England

An exceptional 17th Century Cuzco School (Spanish School, Peru) Oil on Canvas of St. Anthony of Padua holding the Christ Child. We have had this incredible painting framed in a fi...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning, late 17th century, hand caved 1684 lift top writing work table traditionally used for bible s...

A pair of 18ct gold mabe' pearl earclips. Diameter: 25mm. Total weight: 26.1 grams . English hallmarks for 1985. Price: 3,880£. Item is in very good condition without any damage. R...

A rare pair of late 17th century oak wainscot chairs. Very striking detail: grand cresting rail with very similar carved detail to the main panel and a further smaller panel with 4 c...

An antique round patch box, crafted in sterling silver during the 17th century, is potentially from the era of Charles II. The silver circular box and cover showcase embossing featur...

This stunning 17th century Old Master portrait oil painting is attributed to Godfrey Kneller. Painted circa 1680 it is a superb full length portrait of a blo...

A good Charles II silver trefid spoon by john King and hallmarked in London in 1683 with a plain rat tail. It has an oval bowl with a thick gauge ...

This stunning 17th century Old Master portrait oil painting is attributed to Godfrey Kneller. Painted circa 1680 it is a superb full length portrait of a blonde haired boy holding a struggling bird. He is bare foot and dressed in a white shirt with gold shawl around him. In the background is a blue drape. There is lovely detail and brushwork in his facial features and vibrant colouring. This a superb 17th century Old Master oil painting housed in a lovely frame. Provenance. Two ascribed labels verso Christie's stamp verso. . Condition. Oil on canvas in good condition, 36 inches by 28 inches approx. Frame. Housed in an ornate frame, 43 inches by 35 inches approx. Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I. Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Zacharias Kniller, a portrait painter. Kneller studied in Leiden, but became a pupil of Ferdinand Bol and Rembrandt Harmenszoon van Rijn in Amsterdam. He then travelled with his brother John Zacharias Kneller, who was an ornamental painter, to Rome and Venice in the early 1670s, painting historical subjects and portraits in the studio of Carlo Maratti, and later moved to Hamburg. The brothers came to England in 1676, and won the patronage of the Duke of Monmouth. He was introduced to, and painted a portrait of, Charles II. In England, Kneller concentrated almost entirely on portraiture. In the spirit of enterprise, he founded a studio which churned out portraits on an almost industrial scale, relying on a brief sketch of the face with details added to a formulaic model, aided by the fashion for gentlemen to wear full wigs. His portraits set a pattern that was followed until William Hogarth and Joshua Reynolds. Nevertheless, he established himself as a leading portrait artist in England. When Sir Peter Lely died in 1680, Kneller was appointed Principal Painter in Ordinary to the Crown by Charles II. For about 20 years (c.1682-1702) he lived at No. 16-17 The Great Piazza, Covent Garden. In the 1690s, Kneller painted the Hampton Court Beauties depicting the most glamorous ladies-in-waiting of the Royal Court for which he received his knighthood from William III. He produced a series of "Kit-cat" portraits of 48 leading politicians and men of letters, members of the Kit-Cat Club. Created a baronet by King George I on 24 May 1715, he was also head of the Kneller Academy of Painting and Drawing 1711–1716 in Great Queen Street, London, which counted such artists as Thomas Gibson amongst its founding directors. His paintings were praised by Whig members including John Dryden, Joseph Addison, Richard Steele, and Alexander Pope. On the landing in Horsham Museum hang works of art from the Museum's extensive painting collection, featuring a large 18th-century portrait of Charles Eversfield and his wife, of Denne Park House. In the painting Eversfield is giving his wife some violets which signifies fidelity, love and honesty. It is likely that the picture was cut down at some time as it was unusual to stop just below the knee. It may have been painted by more than one person: someone who specialised in clothing, another in drapes, and so on, with perhaps Kneller painting the heads, for it was the portraits that gave the sitters their identity, everything else is rather formulaic. He married a widow, Susanna Grave, on 23 January 1704 at St Bride...

A superb Oak Refectory table dating to c.1680. The table sits on gun barrel legs with side and centre stretchers. It has a two plank quarter sawn oak top with bread board edges and o...

A Charles II walnut elbow chair with foliate carved scrolling arms. The rectangular back and seat covered in modern needlework authentically styled to the period.

A very fine and interesting late 17th century English work box or travelling case English Circa 1680 Of conventional form with slightly domed lid, this piece has acquired a magnifi...

A large 17th Century and later carved oak overmantle, consisting of two moulded front panels with intricate carved leaf and fluted decoration, carved fi...

- Rare small size, perfect height for sofa's and modern armchairs - The thick single plank walnut top and bold turnings are characteristic of Spanish furniture - This table exudes ve...

