Vintage Alexis Lahellec Gold Honeycomb with Red and Pink Earrings Circa 1980s

Vintage Alexis Lahellec Gold Honeycomb Faux Pearl Dangling Earrings Circa 1980s. Each little piece of the honeycomb is at a different level ...

Vintage YSL Gold Tone with Varying Shades of Pink and Crystal. Clip On. Another YSL that is just magnificent. These are definitely from the 1980s but so relevant today and not mass market anything. When you have these you have them forever. These are true collectibles to be handed down. They match anything. Wear a black outfit, white outfit...

Vintage Valentino Gold Tone with Sapphire Blue And Rhinestone Earrings. Pave Style Crystal Stones on 3D Heart Earrings with Classic V Shape at Top of Earrings. Clip On.

Vintage Gold and Crystal Dangling Hoop Earrings. Front facing hoop earrings with crystals in the hoop and also one on the ear part. These ...

Vintage Yves Saint Laurent YSL Gold Flower with Red Center Earrings Circa 1980s. These will never go out of style and everyone will know what you are wearing. To me these always repr...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Alexis Lahellec Paris Earrings. Parisian designer Alexis Lahellec crafted wondrous costume jewellery during the latter part of the 20th Century. His creations range from classics with a fabulous twist to hugely exotic designs of wearable art. A timeless piece of Parisian cool. Vintage Condition: Very good overall condition. Very light wear to the earring clip backs. Materials: Gold Plated Metal, Glass crystals Signed: Alexis Lahellec, Paris Fastening: Clip on Approximate Dimensions: 3.3cm Established in 2016, this is a British brand that is already making a name for itself in the jewellery world both at home and internationally. My business has been built with love; a love of discovery, a passion for vintage jewellery and a desire to deliver a one-of-a-kind experience. Sourcing the very best vintage jewellery from across the globe, each piece in my collection has been carefully chosen and curated by me so that I can share its unique story with you. Timeless treasures, selected for their superior design, quality and individuality, I have built a collection like no other. Immersed in the wonderful world of antiques from an early age, vintage jewellery has always had a special place in my heart. Forever fascinated by these intricate pieces of wearable art, I feel incredibly lucky to work in an industry that I love; an industry unlike any other. Choosing a vintage jewel is a deeply personal experience. As well as celebrating the very finest design and craftsmanship from the last century, the perfect jewel should express your unique style, and more importantly, get your heart racing. Sitting at the very heart of the brand, my aim is to offer you an experience as wonderful and individual as the jewels in my collection. By choosing to re-wear pieces of art from the last century, we are naturally supporting sustainable fashion...

About Vintage ALEXIS LAHELLEC Paris, with big false pearl, rhinestones, gold plated Resin. Measurement: Diameter .1.34 inches ( 3,4 cm) Deep: 0,60 inches (1,5 cm) Features: -Fake pea...

- Vintage item - Collectible costume jewelry piece from the '80s - Each earring measures 1.2" in diameter - .6" depth - Gold plated - Hammered texture finish - Clip on earring ...

- Vintage item - Collectible costume jewelry piece from the '80s - Each earring measures 1.6" in diameter - Gold plated - Abstract textured finish - Amber-colored resin cabochon...

These exquisite Alexis Lahellec Paris resin clip-on earrings feature a flower-shaped gilt metal-coated resin framing topped with powder pink flower petals. Each piece is signed on th...

All at sea with these 1980s Vintage Nautical Earrings. Such a cool look with the vibrant red contrasting the rich golden hues. Crafted from gold plated metal with red enamelling thes...