Florida

18th century circa 1750s English chinoiserie figures in the french taste. Drawn, designed and hand colored by Jean Pillement and engraved by P. C.Canot. In Italian gilded bamboo styl...

Pocket snuff flask carved from coquille nut. Amazing small pocket snuff bottle, carved from a large coquille nut. This antique piece was created in the shape of a spinning top with two secret compartments which can be unscrewed to open. Made in the continental Europe and most probably French or Portuguese provenance from the 18th century, circa 1780. Extensively decorated with organic and floral motifs with a beautiful image of a nut on the upper part. Curiously due to the shape of this piece, it could be played as a spinning tool on a table. This adds a particular interest for the multiple use with which the carving was conceived. Weight: 42.60 Grams. Measurements: Diameter of 40 mm and a height of 89 mm (1.57 x 3.5 Inches). Hallmarks: No marks, gorgeous deep antique patina. Coquille Nut The coquille nut emanates from swampy areas on the eastern side of South America, from a palm known as the “attalea funiefera”. Brazilians call it “Piassabe”. The nuts were introduced into Western Europe in the mid-16th century, and used for small carved objects until the end of the 19th century. Coquille nut is a fruit of a Brazilian palm...

Mid 18th century etching of native Floridians probably used for a book. Very good condition for its age. Etching measures 7 1/2 inches high by 5 3/4 inches wide. The beautiful custom...

A set of (4) four very fine hand-colored copper plate engravings on handmade rag of monkeys by Naturalist George Leclerc Compte de Buffon (1749-1761): M...

Artist: Elizabeth Blackwell (Scottish, 1707-1758) Title: "Cardiaca (Motherwart)" (Plate 171) Portfolio: Herbarium Blackwellianum Emendatum et Auctum Circa: 1750 Medium: Original Hand-Colored Engraving on wove paper Limited edition: Unknown Printer: Unknown Publisher: Johann Joseph Fleischmann and Christian de Launoy, Nuremberg, Germany Reference: Arnold Aboretum page 86; BLNH I, page 169; Cleveland 444; Great Flower Books...

Artist: Francesco Londonio (Italian, 1723-1783) Title: "Woman Spinner and a Shepherd with Flock" *Signed and dated by Londonio in the plate (printed signature) upper right Year: 1759 (first state of two) Medium: Original Etching on blue wove handmade paper Limited edition: Unknown Printer: Unknown Publisher: Likely the artist Londonio himself Reference: Scola No. 13 Sheet size: 7.25" x 5.5" Image size: 6.75" x 5.25" Condition: Presently archivally tipped into a storage mat. Some light foxmarks to sheet. Minor crease across the two sheeps' heads. It is otherwise a strong impression in very good condition Very rare Notes: The plate number "12" printed upper right in margin. "Sammlung Hämmer (Hammer Collection)" inkstamp in green on verso lower center. Biography: Francesco Londonio (Milan, 1723 – Milan, 1783) was an Italian painter, engraver, and scenographer, active mainly in Milan in a late-Baroque or Rococo style. Londonio trained as a painter under Ferdinando Porta and Giovanni Battista Sassi in Milan, but traveled to Rome and Naples. He studied engraving with Benigno Bossi. He is best known for his paintings and ectchings of rustic and pastoral landscapes and subjects, with both animals and peasants playing a dominating role over the landscape. This focus on genre themes was popular among the wealthy patrons of the time, specially in Northern Italy; and artists such as the Brescian painters Ceruti and Cifrondi worked with such themes. In his engravings, he recalls Gaetano Zompini. Londonio is also known for his scenography. An example, of this poorly conserved art form that still exists is a nativity scene on cut wooden shapes for the church of San Marco in Milan. The effect is a cheaper version of the naturalistic Sacri Monti scenes, which had been painted stucco statuary. It also can be seen as a cross between the holy scenes described above, and the theatrical set pieces, for example, those needed for the newly founded La Scala theater. The work at San Marco prompted Empress Maria Theresa of Austria...

Magnificent giltwood mirror. In the Chinese Chippendale Style. Adorned with acanthus leaves, elegant scrolled carvings. Crowned with a Pagoda style pavillion surmounted in a 'floatin...

Louis XV gilt bronze chenets. Illustrated with flame finials on top of urns and balustrade. Garland draped with leafage. Original flange support. Featuring images of Louis VI...