Delightful Life-Size Knight in Armour

A Spectacular Masterpiece of Cork Modelling-a Scale Architectural Model of an English Church by Cornelius Daniel Ward of Norwich. English Circa 1900-1930 Provenance Made by Corneli...

A very comfortable pair of Art Deco 20th century ebonised armchairs upholstered in an off white crushed velvet. French Circa 1930-40. The ...

An Unusual and Rare Mid 20th Century Walnut Sideboard / Enfilade with pyramid doors and drawers. Probably USA - Circa 1960 Of rectangular form with fo...

A well proportioned and substantial late 19th century carved mahogany wing-back armchair in the George II manner upholstered in a tan leather. English circa 1880. A fine quality and well drawn carved mahogany wing chair inspired by William Kent of the early 18th Century. Upholstered in a hand dyed natural leather with a feather cushioned seat, having grand proportions making this a very comfortable reading chair. The shaped sides with scrolled arms being finished with brass stud work, upon a finely carved mahogany base having a central satyr mask surrounded by foliage and ribbons raised on hipped cabriole legs with shell to the knee terminating on ball and claw feet. This impressive antique leather chair...

A highly Important, Early Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...

Mid 18th Century Italian Rococo Armchair in Walnut with Extravagantly Carved Head Rail Italian Circa 1760 This beautiful armchair is executed in walnut and, in its basic form, is h...

Antique print titled 'Embossed Armour, in the possession of Sir Samuel Meyrick K.H.'. Old print of embossed armour. This print originates from 'A criti...

Anatomically correct chest plate/armor of a "True" Roman Gladiator, this Hollywood movie prop, is a wonderful full-sized brass piece with original leat...

Remarkable 18th century oil painting on canvas depicting the portrait of an old gentleman dressed in armour. Very expressive facial features. Unsigned. The detailed frame is 19th cen...

Vintage French Medieval Knight's Helmet in Brass is a marvelous recreation of a period artifact. Hand-crafted by an obviously skilled artisan who clear...

3 Volumes. Samuel Rush Meyrick, Ancient Armour. Bound in full tan calf with the covers displaying gilt-tooled borders and an open-tooled cross-hatching pattern. Respines in purple mo...

Cuirassier armour in the 17th century style. The helmet with a mild comb, open eyelets, large brow peak and two-piece visor, breastplate with raised medial ridge, shoulder and arm ar...