Museum Quality, Small, Spanish, Walnut Chest With Rare Cypress Tree Carving, A Single Plank Top & Outstanding Colour & Patina - Rare carved decoration of cypress trees alongside more traditional Spanish ornamentation - Rare small size - Exceptional quality and condition - Exudes the charm and character of Spanish furniture The single plank top with deep, crisply carved moulding below. The front with two panels, each carved with a large flowerhead roundel with carved cypress trees interposed. On later trestle base. The escutcheon and lock removed. Original pin hinges. The interior with original candle box and lid. The back with two large 'X's and the date '1849' painted in black, probably relating to an inventory or acquisition. Provenance: Private Collection, purchased from William Job Ltd., Pimlico Road...

Unusally Large Italian Walnut Centre, Occassional or Writing Table, Genoa Unusual large size with classical elegance and form Conceived as a center table as the frieze decoration...

17th century oak coffer with the hinged three panelled top above a three panelled front with carved decoration, a wonderfully carved top rail above the three panelled front, standing...

Scorpius Virginuanus Myoxocephalus scorpius, typically known as the shorthorn sculpin or bull-rout, is a species of fish in the family Cottidae. It is a demersal species of the Northern Atlantic and adjacent subarctic and Arctic seas. Fine hand colored folio engraving for Francis Willoughby (1635-1672) by Paul van Somers. Paul van Somer, also known as Paulus van Somer, was a Flemish artist who arrived in England from Antwerp during the reign of King James I of England and became one of the leading painters of the royal court. The depiction draws heavily on the work of Salviani, Rondelet and Aldrovandi. Additional manuscript notes of the period in manuscript calling it ‘Gedan’. Although Ray states with his characteristic modesty to be only the editor of the manuscript of his deceased friend Willughby (1635-1672), his share in compiling the material for the work should not be neglected. The text was printed at the expense of bishop John Fell (founder of the University Press), the plates engraved by Paul van Somers under the supervision of Martin Lister at the expense of several members of the Royal Society of London, among them particularly the Society's president Samuel Pepys...

Gerardus Mercator (1512 - 1594) Map of the North of Scotland (1683) Engraving with later hand colouring 35 x 45 cm A fantastically characterful and detailed map engraving of the North of Scotland from 1683. The highly detailed and beautifully coloured map is inscribed to the reverse with a description of the parts of Scotland illustrated, called the 'Troisieme Table d'Escosse'. The map comes from the 1683 French edition of Gerardus Mercator's Atlas Major, which was first published in 1585. Gerardus Mercator was the Flemish father of mapmaking. He was a skilled geographer, cosmographer and cartographer and is most renowned for creating the 1569 world map based on a new projection which represented sailing courses of constant bearing (rhumb lines) as straight lines - an innovation that is still employed in today's nautical charts. Mercator was a highly influential pioneer in the history of cartography and is generally considered one of the founders of the Netherlandish school of cartography and geography. He is also widely considered the most notable figure of the school. In his own day, he was a notable maker of globes and scientific instruments. In addition, he had interests in theology, philosophy, history, mathematics and geomagnetism. He was also an accomplished engraver and calligrapher. Unlike other great scholars of the age, he travelled little and his knowledge of geography came from his library of over a thousand books and maps, from his visitors and from his vast correspondence (in six languages) with other scholars, statesmen, travellers, merchants and seamen. Mercator's early maps were in large formats suitable for wall mounting but in the second half of his life, he produced over 100 new regional maps in a smaller format suitable for binding into his Atlas of 1595. This was the first appearance of the word Atlas in reference to a book of maps...

17th century antique quality oak bureau boasting an outstanding interior and having a quality oak fall with a reading slope opening to reveal an incredible serpentine shaped interior...

Large antique 17th century Welsh quality oak Deuddarn cupboard having a moulded cornice with turned finials, three shaped moulded edge panel doors opening to reveal a storage compart...

"Vertooninge van de ontsachlyke Spaansche Krygs vloot, in den Jaare 1588." Issued in: Bor, Pieter: "Nederlandsche Oorlogen", Amsterdam (ca 1680) Measures: Leaf: ca. 28,5 x 36 cm View: ca. 26 x 34 cm Fine hand color. On fine watermarked laid paper. Copper engraving of the downfall of the Spanish Armada of the ‘Onoverwinnelijke Vloot’, between 31 July and 12 August 1588. Naval battle between the Spanish and combined English and Dutch fleets in the canal. In the foreground, there is a large Spanish frigate being shot at by a small Dutch ship with the banner of the city of Leiden; on the left, there is a galley.  In particular, the engraving details shows the battle of Gravelines as the English sought to disrupt the Spanish fleet as it lay in wait for the army to board her ships. The fireships can be seen in the middle-right of the picture. It gives a feel for the compactness of the fleet and the disruption that the English hoped to cause in breaking it up. Johannes or Jan Luyken...

