Vintage Chanel Faux Pearl Extra Long Necklace Sautoir, Circa 1990s

Vintage Faux Pearl Choker With Cascading Long Necklace Circa 1990s. This spectacular Choker/necklace has a 3 row choker that then has many da...

Vintage Ciner for Joan Rivers Faux Pearl with Diamante 4 Strand Necklace. Has two detailed diamante pieces on either side in gold tone that connect the three strands of faux pearls. ...

Vintage Yves Saint Laurent YSL 3 Strand Pearl and Blue Bead Necklace Circa 1990s. Quite Different. The Three Strands have 3 beads mixed in with...

Vintage Yves Saint Laurent YSL 3 Strand Pearl and Faux Turquoise. Not signed but attributed to Yves Saint Laurent. The Pearls are all different Shapes and the Pieces of Faux Turquo...

Vintage Maison Gripoix White, Crystal and Faux Turquoise on Gold Chain Necklace. 3 Different Emblems On Gold Chain with Dangling White Piece in the Middle. 22"-24" L. Dangling Middle is 3" L. Each Piece is 2" by 2" Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well educated but poorly endowed bride who has to marry a petty official; and thus suffering from the limitations of living a life with a husband that lacked any exquisite qualities. In order to entertain his dejected spouse, one day her husband gets an invitation to a ball and gives his wife 400 francs he had saved for a hunting rifle so that she would be able to order an appropriate dress. However, when the dress is ready it becomes clear that it is lacking jewelry; and it would be impossible to attend the ball while looking so poor. The protagonist approaches her rich childhood friend with whom she was raised together at the monastery and borrows a diamond necklace from her. The ball is a great success and she is the centre of attention. However when the woman returns home, she discovers that she has lost the necklace. In order to conceal her faux pas from her friend, she buys a new necklace identical to the one she lost, and to pay it off the woman gets into a huge debt which over the years gradually drags her down the social ladder from bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful and rich. The protagonist reveals to her friend the whole story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most”. Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals; casting glass into different shapes and colours and inserting them into most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or qypsum form was filled with a multi-colour pieces of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds skipping the furnace step, allowing her to achieve the purity of colour, transparency and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses and Princesses qued up ... so Madame Gripoix would make them replicas of their own jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890’s when she started making necklaces for Sarah Bernhardt to wear on stage; and later the costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of the 1910’s contacted her and she created sophisticated oriental style jewelry for him to match his famous oriental costumes based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right; and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920, when Augustina’s daughter Susan became the head of the House; Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage French Diamante Faux Double Pearl Long Necklace. Blue cabochons surrounded by crystals make up the two clasps that are then joined by two long rows of faux double knotted he...

Chanel Vintage '90s Multi-Strand Pearl & Crystal Rondelle Necklace Made In: France Year of Production: 1990-1992 Color: Ivory and goldtone Materials: Faux pearls, metal and rhinesto...

Alex Jona design collection, hand crafted in Italy, 18 karat white gold sautoir long necklace featuring 90 keshi pearls weighting 43 carats in total and aquamarines. Keshi Pearl Widt...

A 1960s vintage Chanel pearl sautoir necklace attributed to Chanel (unsigned) which would have been made most likely by Maison Gripoix, Paris for the House whilst Coco Chanel was alive and heading her eponymous House. A sublime long baroque pearl sautoir . The pate de verre or poured glass pearls are weighty and lustrous and the glass paste rhondelles as a subtle edge of sparkle to this timeless, quintessential Chanel necklace. Crafted during the 1960s when many Chanel pieces were still unsigned the construction of this sautoir carries all the hallmarks of a Chanel sautoir from this period. Long and luxurious this incredible piece can be worn full length or wrapped around twice or even three times for equally fabulous yet very different looks. A stunning find and wonderful example of the Chanel craftsmanship during this era and the alluring style that is unmistakeably heritage Coco Chanel. Vintage Condition: Very good without damage or noteworthy wear. Materials: gold plated metal, glass simulated pearls, glass paste Signed: Unsigned see above Fastening: none as is usual with these long sautoirs...

Pearl and Emeralds. This elegant and classic combination takes on a different effect when supersized to this proportion. Chanel sticks to her established idioms and uses 3 strands of...

Pearl and Emeralds. This elegant and classic combination takes on a different effect when supersized to this proportion. Chanel sticks to her established idioms and uses 3 strands of...

Chanel long multi-strand necklace, delivered in its original box. This necklace is a wonderful piece that was made for Chanel 100th anniversary ! Condition : very good Made in Franc...