse back both men and women, colorful b...
    Category

    Antique 19th Century Tapestries

    Materials

    Wool

  • French Landscape Tapestry Probably Beauvais, circa 1750 7'3 x 9'3
    Located in New York, NY
    French landscape tapestry probably Beauvais, circa 1750. Although not a product of the Royal Gobelins factory in Paris, this pictorial landscape tapestry is extremely Fine with silk highlights. The French royal tapestry works in the Gobelins made masterpieces for the crown. For the nobility and bourgeoisie, Beauvais was the source for attractive wall hangings in all sizes, degrees of fineness and subject matters. Rural scenes particularly appealed to urban collectors. Here two white geese cavort under a sandy bluff. The hillock is framed on each side by trees, one a blasted trunk, and topped by a picturesque rustic windmill. Realistically depicted flowers, overhanging grasses and luxuriant foliage give a summer air to the image. In addition, a startled bird, flies up to the right. The border is a trompe l’oeil gilt picture frame with corner bosses and low relief “carving”. The weave is quite Fine and is executed in wool with copious silk details. Although Jean Pillement...
    Category

    Antique 18th Century French Tapestries

    Materials

    Wool

  • Antique French Forest Scene Tapestry, circa 1880 4'6 x 10'
    Located in New York, NY
    Antique French Forest scene tapestry, circa 1880, 4'6 x 10'. An antique French fine hand-loomed tapestry, circa 1880. A forest scene, with trees and foliage surrounded by a floral bo...
    Category

    Antique 19th Century French Tapestries

    Materials

    Wool

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  • Flemish Tapestry Fragment
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    B/876 - Flemish XVIII tapestry nice fragment for wall: an idea for an unusual picture on wall, more elegant and less expensive. It is certainly not common to see it in a house.
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  • Antique French Aubusson Tapestry Fragment, circa 1880s
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    This slightly trapezoidal section of an antique French tapestry-woven carpet displays a broad ecru section with rose, carnation and sprays of other floral decor. Beige plain side are...
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