Drop Necklaces

This is an antique Emerald and Pearl Pendant Necklace set with seven gorgeous green emerald cut rectangular Emeralds in the Renaissance Revival Style. The Emeralds total approximate...

Iconic 22k yellow gold necklace by Ilias Lalaounis, one of the most prominent Greek designers to date. The necklace is featuring 21 element with a flower and a dangling acorn or bull...

Magnificent and rare Etruscan Revival Necklace. This necklace features Cannetille wire and beading work throughout. It has a swivel bail on the center front link giving the ability t...

Indulge in a magnificent Museum Quality Antique Jeweled Orthodox Bishop Cross Necklace. The extraordinary necklace features a 7 inch pendant of a bejeweled cross in Silver-Gilt with...

This beautiful necklace is emblematic of the evocative 1920s Egyptian Revival aesthetic and was made in France. Condition Report: Very Good - A slight kink in the chain and a tiny ...

This is a magnificent antique Austro-Hungarian Garnet and Pearl Pendant Necklace with a Garnet set chain in a flower and leaf motif. It is in t...

Antique pendant in the style of Etruscan Revival by Ernesto Pierret. This piece displays fine bead work as only a master could achieve. Ernesto Pierret, A Frenchman working in Italy, was a contemporary of Castellani and one of the finest jewelry artists of Rome at this time. He, therefore, was a leading 19th century jeweler specializing in fine archeological and Etruscan Revival jewelry - which was inspired by the discovery of the 700-300 BC tombs of the Etruscan people. Ernesto Pierret jewelry can today be seen in museum collections. This large etruscan revival pendant is a fine example of such pieces and we have not encountered another to rival this example of fine gold work. The center stone is a hand carved carnelian scarab. This piece measures 2.1 inches long and 1.5 inches at its width. It is 18K and in very fine condition. Signed on the verso, this archaeological style pendant is shown on a 19th century gold chain...

Enchanting and timeless, this 14kt yellow gold Antique Yogo Sapphire and Pearl Necklace boasts 6 magnificent signature Yogo Sapphires and pearls in all their illustrious radiance. An...

This is a Museum Quality Antique Etruscan Revival Victorian Carved Coral Necklace depicting Medusa with a Crown of Snakes with two pear shape coral drop pendants. The Coral Medusa is set in 14-18 Karat Gold with extraordinary Etruscan Revival beaded cannetille surmounts on the coral drops and a barrel clasp connecting the fine Etruscan gold chain...

A very rare antique Georgian to Victorian Snake Pendant Locket with a small hinged Locket opening in which to place a treasured memento, a mourning item, or possibly poison! The extraordinary Snake Pendant is 14 Karat Gold. The head and eyes of the snake are set with a pear shaped and two round faceted red Garnets. The locket portion is covered with a crystal or rock crystal cover on the front. The reverse of the locket portion opens with a lovely detailed hinge with a glass cover. The pendant is 34mm long including the bales. Without the bales the snake is 28mm long and 12mm wide. The interior of the locket portion is 4mm in diameter and is 4.5mm deep. The snake is 14 Karat Gold. The pendant weighs 1.6 grams. The listing is only for the snake pendant. The chain is only shown for display. The bales may be a later addition. A pendant with a poison compartment is extremely rare and having one in the form of a snake is highly unusual. The combination of both a snake and an pendant is rarely ever seen. The following is a description of poison rings: A poison ring or pillbox ring...

A highly important Georgian Swiss enamel, gold, and multi-gemstone necklace with pendant elements, in 18k. The elaborately decorated links are set with topaz, peridots, garnets, sap...

This is a magnificent Austro-Hungarian Sapphire and Pearl Pendant Necklace with animal, bird, horse, deer and flower and leaf motifs. It is in th...

This is a rare antique Egyptian Revival Hand Carved Coral Victorian Scarab Beetle Insect Brooch Pin in 9 Karat Gold. The stunning three dimensional scarab beetle bug insect is carve...

You can add your ensemble with this sophisticated Eastern-inspired ruby and emerald beryl leaf motif necklace and earring set. The unique Lavalier style necklace is exquisitely craft...

Georgian Boxed Flat Cut Garnet Necklace and Earrings Suite in Gold Exceptional glowing garnet jewellery set, elegant and beautiful The item come...

