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17th Century Saint Ignatius Italian School Adoration Oil on Canvas Brown Orange

Name: 17th Century Saint Ignatius Italian School Adoration Oil on Canvas Brown Orange
Brand: Unknown
Price: 8492.78 AUD
Availability: InStock
Rating: 5 (1 reviews)

Informazioni sull’articolo

Oil painting on canvas, sized 149 x 124 cm (149 x 124 cm) unframed and 158 x 133 cm (158 x 133 cm) with antique hook depicting St. Ignatius of Loyola in adoration of the Holy Trinity by Emilian school of the 17th century. Ignatius of Loyola was born in Loyola Castle in 1491 and died in Rome in 1556. He is educated first in his parents' castle, then in the house of the " Contador Mayor " of the Catholic Kings in Arevalo (Castile). For several years he serves the viceroy of Navarre. Wounded in the defense of the castle of Pamplona, he spends several months away from arms, during which time he reads the Vita Christi and the Flos Sanctorum, which, arousing in him the desire to imitate the feats of the saints, set in motion his conversion and spiritual adventure. Thus began a life as a poor pilgrim that led him to the Holy Land. On his return, he began studies that enabled him to be ordained a priest, along with other companions who shared his choice of life, in 1537 in Venice. With these he founded the Society of Jesus, approved by Paul III ( 1549) in 1540 with the Bull Regimini. His works include the Exercises, the result of extraordinary trials and mystical experiences, as well as the Constitutions. Also noteworthy are the Autobiography and the Spiritual Diary. The style of this undoubtedly Emilian painting is close to Giacomo Cavedone ( Sassuolo 1577 - Bologna 1660 ). A highly personal artist, dominated by the feeling of the sense of color, its perception and visibility, certainly not betrayed by estetic sensibility. A highly personal artist, dominated by the feeling of the sense of color, its perception and visibility, certainly not betrayed by burning ethical feelings or aesthetic sensibility. Writing or talking about the artist's painting is easy: his is a concrete painting with strong and decisive tones that reveals in all its majesty the great personality that the painter manages to convey in his works. The fundamental motif in the final phase of his artistic career is his continuous search for the religious sense that surrounds him. His works exemplify how Romani is a committed observer to his task: to convey his intense religious feelings and ethos. The work shows us his style of wide spaces created by the shrewd mastery of blending colors that in his hands become a world, "his world." The paintings and works of art published here are my exclusive property and therefore are always available to be viewed, by appointment, in my exhibition sites located in Sanremo and Brescia. This item , like all our objects, is sold accompanied by a photographic certificate FIMA of authenticity and lawful origin; this document identifies the object by adding more value to the article. We take care and personally organize the packaging and shipping of our items with insurance all over the world. Mr. Riccardo Moneghini Art Historian

Dimensioni:

Altezza: 149 cm (58,67 in)Larghezza: 124 cm (48,82 in)Profondità: 2 cm (0,79 in)

Più edizioni e dimensioni:

149 x 124 senza cornice e 158 x 133 con cornicePrezzo: 5.523 USD

Tecnica:

Tela,Oil

Movimento e stile:

Scuola italiana

Periodo:

Fine XVII secolo

Condizioni:

Località della galleria:

Sanremo, IT

Numero di riferimento:

1stDibs: LU1510214175602

1.165 USD Prezzo promozionale

20% in meno

17th Century Allegory of Charity Carlo Cignani Madonna and Child Oil on Canvas

Di Carlo Cignani

Painting, oil on canvas, with dimensions of 105 x 120 cm without frame and 125 x 140 with a beautiful carved frame depicting the 'allegory of charity and love with a woman with three...

Categoria

1690s, Scuola italiana, Dipinti figurativi

Materiali

Tela, Oil

Carlo Cignani
17th Century Allegory of Charity Carlo Cignani Madonna and Child Oil on Canvas

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17th Century Myth of Diana and Ataeon Francesco Solimena Oil on Canvas Blu Red

Di Francesco Solimena

Painting oil on canvas depicting the myth of Diana and Actaeon measuring 110 x 130 without frame and 120 x 140 with frame by the painter Francesco Solimena. According to the myth, during a hunting trip, Actaeon provoked Diana's wrath when he caught her bathing with her companions in the shade of the Gargafia forest. The summer heat induced her to put on her clothes and cool off, interrupting the hunt. The goddess, to prevent the hunter from speaking about what he had seen, transformed the young man into a stag by spraying water on his face. Anteone si rese conto della sua trasformazione solo quando corse verso una sorgente, dove poté vedere se stesso riflesso nell'acqua. Nel frattempo il cacciatore fu raggiunto dai suoi 50 cani, inferociti da Artemis, che, non riconoscendolo, sbranarono il loro vecchio padrone. The dogs, once they had devoured Actaeon, set out in search of their master throughout the forest, filling it with painful wails. Later they came to the cave of Chiron, who gave them an image of their master to ease their pain. Francesco Solimena, also known as L'Abate Ciccio, was a famous Italian painter of the late Baroque current. He was influenced in his conception of art by Luca Giordano for his creative and very scenic painting and Mattia Preti...

Categoria

Late 17th Century, Scuola italiana, Dipinti figurativi

Materiali

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Francesco Solimena
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Categoria

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Materiali

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Pittura barocca del XVII secolo su tela con paesaggio costiero e pescatori

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Dipinto barocco a olio su tela del XVII secolo, attribuito a Salvator Rosa (1615-1673), una scena di paesaggio costiero con pescatori, 1650 circa. Il dipinto raffigura una costa rocc...

Categoria

Anni 1650, Scuola italiana, Dipinti figurativi

Materiali

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