Europe - Ceramics

A wonderful gem of a piece by famed American/California ceramicist Beatrice Wood featuring her highly coveted, gorgeously radiant turquoise luster glaze. A beautiful design with a delicate long neck rising from a circular base. Classic and timeless. Signed by Beatrice in her customary "Beato" on the underside of the base (with noted inventory number). Would be an amazing addition to any Mid-Century Modern pottery collection or personal collectors of her work or a fabulous stand-alone accent piece in about any setting. One of the best Beatrice Wood's luster glaze vases we have come across in quite a while. Know famously in the art world as "The Mama of Dada", Wood lived a long (1893-1998) and very fruitful, creative life and is considered by many experts and collectors alike to have been a centerpiece in the modern ceramic art movement of the 1950s, 1960s, and 1970s. At one point in her career, Wood studied with master potters Otto and Gertrud Natzler and later become famed in her own right for her distinct luster-glazing techniques. In 1994, the Smithsonian Institution named Wood an "Esteemed American Artist". Her other awards include: 1994 Governor’s Awards for the Arts (California) 1993 Recognition as A Role Model by Women in Film 1992 Gold Medal for Highest Achievement in Craftsmanship, American Craft Council 1988 Distinguished Service Award, Arizona State University 1987 Fellow of American Craft Council Women’s Art Caucus, National Award (NCECA Award) 1986 Women’s Building Award 1984 Living Treasure of California 1983 Symposium Award of the Institute for Ceramic History 1961 Goodwill Ambassador from USA...

Dolores Porras Enríquez is widely known throughout Mexico and the world for being the creator of a technique rooted in the land of Oaxaca: pottery in natural color, glazed and decora...

Wall Rationalist Wooden Decoration. Manufactured in France, circa 1960. In original condition with minor wear consistent of age and use, preserving a beautiful patina. Mater...

Vintage Mexican Tonala hand painted pottery bird Folk Art. Flora de la Cruz Acapulco Gro Mexico hand painted bird dove ceramic. Warm earth tone polychrome colors with abstract desi...

An exquisite, beautifully crafted, and wonderfully designed Yunomi teacup by master Japanese potter Shoji Hamada featuring his wax-resistant technique and highly coveted rich Kaki gl...

A large vintage Deruta Raffaellesco decorative wall plate with scalloped rim. Majolica hand-painted with magnificent detailing and artwork, extraordina...

Vintage Mexican Tonala hand painted pottery dove Folk Art. Rita Tilleya Yelapa Mexico hand painted ceramic bird dove. Warm earth tone polychrome color...

Théodore DECK (1823-1891) A polychromatic enamelled earthenware soliflore and quadrangular shape vase with Sino-Japanese inspiration design of flowers and geometrical friezes all around. Impressed uppercase mark "TH.DECK" under the base. Circa 1875 Born in Guebwiller in Alsace, Théodore Deck trained as a ceramist in his home region, then in Germany. He went into partnership with his brother, Xavier Deck, to create his own factory in Paris in 1858. At the Exhibition of Industrial Arts in 1864, he presented pieces covered with transparent enamels that were not cracked, and then made his first attempts at reliefs under transparent enamels. He developed a bright turquoise color, famously renowned as "Bleu Deck". It is this nuance that we find on the salamander represented on this vase. In 1887 he published a treatise entitled "La Faïence", in which he explained some of his discoveries. That same year, he became director of the Manufacture de Sèvres. Theodore Deck (1823-1891) is a French ceramist born in Guebwiller in Alsace. He is passionate about chemistry and the physical sciences. In 1841, he joined the master stove maker Hügelin father as an apprentice in Strasbourg. In two years, he learned of the methods inherited from the 16th century, such as the encrustation of colored pastes in the style of Saint-Porchaire. This apprenticeship did not prevent him from spending his free time draw-ing or modeling clay in the studio of sculptor André Friederich. Escaping military service, he made a tour of Germany as is the tradition with fellow Alsatian stove-makers. The quality of his work allows him to obtain important orders in Austria for the castles of the provinces and the imperial palaces, in particular for the palace of Schönbrunn. He continues his journey in Hungary to Pest, to Prague, then, going north through Dresden, Leipzig, Berlin and Hamburg. On the strength of his apprenticeship, he arrived in Paris in 1847. Recommended by Hügelin, he went to the stove factory of the Bavarian potter Vogt, located rue de la Roquette. The Revolution of 1848 interrupts production and Deck decides to return to his hometown. His family then advised him to set up a small terracotta workshop: he made a few busts, statuettes, vases, lamps and copies of famous antiques there. Aware that this situation would not allow him to provide for himself properly, he returned to Paris in 1851 where he was employed by the widow Dumas, daughter of the earthenware maker Vogt for whom he had worked. Hired as a foreman, he supplied the drawings and models to the workers, while working the land himself. The following year, he made the decision to settle not far from his former employer at 20, rue de la Fontaine-au-Roi, probably using his ovens. His brother, Xavier Deck, joins him. It was officially in 1858 that the Deck brothers created their business and settled in Paris at 46, boulevard Saint-Jacques. Initially, the brothers only carry out coatings for stoves. But the business is going so well that barely a year after their installation, they want to diversify their production and engage in ceramics for the cladding of buildings as well as in shaped parts. Deck is interested in politics. In 1870, he opted for French nationality and was elect-ed deputy mayor in the 15th arrondissement of Paris. In 1861, at the Salon des arts et industries de Paris, which was held on the Champs-Élysées, Théodore Deck exhibited his works for the first time: these were pieces with an inlay decoration called “Henri II” and others. pieces covered with turquoise blue enamel or decoration in the style of Iznik ceramics.If he wins a silver medal, reviews are mixed, however. The following year, on the occasion of the Universal Exhibition of 1862 in London, he won over English customers. He surprised by presenting, like the previous year, his Alhambra Vase...

Art Deco pottery vase possibly Delaherche circa 1930.   

Vintage Mid-Century Modern Brutalist Signed Studio Pottery vase 1970s. Very unique brutalist stoneware vase, textured, rectangular form with relief carved design detailed with raise...

A ceramic vase with white glaze decoration. Perfect original conditions. Signed "Lion" under the base, circa 1920-1930.

Wonderful work my well-known Hungarian-born, Midwest potter Eugene Deutch. This magnificently glazed vase/ vessel features a dark, rich glaze that drips freely down the inside of the work. Signed and dated (1950) on the underside. Would make for a great addition to any midcentury pottery collection or eye-catching Stand-alone work in about any setting. Deutch's work is held in many private collections and museums and he was exhibited in solo shows at the Dallas Museum of Art...