This Locket Pendant is a magnificent piece of Austro-Hungarian Garnet, Turquoise and Amethyst jewelry. It is in the Renaissance Revival style and dates to circa 1870. The gems are all set in silver gilt as was the custom of the Austro-Hungarian jewels. In the center is a gorgeous Bohemian Garnet cabochon. The garnet is 9mm by 7mm. Surrounding the garnet are Amethyst, Turquoise and Pearls all set in raised cut down collets. The gems continue onto the bale with a Pearl, Turquoise and Amethyst. The locket opens to reveal places for two photos if desired. I love the way the gems are set in the raised settings on the locket creating a visually stunning and dramatic piece. It is very rare to find Austro-Hungarian lockets...

This is a magnificent piece of Austro-Hungarian Emerald Ruby and Pearl jewelry. It is in the Renaissance Revival style and dates to circa 1870. The...

Sautoir necklace designed by Zolotas. Gorgeous dangle necklace, created in Greece by the jewelry house of Zolotas back in the late 20th century. This elegant necklace has been crafted with a mesh of wires made up in solid yellow gold of 18 karats. Designed with two dangle drops elements and an Hercules Knot. Fitted with a push box safety lock and a hinged figure 8 for extra security. Hercules Knot The Hercules Knot was notably a wedding symbol and also represented the virginity of the bride: this coming from the Roman lore that the Knot symbolized the legendary fertility of Hercules - relating to the girdle of Diana (Artemis) which was captured/retrieved from the Amazon Queen Hippolyta. Later on, the Hercules Knot survived its religious uses with the Ancients and was actually still used during medieval times as a common symbol as well as also being Renaissance love tokens. Weight: 139.80 Grams, (89.61Dwt). Size: Totally extended is 36 Inch (91.40 Cm). Measurements: The dangle drops have a lenght of 5.2 and 4.1 inches respectively. Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "ZOLOTAS Z04 18KT". History of Zolotas The firm of Zolotas, was founded in Athens in 1895 by Efthimios Zolotas. The jewelry of Zolotas is very well known for their designs inspired by Greek antiquity. In the 1950, they made the decision to create the trademark and branches out into international markets. It was also during this era that the jewelry House of Zolotas began crafting what would become their ancient Greek signature style. In a gorgeous combination of modern and ancient styles. The high karat gold jewelry was fashioned using traditional techniques and motifs with contemporary flair. The symbols which had been sacred to the Greek culture some thousands of years prior were now manifested in ram, lion, snake and bull jewelry...

14k white gold 5 oval green tourmaline weighing 1.26cts. and 1 round full cut diamond weighing .04pts. on a 16 inch link chain.

An antique Georgian period amethyst rivière necklace comprising graduated oval foil-backed amethysts, suspending a detachable gold and amethyst maltese cross pendant, in 14k. Dimens...

Original Georgian era Garnet Rivière Pendant Necklace composed of 10k yellow gold. With oval-shaped flat cut natural red garnets, foil-backed in collet ...

A beautifully granulated pale amethyst and 18 kt gold pendant or brooch that is set with four natural pearls around the center stone. The gems are closed in the back and foiled. The ...

Absolutely stunning and a rare find, this original Georgian period Diamond Pendant with Bristol Blue Glass is gorgeous for the collector but is still very wearable, as well. Crafted...

Rare and Collectible Diane Love for Trifari Japanese Noh Theatre Mask Pendant from the 1970's. Large collectible face mask pendant in faux bronze finish and crystal marquise eyes on ...

- 19" length - 8.5" drop - Gold and silver tone - Four strand chain - Clasp closure - Unsigned, but attributed to Goldette - circa 1970s - Made in New York CONDITION: Excellent vint...

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the selle...

