Early 1900s Necklaces

Art nouveau enameled orchid flower brooch. A beautiful three-dimensional antique piece created in America during the Art Nouveau period, back in the 1900. This pendant-brooch is a r...

One Edwardian Diamond 14k Yellow Gold Locket. Featuring one old European cut diamond weighing approximately 0.10 carat carat, graded G color, I1 clarity. Crafted in 14 karat yellow g...

Edwardian belle Epoque necklace-pendant-brooch. Fantastic lucky pendant-charm, created during the Belle Epoque period in the Edwardian era (1901-1910), back in the 1901. This stunning piece has been crafted in the shape of a horseshoe in solid yellow gold of 18 karats, and is fitted with a movable ring on top to wear in a chain or a charm's bracelet. It is embellished with a fantastic assortment of natural earth mined gemstones; such twenty-one (the lucky number) white colorless diamonds and twenty-three vivid green demantoids garnets. Demantoid Demantoid is the green gemstone variety of the mineral andradite, a member of the garnet group of minerals. Andradite is a calcium- and iron-rich garnet. Ferric iron is the cause of the green in the stone. Although garnets have been known since ancient times, the demantoid variety was not discovered until 1868 in Russia's western central Ural Mountains. The find was an alluvial deposit about 110 km from Ekaterinburg, north by northwest along the Bobrovka River, near the village of Elizavetinskoye. Miners were immediately stunned by the highly refractive nature of the gem material, which is atypical for garnet. They began comparing it to diamond and referred to it as "demantoid", from the old German Demant, meaning diamond. The reason is obvious, with its high brilliance and dispersion. However, as demantoid garnets are quite rare and found in so few locations, they can command quite high prices, especially if they have a particularly lovely horsetail inclusion. Most stones are less than one carat in size after cutting in polishing. Demantoid gems...

Vintage 14 Karat White Gold Cut Crystal and Diamond Pendant- This stunning custom-made pendant was upscaled from a Victorian stick pin - featuring one round brilliant cut diamond se...

Edwardian enameled purple Pansy flower pendant-brooch. Beautiful Pansy flower, created in Newark United States during the Edwardian and the Art Nouveau periods, back in the 1900. T...

Edwardian Pansy flower convertible brooch designed by Crane & Theurer Inc. An exceptional piece, created in America during the Edwardian and the Art Nouveau periods, back in the 190...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

This one is for the true vintage jewelry connoisseur who appreciates the story as much as the piece. This stunning necklace came in as part of a s...

Edwardian belle époque cross. Beautiful cross from the Belle Epoque period, created during the Edwardian era (1901-1910), back in the 1905. This de...

Edwardian belle époque cross. Beautiful cross from the Belle Epoque period, created during the Edwardian era (1901-1910), back in the 1905. This de...

Locket necklace designed by Cartier. Gorgeous antique locket-necklace, created during the early Edwardian period by the house of Cartier, back in the 1900. This beautiful and rare p...

Edwardian belle époque pearls necklace. Beautiful and very delicate necklace, created in England during the Edwardian belle époque period,...

Edwardian enameled white Orchid convertible brooch. Beautiful three-dimensional piece, created in America during the Edwardian and the Art Nouveau periods, between the 1901-1910. Th...

Edwardian enamelled four-leaf Clover convertible brooch. An extremely beautiful piece, created in America during the Edwardian and the Art Nouveau periods, back in the 1900-1910. Th...

This rare pendant was made in Saint Petersburg between 1904 and 1908 by Carl Blank, jeweler of the Russian Imperial Court and Tsar Nicholas II. The pendant is finely crafted in matte platinum (front) and 14K gold (back). It features two excellent red spinels from Burma accented by old mine cut diamonds. The spinels were tested by Swiss Gemmological Institute in Basel (test report no. 87913) and found to be natural and untreated. Estimated total spinel weight is 2.70 carats. Approximate total diamond weight is 3.18 carats. In the early 1900s, platinum was an exotic metal. In Russia, it was rarely used in jewelry (not until 1930s). Apparently only jewelers of the Imperial court like Faberge, Bolin and Blank experimented with platinum. Marked on frame with 56 zolotnik old Russian gold standard (there was no mark for platinum at that time) and on bail with maker’s initials ‘ CB’ for Carl Blank, St. Petersburg assay mark with initials ‘AP’ for assay master Alexander Romanov...

Edwardian enameled flower convertible brooch. An extremely beautiful and rare piece, created in America during the Edwardian and the Art Nouveau periods, back in the 1900-1910. This...

A French necklace joint clip. Beautiful three-dimensional piece, created in Paris France during the early Edwardian and the Art Nouveau periods, back in the 1900-1910. This beautifu...

