Pearl Pendant Necklaces

Diamond, pearl and sapphire butterfly pendant necklace. GIA certified natural no heat blue sapphire accented with natural peal, genuine ruby and old mine cut diamond accents. White, ...

A stunning antique 1900s natural saltwater pearl and 3.99 carat diamond, 18k yellow gold and silver set pendant; part of our diverse antique jewelry and estate jewelry collections. This stunning, fine and impressive antique pendant has been crafted in 18k yellow gold with a silver setting. The pierced decorated drop style pendant is ornamented with a central feature articulated eight-claw set 1.57Ct Old European cut diamond. This stunning feature diamond suspends from a tri-leaf design emanating from the tapering upper portion of the frame. The symmetrical swept frame is embellished with a further forty-six Old European cut diamonds, totaling 2.42Ct. A stunning single, certified natural saltwater pearl terminal articulates and suspends from the lower border of the design. This large antique diamond and pearl pendant is suspended from a contemporary 18k yellow gold 45.72cm/18" trace chain via an integrated, hinged ring loop attachment. This antique pearl and diamond pendant necklace has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as 18k gold and silver. This impressive pendant is supplied with an independent diamond grading report certificate for the feature diamond, an independent diamond grading report card for the supporting stones, in addition to a pearl report supplied by the Gemological Certificate Services (GCS), London*. NOTE: * This documentation accredits the natural saltwater pearl to be a cream-colored and certifies that the gemstone shows no indications of treatment. Images do not always reflect the true color and brilliance of gemstones and diamonds. The video however provides a truer representation of the actual color and showcases each stone. Condition This stunning antique gemstone pendant...

For sale a beautiful 18K gold, Victorian-era locket pendant, which features a lovely bouquet of flowers meticulously crafted from natural seed pearls and radiant blue sapphires on it...

A late Victorian pearl and diamond brooch/pendant, centrally-set with a cream pearl measuring approximately 8.7 mm in diameter, to a d...

Channeling the eternal Tree of Life, the organic spirit of K. Brunini is captured through this peace sign pendant in 18k yellow gold. In the Twig Collection, nature exists alongside...

A very rare antique Georgian to Victorian Snake Pendant Locket with a small hinged Locket opening in which to place a treasured memento, a mourning item, or possibly poison! The extraordinary Snake Pendant is 14 Karat Gold. The head and eyes of the snake are set with a pear shaped and two round faceted red Garnets. The locket portion is covered with a crystal or rock crystal cover on the front. The reverse of the locket portion opens with a lovely detailed hinge with a glass cover. The pendant is 34mm long including the bales. Without the bales the snake is 28mm long and 12mm wide. The interior of the locket portion is 4mm in diameter and is 4.5mm deep. The snake is 14 Karat Gold. The pendant weighs 1.6 grams. The listing is only for the snake pendant. The chain is only shown for display. The bales may be a later addition. A pendant with a poison compartment is extremely rare and having one in the form of a snake is highly unusual. The combination of both a snake and an pendant is rarely ever seen. The following is a description of poison rings: A poison ring or pillbox ring...

This beautiful cameo brooch/ pendant depicts the Last Supper in great detail. A true cameo is a miniature sculpture in relief, carved from a single shell. Travelers touring Europe he...

A stunning antique Victorian 0.55 carat diamond, pearl and enamel, 12 karat yellow gold and silver set necklace; part of our diverse antique jewelry and estate jewelry collections. This stunning, fine and impressive antique antique pendant has been crafted in 12k yellow gold and silver. The pierced decorated pendant has a central floriated design, embellished with hand painted enamel decoration; a single pearl ornaments...

'Red Planet's Petal' opal pendant channels magnificent red, the rarest of all opal colours, straight into your heart, gently and persuasively.  Natural, untr...

This Gorgeous 18ct White Gold Pendant weighs 3grams and is carefully set with 107 beautiful Round Brilliant Cut Diamonds (GH vs-si) weighing 0.54carat in total and 1 Cushion Cut Garnet...

OCTAGONAL RELIQUARY PENDANT Probably Italy, c. 1600 Fire-gilded brass, glass, velvet, ink on paper Weight 63.2 grams; dimensions 82 × 47 × 21 mm (with loop) Physical description: Double-sided pendant in octagonal form made of fire-gilded brass. Both sides of the pendant with deep profiled frames with glass. The slightly indented side panels comprise openwork friezes with symmetrical scrollwork. On the front is dark red velvet, onto which tiny bone relics of saints (now missing) would have been attached. Labels on a lace-like paper silhouette remain, with names written in ink, mostly faded; only “S. Agnes” is legible. The back is hinged and when opened reveals a velvet-lined interior and paper insert with floral decorations on a turquoise ground, on which fragments of bones are attached. Baluster shaped base for shield-like pendant loop and ring. This reliquary pendant is difficult to situate historically because it is a composite object. It represents traditional handwork in the form of a paper cutout, combined with a jeweler’s beautiful fire-gilt brass case. The work of paper cutting, painting, and ornamentation, sometime combined with needlework, is comparable to work still being done in the nineteenth century by nuns and pious ladies. It is prayerful work, a devotional exercise in itself, and shows reverence to the tiny relic fragments that it would have framed and honored. Early versions of this sort of handiwork might be found in the meticulous displays sometimes called “Paradise Gardens.” These were made, beginning in the sixteenth century, by the nuns at Mechelen, in northern Belgium, in multimedia handwork displays of sewing and gluing, combining relics with paper, cloth, glass, metal wire, and found materials. These textured and pious displays were then combined with paintings and cases by professional artists and artisans, as in the example in Cassel. Unfortunately, because of water damage, only one of the labels of the original relic displayed in this reliquary is legible, inscribed “S. Agnes” at the center top; the other names are faded. Presumably the deep velvet-lined box would have also held an assortment of relics other than the ones that were visible through the glass, and perhaps there would have been another display in the glass on the other side of the pendant. There is a second paper insert, this one decorated with a turquoise ground and silhouette flowers to which bone fragments seem to be still attached. The octagonal case, in contrast to the paper cutout, is not at all “home-made.” It has an openwork frieze in scrollwork patterns familiar from enamel work and other metalwork done for European courts and nobility. It is not unlike cases for expensive watches...

Original 1880's Victorian pendant with bow and wreath design pendant set with 43 natural untreated pearls along with one old cut diamond and one natural sapphire. Natural patina. 18 ...