Robert Goosens, the French haute-couture parurier who enjoyed reinterpreting ancient and antique styles of jewelry with rock crystal and faux stones, collaborated with Madame Alix Gres, the Parisian fashion and theatrical-costume designer who founded Maison Gres, to make spiral-wire adornments for her one-offs, such as this handmade hammered brass wire choker with five dropped en-tremblant pendants that are decorated with unique colorful beads and wrapped wire. This necklace dates between 1969-1971 based on similar unsigned spiraled-wire "metal" jewelry without goldsmithing marks in the Manhattan collection of The Met Museum (see our photo), which acquired pieces from Maison Givenchy founder Hubert de Givenchy, who was one of the most supportive fans of Gres. Like the legendary sculptural clothing designs of Madame Gres, this necklace was inspired by Greco-Roman costumes, while its sculpted shapes by Goosens reference her signature curvilinear fabric techniques that earned her the sobriquet of "the master of the wrapped and draped dress". Goosens (1927-2016), nicknamed Monsieur Bijou, also made jewelry inspired by other periods of antiquity to compliment the couture clothing of Coco Chanel, Cristobal Balenciaga, Elsa Schiaparelli, Christian Dior, and Yves Saint Laurent. After Goosens collaborated with Gres, he revisited golden spiral designs with Saint Laurent. Similar to the free-flowing fabric manipulated in Gres gowns, this hand-shaped necklace that we photographed in sunlight is a study in motion that drapes across a curvy cleavage. Adding drama to this necklace below its wire choker, the top teetering-wire pendant is a twisted and hammered horizontal double spiral, which is a Hellenistic symbol of life and transformation suggesting the breasts of a goddess of fertility and motherhood. Yet distinctly Goosens, 18 hand-cut and hand-dyed "ancient-Roman-blue" rock-crystal beads are wire-strung to weight a second tier of two separate vertical double-spiral pendants. On each, a wrapped-wire tube divides the blue beads. Between these vertical pendants in two tiers, the central vertical pendants each feature a one-of-a-kind multicolor bead (yellow/blue/red/black/white) in two lengths with abstract organic patterns recalling ancient Italian glasswork. Four more blue beads bracket these larger colorful beads. An additional 10 blue beads and 5 wire tubes decorate the bottom looped wire pendant, as well as the bottom of the wire choker. Like the hammered-wire jewelry designs of modern artist Alexander Calder, the creative complex construction of this necklace surprisingly required no metalsmith techniques, such as soldering or casting, just great skill with a jewelry pliers and hammer. For a bigger picture of couture clothing by Madame Gres during the decade beginning in 1969, she notably designed many museum-collected one-color silk-taffeta long draped gowns with empire waists and simple high collars or geometric cut-outs. Remarkably, the focal points for some of these unique dresses were at the wrists, from where long pouf sleeves voluminously droop around the hands to nearly the floor like two enormous long-petaled flowers. If paired with this equally downward-focused and balanced necklace from this same period, its bold Greco-Roman elements would have pulled a viewer's gaze of the dress from floor to face. Although there is no provenance that we were able to obtain for this necklace, hammered brass and tinted rock crystal were among the few materials repeatedly associated with Goosens from 1969-71. For example, in his overlapping interior-decor collections based on themes of waterlilies or foliage, Goosens hammered gilt brass wire and sheets (see our closeup photo) to represent plant parts or he wired rock-crystal beads to appear as tiny fruits. While the two multicolor glass or resin beads in this necklace are atypical, the combination of blue, yellow and red is a palette that the designer used for other pieces of rock-crystal jewelry and he created many kinds of multicolor faux stones with glass or resin paste, such as faux Tibetan turquoise including black and white. According to journalism based on interviews with Goosens, he often acquired unusual stones and glass for inspiration during his extensive travels exploring museum-collected antiquities. Since Maison Goosens was acquired in 2005 by Maison Chanel, it opened their Parisian showroom Galerie Goosens and associated shops to sell many kinds of reproductions and reimagined works by the founder, which fortunately does not suit the completely handmade elements of this necklace. So this couture piece remains one-of-a-kind. If desiring a vintage haute-couture original by Robert Goosens, we recommend perusing the Maison Goosens website so that a reproduction with a contemporary signature is not mistakenly purchased. Madame Gres (1903-1993) was born Germaine Emelie Krebs, but initially identified her fashion designs with the pseudonym Alix and later Alix Barton...

This exquisitely detailed pendant displaying "Egyptian Scene" of sterling silver hangs comfortably on a matching sterling silver chain-link necklace. Maker's mark is etched on the back of the pendant. The length of the necklace measures 23 inches. The pendant measures 2 3/8 inches by 1 inch. Total length together is 28 inches. Made in Egypt.