Edwardian gem set convertible necklace with peridot. Beautiful piece of jewelry, created during the late Edwardian period in the art-nouveau style, circa 1908. This beautiful neckla...

Brooch in 14 karat rose gold, and silver. Sublime brooch of the beginning of the 20th century, it is formed of patterns in arabesques, in lace, floral patterns and pampille in the geometrical lines, the whole decorated with antique rose- cut diamonds, antique- cut diamonds and sugar loaf- cut sapphires. The attachment system is a pin with safety. Height : 7,5 cm approximately, width : 4 cm approximately, thickness : 7,5 mm approximately. Total weight of the jewel : 13 g approximately. Antique jewel, authentic French work circa 1900. Our opinion : incredibly refined, this antique diamond and sapphire brooch...

Comprised of a stylized twisted wire cable chain suspending a peacock feather motif plique-a-jour station. Transparent matte green and peachy orange in color with light saturation. ...

Locket pendant is an East to West cushion form and hand painted with enamel. Depicting a seated King David in his iconic blue robes with a male figure presenting the nude Bathsheba. ...

Pendant is designed as a heart shape centering a flush set old European cut diamond Weighing approximately 0.10 carat total - eye clean and bright Featuring a surround of six flush...

Necklace is comprised of a green gold link chain with stylized floral bar stations. Suspending a substantial whiplashed enhancer pendant via two 14 karat gold spring ring clasps. Pen...

Necklace in 18 karat white gold and platinum, eagle head and dog head hallmarks. Charming antique necklace, it consists of a thin jaseron mesh which holds a pattern formed by 2 shuttles, decorated with 2 rose-cut diamonds that support a fall of 3 cushion-cut diamonds and antique brilliant- cut and which ends with a drop pattern, openworked set with rose-cut diamonds and 2 cushion-cut diamonds and antique- cut diamond in the center. The clasp is a spring ring. Total weight of diamonds : 0.80 carat approximately. Height : 3.3 cm, width : 13 mm, thickness : 4.6 mm. Length of the chain : 42 cm, thickness : 0,4 mm approximately. Total weight of the jewel : 4,5 g approximately. Antique jewelry - French work of the 1900s. Our opinion : this lovely antique Belle Epoque necklace...

An exquisite, rare and fine Art Nouveau pendant in 18 carat gold, Circa 1900. 18 carat gold set with translucent varicoloured Guilloché enamel with a natural salt water pearl drop. ...

Necklace is comprised of elongated cable links with stylized serpent stations Each station is highly rendered while clutching an emerald cabochon in its mouth Very well matched bri...

18ct gold & silver set Art Nouveau Diamond Opal Pendant/Brooch dated circa 1900 Five round opals with an articulated pear shaped opal drop, very well matched with lively play of colours and iridescence in reds, greens, blues and gold. Set in 18 carat yellow gold claw collets Two main transitional cut (old mine) diamonds 0.70ct. Mix of old mine and rose cut diamonds in an 18 carat yellow gold with “silver Set” channel setting , approx 1 ct total. G/H/I, VS2-SI2. Total diamond weight: approx 1.7carats Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds). The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age. Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling. The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia. The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco. In fitted period box. Detachable 18ct brooch...

Pendant in 18 karats white gold and yellow gold. Lovely antique jewel, it is made of a chiseled drop motif set with a rose- cut diamond. It retains a larger, openwork pattern, chased...

18ct gold & silver set Art Nouveau Diamond Opal Pendant/Brooch dated circa 1900 Five round opals with an articulated pear shaped opal drop, very well matched with lively play of colours and iridescence in reds, greens, blues and gold. Set in 18 carat yellow gold claw collets Two main transitional cut (old mine) diamonds 0.70ct. Mix of old mine and rose cut diamonds in an 18 carat yellow gold with “silver Set” channel setting , approx 1 ct total. G/H/I, VS2-SI2. Total diamond weight: approx 1.7carats Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds). The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age. Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling. The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia. The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco. Detachable 18ct brooch...

An exquisite, rare and fine Art Nouveau pendant in 18 carat gold, Circa 1900. 18 carat gold set with translucent varicoloured Guilloché enamel with a natural salt water pearl drop. ...

A large gold locket decorated with a lyre in rose cut diamonds, the lyre was Apollo or Orpheus attribute and it is the symbol for poets and for harm...

Necklace in 18 carat yellow gold. This splendid and rare necklace "negligé" is formed of a chain yellow gold separated from 12 Coral angel skin pearls. The antique chain retains on t...

Composed of freshwater pearls with silver and rose tones, highlighted by rose-cut diamonds, this Art Nouveau gold pendant necklace da...

EGL certified Victorian 1900 handmade filigree drop pendant and handmade filigree chain. The diamonds are white old cut and sparkly. All original. 1 Center diamond EGL certified .9...