Antique Roman Republic Agate Intaglio Gents Ring Victorian 15 Karat Gold Mount

This 18 karat gold ring is set with a deep brown agate intaglio. The roman intaglio dates from the second / third century AC and depicts a hand holding a oar, a poppy and one other f...

This gem depicts a warrior with helmet and spear, a shield and a head. The intaglio is carved into a rather high oval carnelian. The mount is made out of 9 karat gold and impressed ...

This substantial silver ring holds an intaglio of a follower of the greek god Dyonisos, the god of wine dance and fertility. The dancing little boy holds a bunch of grapes in his in ...

This unusual iron gents ring was cast in the second third of the 19th century.

A 19th century intaglio, possibly earlier, carving of a man holding ( a phallus? ) something in his outstreched hand is set in an elegant modern 18 karat gold mount. Diameter of fra...

This cast iron signet ring is large in size and must therefore have been made for a man. The ring dates from the mid 19th century. Although the iron has oxydized with age, there are ...

The banded agate in this 15k gold Victorian signet ring was left uncarved—allowing the agate’s beauty to be the centerpiece of the ring. The surface layer of the stone is a lavender ...

Castellani® has selected this Ancient Roman Agate Intaglio for the "Cleopatra" Ring Setting. The intaglio dates to the 3rd to 7th Century. The intaglio is both black and white agate, which is a hard stone and very good for carving. The agate has two layers of color, black on the top and white at the bottom. The agate intaglio is solid and is one piece. The carver was able to use these two color layers to give dimension and detail. The Column and Angel on the left wings are white and the balance is all black. The Carver knew the material he/she was carving and used this to create this very unique scene. The intaglio shows two angels standing on either side of a column/pillar looking at the bust of a man on top of the pillar. The angels are female and male. The bust on the pedestal is of a male. The intaglio is set below the frame. The frame flairs out to a subtle point on the sides and has a flat surface. The "Cleopatra" ring design was a style that Castellani created in the 1860's and was inspired by Ancient Roman rings...

Exceptionally rare and fashioned in the 2nd or 3rd century CE, the carved carnelian gemstone at the center of this ring hails from the Roman Empire. Displaying a rich red color and carved with the image of two Roman deities with a child, the creation exudes the glory of late antiquity. Each taking a classical contrapposto stance, the leftmost god appears crowned with laurels and grasping a staff, while the other appears nude. At their feet, an infant stretches his arms upward toward the divine figures. The crimson carnelian, more than a millennia-old, is set into a later 14K gold ring setting...

Roman Ring with Intaglio of Mars Roman, 4th century AD, intaglio 3rd century AD Gold, nicolo Weight: 15.3 gr.; Circumference: 49.32 mm.; US size 5; UK size J ½ This deceptively heavy gold ring...

A roman green agate intaglio set in a gold ring. Grasshopper. 1st century B.C. - 1st century A.D. Fine depiction of the insect, facing left. Use of globular elements. Groundline. Sli...

Renaissance ring with Roman horse intaglio Ring: Western Europe, c. 1580-90, Roman intaglio: 1st century AD Gold, champlevé enamel, nicolo agate Weight 5.2 gr.; Circumference 57.15 mm.; US size 8; UK size Q In the Renaissance period, ancient cameos and intaglios were highly sought-after collectors’ items. Wealthy owners had them incorporated into signet rings, and in this case, an exceptional and rare ring with sophisticated enameling. The Roman intaglio reflects the spirit of Humanism during the Renaissance, when there was a revived interest in Classical literature and the arts. The horse motif was most likely the personal choice of the wearer or giver of this ring who would have been familiar with its meaning in Classical Antiquity as a symbol of wealth and power. In Ancient Greece images of horses denoted aristocratic status, were symbolic of heroism and the all-important cavalry. A grazing horse as seen here may have represented a favored racehorse. Description: Gold ring with D-section hoop widening towards the oval bezel, plain on the interior and on the exterior the shoulder is decorated in gold against black enamel with symmetrical foliate and floral motifs. The frieze-like decoration continues along the sides of the facetted bezel with dots, dashes and scrollwork, a triangular form with acanthus foliage and fine gold framing line along the base of the bezel with raised mount and fluted collet for a nicolo-agate intaglio. Carved into the bluish grey on brown surface is a grazing horse seen in profile, head bent low. On the underside of the bezel is an elaborate cross motif with scrolls in black enamel against gold. Minor loss of enamel in some areas, through age and wear. The ring is in good wearable condition. Literature: Similar elaborately enameled signet rings set with ancient intaglios or Imperial laureate heads can be found in the British Museum, London (Dalton 1912, no. 308); Tarnóczy Collection; Hanns-Ulrich Haedeke Collection. The highly embellished enameling along the hoop and bezel of this exceptional and rare ring is reminiscent of the ornamental prints...