This is a magnificent rare early pendant with a bronze medallion of an Angel or Cherub riding in a chariot pulled by two horses. The medallion has a gold filled surmount with two swans on either side with acanthus leaf motif wings. The rare jewel dates to the 18th to 19th Century. The bronze medallion with the neoclassical image of the angel riding the chariot may be quite early. It is exquisite with very fine details throughout and beautiful modeling of the angel's face and body. The horses are in a rearing pose as if taking off or landing. This is a gorgeous neoclassical jewel. The surmount is exquisite with the wonderful swan birds with acanthus leaf wings. These images are very typical of the Gustavian period, circa 1780. The surmount is fully three dimensional with the images on both sides. The medallion is on a swivel mechanism. The combination of the classical image of the angel riding the chariot with the swans creates a magical pendant...

This is a magnificent Museum Quality Austro-Hungarian Ruby, Diamond, Enamel and Pearl Pendant Necklace with a Cupid Archer and his Bow and Arrow with a fabulous Winged Angel at the top. The pendant is in the Renaissance Revival style and dates to circa 1870. The pendant is one of the most beautiful Renaissance Revival jewels...

Etruscan Style Pendant featuring a Topaz oval shaped and is dropped from a starburst yellow gold disk featuring a garnet. The cognac colored, oval shaped smokey topaz measures 10 x ...

Carlo and Arthur Giuliano Renaissance Style Chrysolite Enameled Necklace with original box England (London), c. 1895 Gold, enamel, chrysolite Weight 21.4 gr.; Chain 39.8 cm. Gold necklace with red translucent enamel. The centerpiece is formed of three elaborate scrollwork elements, each framing three, fanned out chrysolites in open settings. These are connected by double chains of stylized floral links in red enamel, and the same links create the three pendants in tapering lengths with pear-drop chrysolites, suspended from the central element, as also the chain around the neck with s-shaped hook fastening. On the hook clasp is the maker’s mark “C&AG.” Original fitted brown leather case, gilt triple frame, inset with cream colored velvet and on the matching silk lining of the lid is in gold imprint: A crown, C & A Giuliano/ 115, Piccadilly/London. Self-described as an “art jeweler,” Giuliano began his career on Frith Street in London in 1860. Without a retail shop of his own, he initially supplied jewels to other London firms – Robert Phillip, C. F. Hancock, and Hunt and Roskell...

This is an absolutely stunning early antique Coral Cameo Pendant in 18 Karat Gold dating to the Georgian to Victorian period. The Coral Cameo is ex...

Recalling the stain glass windows of Notre Dame Cathedral in Paris, this 18k gold pendant is decorated with plique a jour (transparent) enamel of vibrant colors, separated by gold cl...

This is one of the most stunning antique 19th Century Garnet Enamel jewels we have seen. The Etruscan Archeological Revival pendant features a magnificent blood red Bohemian Garnet cabochon of gorgeous color and size set in a 14 Karat Gold Enamel beaded design. The garnet is surrounded by magnificent gold and enamel work of the highest quality. The pendant is very characteristic of the work of the master Italian jeweler Castellani, who created Etruscan Revival jewels...

Miriam Salat long drop necklace features White resin with vintage sterling silver. Perfect for your summer days and nights. From caftan to evening wear. Cubic zircon full diamond fa...

This is a spectacular Museum Quality Antique Pendant in the Renaissance Revival style set with Rose Cut Diamonds and a central hanging Baroque Pearl made by the acclaimed British jewelers, Child & Child (1880-1916), of London. The pendant remains in its original fitted velvet, silk and leather box with the Child & Child insignia. The pendant is made of Silver topped with Pink Gold as was the custom of the Renaissance jewelry...

This killer and stunning vintage Monet signed sculptural bib necklace has abstractions of design. The textural outline of forms has high polish gold tone ...

A Victorian Holbeinesque garnet and chrysoberyl pendant, to the centre an oval cabochon garnet measuring 18 x 14mm, surrounded by polychr...

Vintage 18k Gold Bell Necklace with Malachite These vintage bell necklaces are the perfect way to add a splash of colour to any outfit. Availabl...

A 19th century archaeological revival gold necklace, consisting of a mesh chain 5mm wide, suspending one-hundred-and-four cone-shaped drops...