The Prince of Great Britain (Portrait of James Stuart, the Old Pretender) G Kneller ad vivum pinx:', 'I Smith fecit'. Published by I Smith at ye go...

‘Careless Whispers’ by Arthur Steel Paper size: 40 x 32 inches / 102 x 80 cm Framing options available. Dog’s Names: ‘Buster’ on the left and ‘Dumpli...

17th century oak armchair re-upholstered in navy faux faur The faux fur creates a cosy, funky, fun, modern, individual, interpretation of a classic 17th century armchair It also ...

The outside and inside rectangular back and seat re-upholstered, during its last ownership, with an off-white and grey/blue cotton/linen mix fabric faced with close nailed brass stud...

An exceptional, fine and impressive antique James II sterling silver Trefid Rat Tail pattern spoon; an addition to our silver cutlery collection This exceptional antique James II sterling silver spoon has been crafted in the Trefid Rat Tail pattern. The anterior surface of the silver spoon...

Venetian, baroque, small, walnut, Inginocchiatoio, table, chest or kneeler with a rule along the right lower end of the right side. - In wonderful original condition with original...

An exceptional, fine and impressive pair of antique James II sterling silver Trefid Rat Tail pattern spoons; an addition to our silver cutlery collection. ...

Rare, Umbrian, baroque, trestle, Scantonata configuring both as a pair of consoles & an octagonal, center table. - Versatile, Baroque design - the only early model of table that w...

Charles II period (1630-1685) oak and walnut chest of drawers, or commode. Retaining old waxed surfaces of very good rich color and patination. With typical geometric drawer fronts and side runners, confirming a late 17th century date of c 1680. Walnut panel inserts to the drawer fronts. Retains its original stile feet and the base with its original bold moulding. Brass key escutcheons...

An exceptionally rare, late 17th century, pierced, brass, double candle sconce with wings Pierced and incised decoration Rare pair of hinged bras...

A rare late-17th century French walnut, commemorative, open, vernacular, naive, folk armchair with incised initials 'JFP' on the left hand side block and 'dFP' on the right hand side...

An exceptional, fine and impressive antique James II English sterling silver plate; an addition to our 17th century ornamental silverware collection. This exceptional James II ste...

An exceptional, fine and impressive antique William III English sterling silver porringer with cover; an addition to our 17th century silverware collection. This exceptional antique William III sterling silver porringer with cover has a plain rounded cylindrical form onto a circular spreading foot. The lower portion of the body is encircled with an exceptional band of chased alternating leaf designs. The body is further ornamented with the contemporary engraved initials 'WSM'. This cup retains the original hallmarked domed push fit cover embellished with a large chased stylized leaf motif in a swirl design. The cover is surmounted by an exceptional cast leaf decorated sterling silver bud style finial. This fine silver porringer with cover is fitted with two exceptional cast and applied S-scroll handles. Early examples in such exceptional condition are becoming increasingly difficult to locate. Reflections in photographs may detract from the true representation of this piece of antique silverware. Condition This antique silver porringer...

A rare, matched pair of ebonised armchairs from The Baroque & Baroque-Revival Periods & An Antiquarian, Baroque stool - From a private, furniture collection, acquired to represent three different periods of European manufacture & collecting of ebonised furniture...

A lovely quality 17th century oak part enclosed chest of drawers, the moulded rectangular top having dentil frieze over two short drawers, each with moulded fielded panels flanking s...

Cosmography & Astrology Large oval engraved plate with inscriptions outlining the various parts of cosmography and astronomy; below, two emblematic figures with scientific instruments either side. Lettered with title, dedication, and various inscriptions. To his Excellency Roger Palmer, Earle of Castelmain and Baron of Limerick in Ireland, Embassador Extraordinary from his majesty King James II to his Holyness Pope Innocent 11th anno dom 1686. This plate is humbly DD by Richard Blome. On paper and retaining its original coloring. Sheet width 26 ½ cm., 10 ½ in., height 41 ½ cm., 16 ½ in., In a part-gilded Sansovino frame...

A Mother & Child, Naïve, Baroque, oak, sculpture, upcycled into a 25” high, table lamp - Unusual statement & conversation piece; introducing an enduring classic theme into the int...

A superb one piece top spanish walnut table with original metal work supports and silhouette legs. Great color and patination.

A good pair of English late-17th century walnut chairs. Charles II period, circa 1680. Lovely waxed patinated surfaces and colour. The upri...