Sterling Silver Chain Necklaces

A 2022 Unbreakable Heart titled "Uplifted" made with 18k yellow and white gold, oxidized sterling silver, and rusted iron. Set with .44 carats of colored stones, on a 30 inch oxidize...

1960's Sterling Silver and Celluloid Heart Cross Pendant Necklace Stamped: "Mexico .925" Measurements: Pendant is 2.5 inches long & 1.5 inches w...

This stunning sterling silver pendant is the perfect, everlasting choice for the sophisticated woman. With its beautiful lustre and iridescence the mother of pearl inlay, these round designs are encased in a rose gold plated setting...

Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...

Beautiful Art Deco pools of light crystal orb encircled with silver tone wire, and with a silver tone bail decorated with domes. It is held on a sterling silver box chain. Measuring length 43.7 cm / 17.2 inches, and the orb is 1.6 cm / .6 inch. These amazing pools of light orbs were made from rock crystal and reflect an upside down image. This is a fabulous crystal pools of light pendant...

THIS IS A GORGEOUS FRENCH ART NOUVEAU LOCKET PENDANT IN STERLING SILVER WITH A BEAUTIFUL REPOUSSE DESIGN OF A FLOWER WHICH MAY BE A POPPY WITH GORGEOUS LEAVES. This is just a stunning sterling silver poppy flower motif locket with exquisite Art Nouveau design. The beautiful locket has a wonderfully designed poppy flower on the front. The reverse of the locket is unadorned. The locket opens to reveal places for a photo. The original photo cover is intact. The locket is hallmarked with the French hallmark of the Boar's head for Sterling Silver. The French Art Nouveau jewels are of the highest quality with absolutely exquisite design - this one is so very special. The locket dates to the Art Nouveau period, circa 1890-1910. The listing is only for the locket. The chain is only shown for display. The locket is 1 inch (26 mm) in diameter. With the bales it is 1 1/4 inches long. The locket is hallmarked with the French Boar...

14k Solid Gold heart pendant necklace. Heart necklace pendant for women. Dainty charm necklace. Sweet Heart Pendant. Tiny Heart Necklace. Tin...

For any problems related to some materials contained in the items that do not allow shipping, please contact the seller with a private message to solve the problem. We can ship every...

Tiffany & Co Estate Double Chain Infinity Necklace 16" Sterling Silver TIF236 This elegant Authentic Tiffany & Co necklace is made of sterling silve...

This beautiful Art Nouveau style pendant is sterling silver and double sided. Measurements: 1 1/16 by 1 13/16 inches. Comes with a beautiful vintage sterling silver filigree chain me...

A fine silver heart tag necklace. By Tiffany & Co. In sterling silver. With a heart shaped pendant reads "Please Return to Tiffany & Co. / New York / M80560" suspended on a dog tag chain. Simply a wonderful piece from the classic Return to Tiffany line...

A treat of a Silver Book Chain and locket necklace that has the beautiful engraving of the Victorian era and is steeped with symbolism of unity and c...