An Important Victorian hardstone intaglio necklace, composed of eight Roman intaglios depicting seven of the Olympian gods, with a central drop depi...

A Renaissance revival emerald, ruby, pearl and enamelled gold pendant, the rectangular-cut emerald estimated to weigh 1.5 carats rub-over set to the centre, flanked with one diamond-...

An Important Archaeological Revival gem-set gold necklace, the gold chain festoons hung with eight carved corals and suspending a central oval l...

Displayed is an hourglass natural emerald Georgian styled solitaire pendant in 14K yellow gold. This gorgeous piece carries two emeralds in a prong setting. Black rhodium highlights ...

This is a rare museum quality early Rose Cut Diamond Pendant dating to the Georgian Era set with an abundance of antique Rose Cut Diamonds set in silver atop 14 Karat gold as was the custom of the period. The pendant of great beauty and dating to the 1700s. Diamonds were all the rage in the Georgian period and this is a wonderful example. Early pieces such as this are extremely difficult to find. This one is so immensely wearable as the size is just perfect for wearing either day or night. It has stunning period character and style. The pendant is 68 mm (2 3/4 inches) long from the top of the bale to the bottom of the pendant. Without the bale it is 58 mm long. It is 45 mm (1 3/4 inches) wide at the widest point. The rose cut diamonds are set in silver collets atop 14 Karat gold. The gold bale is a later addition. There has been some restoration of the pendant as is visible from the back - this is very typical of the early Georgian jewels...

An Important Giuliano necklace, consisting of three strands of turquoise-enamelled candy-twist gold links interspersed with pearls, the three strands linked to the centre with painte...

14k white gold 5 oval green tourmaline weighing 1.26cts. and 1 round full cut diamond weighing .04pts. on a 16 inch link chain.

In the manner of Etruscan jewelry, this Tahitian grey pearl pendant is meticulously ornamented with delicate granulation in 22 karat gold and set in...

Rare and important Chanel Maison Gripoix Flower Parure referred to as "Bijoux de Fleurs" when first shown in in 1938 and illustrated in Harpers Bazaar in the same year. Our example w...

A Georgian lozenge-shaped pendant, to the centre a rose-cut diamond-set interlocking double-heart mounted in silver, applied on blue enamel background surrounded by white enamel bord...

A fine handcrafted 22KT Gold 'Jaisalmeri' Necklace inspired by ancient Indian traditions. 176 grams of 22kt Gold, 2.50 carats of Uncut Diamonds, 25 carats of Emeralds and Rubies, a...

Eygptian Revival Askew London Snake Drop Necklace with enamel cloisonne beads in pale pinks and greens. Silverplated antique finish. The snakes are se...

During the 19th century, the discoveries of ancient archaeological finds influenced and brought on what is referred to as "archaeological revival jewelry," or "Egyptian revival jewel...

A Georgian aquamarine and gold cannetille suite, the necklace consisting of three emerald-cut aquamarine-set gold links, connected with tw...

22KT Gold Pankhi Fan Necklace inspired by ancient Indian traditions. This necklace is all about secrets. In ancient India, the Maharanis (queens) had ...

Hand made in the Etruscan style, designed as twenty eight ruby drops of rich deep raspberry colour, with a larger ruby drop in the center, enhanced by high karat gold link beads and ...

A stunning antique 10.97 carat aquamarine and 1.57 carat topaz, 1.42 carat diamond and platinum necklace; part of our diverse antique jewelry and estate jewelry collections. This stunning, fine and impressive antique pendant has been crafted in platinum. The drop style pendant has a scalloped edged, pierced decorated quatrefoil design, ornamented to the center with a claw set round mixed cut aquamarine. The millegrain decorated setting is embellished with four bezel set Old European round cut and eighty-eight pavé set Dutch cut diamonds. The feature setting suspends from a four claw set 1.57Ct cushion cut blue topaz via two articulated linear drops. The articulated linear drops are each set with three bezel set Old European round cut diamonds. The pendant suspends from a 17" fine belcher chain via two ring loops to the upper border of the topaz setting, securing with a conventional spring loaded bolt ring fastening to the reverse. This 1920s aquamarine and diamond pendant has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as platinum. The necklace is supplied with an independent diamond grading report card. Condition: This stunning antique 1920s necklace...