18k Gold Objets d'Art and Vertu

An Art Nouveau gold and diamond card wallet, with the gold front plate stamped, chased and carved with floral, scrolling and lattice motifs, highlighted with an oxidised finish, with...

Diamond Tiara by J.E. Caldwell An intricately designed platinum and 18 karat gold tiara set throughout with rose cut diamonds and old European cut dia...

An Austrian agate vesta box with Essex glass. Gorgeous vesta matches box, created during the Edwardian Period in Vienna Austria, circa 1900. Made up in two parts carved from natura...

Victorian engraved box. An oval snuff/pill box featuring a gold lid engraved with floral motifs set within a garland border and a foliate pattern to...

We are thrilled to show you these magnificent French heirlooms. This rare and glamorous treasure dates back to the Art Nouveau period. It is a delightful miniature mesh coin purse with a very detailed hing closure and hundreds of hand made small links woven together. This 18 ct yellow gold jewel is hallmarked with a French eagle head and is in very good condition considering its age. It is in perfect working condition and a pleasure to wear. We like to mention that the back of the purse has deeper scratches as clearly visible in the pictures. This 18k solid gold purse...

Art Nouveau Tiffany & Co. Parasol Handle A parasol handle made of 18 karat gold, jade, rocky crystal and wood made circa 1900 Signed Tiffany & Co. Stamped 18 KT. Gold Length: 8.5"

Desk seal with the arms of the Prince of Wales. Very rare and unusual desk seal, created in England during the Edwardian period, back in the early 1900's. This seal feature the arms of the Prince of Wales and is composed by the agate pommel, carved with smooth surfaces and the round mount setting crafted in yellow gold of 18 karats with scrolls decorations. The seal depicts three feathers aligned over a crown, carved with incised intaglio in natural white agate. Gemstones: The handle pommel is carved from a single piece of brown translucent agate with bluish veins. Weight: 14.95 Grams, (9.58 Dwt). Measurements: 41 mm by 19 mm (1.61 x 0.75 Inches). Hallmarks: No marks, electronically tested for 18 karats gold. Arms of Prince of Wales The Prince of Wales's feathers – Almost History The coat of arms of the Prince of Wales is the official personal heraldic insignia of the Princes of Wales, a title traditionally granted to the heir apparent of the reigning monarch of the United Kingdom of Great Britain and Northern Ireland, formerly the Kingdom of Great Britain and before that the Kingdom of England. Since Edward I awarded it to his son the future Edward II, the heir apparent to the English throne has been created with the title Prince of Wales. The history of the coat of arms is closely linked with those of the Royal coat of arms of England and the Royal coat of arms of the United Kingdom. However, as the noted antiquarian and heraldist Charles Boutell wrote in 1863, "The Arms of the Prince of Wales have a distinct individuality of their own, with which nothing ought to be directly associated". History The badge has no connection with the native Princes of Wales. Its use is generally traced back to Edward, the Black Prince (1330–1376), eldest son and heir apparent of Edward III of England. Edward bore (as an alternative to his differenced royal arms) a shield of Sable, three ostrich feathers argent, described as his "shield for peace", probably meaning the shield he used for jousting. These arms can be seen several times on his chest tomb in Canterbury Cathedral, alternating with his royal arms (the royal arms of King Edward III...

Fox Essex glass scent bottle designed by Tiffany & Co. An exceptional very rare piece, created during the Edwardian period at the Tiffany Studios, back in he 1905. This fabulous scent bottle has been carved from translucent rock quartz and mount with an oversized Essex glass reverse carved piece depicting the enameled three dimensional head of a fox. Both parts are mounted with hinged round frames crafted in solid yellow gold of 18 karats with high polished finish. Fitted with a push opening button, an invisible hinges and an interior gold screw lid. The head of the fox is magnificent, very well carved with realistic details and exceptionally painted. Weight: 137.50 Grams, (88.14 Dwt). Measurements: 34 mm by 40 mm by 80 mm (1.34 x 1.57 x 3.15 Inches). Hallmarks: Stamped with the maker's mark, the mark for the assay of the gold and signed, "TIFFANY & CO.". The gold parts has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as over 18k gold .770/.999 assay. Essex Glass Essex crystal pieces are formed from a rock crystal cabochon (polished domes of rock crystal with a flat base), an image or motif is then reverse carved into the flat base, and then painted, to give them impression of a three dimensional object or image encapsulated in the cabochon when viewed from above. Production of a reverse crystal intaglio begins with the mining and cutting of fine rock crystal from Brazil or Madagascar. A well-formed cabochon is the key to a beautifully made reverse intaglio and the tedious process of hand polishing it to perfection had to be completed before the design work could begin. A watercolor rendering of the image was painted on the underside of the cabochon and an oil and diamond dust mixture was used along with up to 250 scribing tools to carve the design into the interior of the crystal “…the deeper the carving the more pronounced trompe l’oeil effect.” Once the carving was established the painting process began with extremely fine brushes and paint working in reverse to create incredibly detailed images. This process of carving into the back of the cabochon is sometimes referred to as reverse intaglio, not be to mistaken with intaglio, which is designed to be viewed from the same side on which it is carved, unlike Essex crystal. Particularly when the image is of something which is itself small in reality, such as an insect, they can be very convincing when created by skilled craftsman. Thomas Cook was believed to be responsible for introducing them to Britain from the continent in the 1860s, and there were initially sold by Hancock’s in London. During the same period the artist William Essex, was a great favourite of Queen Victoria, and known for his enamel painting and miniatures. It would seem that the public put two and two together and came up with five, in that they believed these exquisite miniature painted jewels could only have been created by such a celebrated talent as Essex, and the name stuck despite him having nothing to do with their creation. Interestingly, William Bishop...

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...

Everything old is new again! Hair accessories are the new way to make any look more fashionable. This antique hair pin is handcrafted with a spray of ...

Tiffany & Co. antique perfume bottle, circa 1900s 18 karat yellow gold; marked Tiffany & Co., Makers, 43622, 18kt gold Dimension: length 3.25...

A vintage agate 18 karat yellow gold eagle fob, circa 1900. This rare and unusual fob is realistically modelled as an eagle carved from one piece of banded agate. The white section ...

Detailed out of the ordinary antique yellow gold pin, with an edgy dagger sweet motif of a sharp yellow gold dagger sleek and smooth. The handles are crafted with such consideration,...

Rare 1900's Cartier belt buckle with flower motifs set with old mine cut diamonds. Signed 'Cartier Paris', numbered, with maker's mark and eagle st...