Ming Dynasty Chinese Mural Painting of Buddha Flanked by Attendants

This colorful floral still life is a charming example of Chinese reverse glass painting. Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially...

Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially work backwards, starting with details and shading before adding color and form. Lending the finished work a subtle three-dimensional effect, this exacting technique doesn't allow for any corrections, and is only revealed to its full effect when the glass pane is turned around. This example dates to the late 19th century and depicts the Taoist immortals He Xiangu and Cao Guojiu. Said to have attained immortality through their studies of the natural world, the Eight Immortals each represent a different condition in life and impart blessings of prosperity and longevity. The charming scene is likely one of a set of...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua pain...

Since the 12th century people in China have used folding screens and doors to partition and decorate their homes—the vivid scenes backing the screens added life and color to a room. ...

With careful brushwork, this 19th century painting honors the four treasures of the scholar's studio - paper, calligraphy brush, ink, and inkstone. Essenti...

A scroll and a small lantern depicted in this 19th century painting suggest the romantic notion of a Chinese scholar painting in the evening hours. Re...

Qing Dynasty Chinese Ancestor painting. Antique Chinese Ancestor paintings are sought after for their warm colors and traditional pa...

A Chinese late Qing Dynasty period framed painting from the early 20th century of a royalty related couple with dragon motifs painted on a linen canvas. Created in China during the late Qing Dynasty in the early years of the 20th century, this custom framed painting depicts a couple wearing either a red (a symbol of luck in China) or green robe. The depiction of dragons relates them to the Imperial family, but having four claws and not five as codified, the couple is likely part of the royal family, not the Imperial couple themselves. Accented with typical motifs such as bats, flaming pearls and rain-filled clouds, the robes are filled with symbols. Wearing ornate headdresses, the couple is sitting on elegant chairs. Set inside custom made frames, the paintings show great signs of age. While the entire piece measures 40.5"W x 1"D x 53"H, the painting itself is 36.5"W x 49". With its vivid colors and interesting subject, this Chinese Qing Dynasty painting...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

An important Chinese 17th century early Qing Dynasty "Water and Land Ritual" painting, mineral pigment and ink on silk, mounted as a scroll, framed and glazed. The painting depicting groups of heavenly court officials and deities descending from the clouds to participate in the Liberation Rite of Land and Water. The figures all wear full, sumptuous robes, complete with hats indicating their station. The blue, green, red, black and white of the robes decorated with gilt dragon and geometric designs. This painting is interesting in that it incorporates Daosit deities and heavenly officials coming down to participate in the Buddhist rite. There are five distinct groups of figures, each with a small inscribed plaque. Some of the groups are identified as Tian Xian, or Heavenly Immortals. The group at the bottom left are identified as the Sanguan Dadi, or Three Great Emperor-Officials. The Emperor of Heaven is dressed in blue robes with gilt painted dragons. The Emperor of Water wears black robes. The Emperor of Earth wears yellow robes...

Framed Chinese water color of riverside village with one artist seal. Overall size: 19.5 width 26" high image size 14 1/4" width 20" high.

Set of 8 Asian Chinese (19th century) gouache paintings of traditionally clad figures framed in modern gilt faux bamboo frames.