Los Angeles - Decorative Art

1922-1992, Craig Ellwood was an influential Los Angeles based architect. His building designs were the quintessential post and beam structures that were part of the California modern...

Decorative smoked glass plaque with embossed, medieval motif, of three knights on a horse. The plaque measures 10.25 inches wide by 11 inches tall and hangs from a black chain link m...

Vintage book cover from Cahier de Georges Braque 1916-1947, France, 1948. Vibrant blue and white print on vellum paper featuring beautifully painted flowers. Newly framed in a white ...

A sizable and unusual subject for a pietre-dure plaque created by the skilled hands of Mario Montelatici. This exquisite piece showcases the mastery of the Italian artist in the intr...

Vintage Glazed Ceramic Family Mice Set

Antique sign for the "Richmond Skating Club." The sign features a classic arched top design with hand-painted lettering and graphics, including a red ice skate and a shield with the...

Great Pop Art lithograph by the well known artist Claes Oldenburg ,pencil signed LR, numbered 26/100. Titeled on plate London 66(.image size along is 7.5 X 5.5 inches.) Framed.

Oval hand wrought brass wall hanging in the style of Salvador Teran, c.1950s Mexico. The tray features tile mosaic inlay of a man riding a donkey in a sombrero. Dimensions 15" width...

Mosaic tile art piece by California ceramicist Frank Matranga, c.1960s, USA. This piece is composed of varying shaped glazed ceramic tiles to create a mosaic cityscape. The colors ra...

Ceramic disc wall sculpture Germany, circa 1960’s Five unique ceramic discs with concentric rings Bold and contrasting color palette ranging from d...

Bernhard Rhone Oxidized Metal Etching c.1970s, Canada. Rhone, a German born artist began experimenting with metal oxidation and acid etching in the late 1960s to create a body of wor...

An original signed lithograph by Georgi Daskaloff. Georgi Daskaloff was born in Sofia, Bulgaria and attended the art school at Sofia University, graduating in 1949. He moved to the...

Vintage 1970's Carstens Tönnieshof Atelier West German ceramic wall plaque with 3 heavy sculptural ceramic tiles linked by thick blackened steel chain. Originally found hanging in ga...

Prime example of Brutalist nail wall art. This is a multi layered mixed media piece made of iron and brass with gold leaf accents. The oxidized metal nails a...

Framed print of Georgia O'Keefe's, painting "New York Night" first created in 1929. The print focuses on the Benjamin tower formally, Hotel Beverly. O'Keeffe originally drew her pain...

Framed cubist style lithograph by French artist Georges Dayez - "Femmes Devant un Barque" Dimensions 29” width x 24.5” height. Condition Good...

Antique Chinese watercolor painting on paper, enclosed in glass and gilt wood frame, early 20th century Measures: height 27.5 inch...

Created in London, this coat is the absolute form of vintage luxury. Presented in the form of high-quality materials and craftsmanship, but without ostentatious logos or branding. Ra...

Antique Chinese watercolor painting on paper, enclosed in glass and gilt wood frame, early 20th century. Measures: height 27.5 inc...

Introducing the exquisite Romain de Tirtoff Erté 1987 Loge De Theatre Framed Silk Scarf Wall Art, Signed. This stunning piece combines the elegance of ...

This custom board was inspired by Ellsworth Kelly's Dazzle war ships and will add a bit of socal to any room. It is an actual board designed with Chris Christensen and can be used fo...

Framed pastel painting by American artist, Linda Jacobson, c.1980. The landscape artwork portrays trees, water and green rolling hills. The mood of Jacobson's work is often peaceful ...

Drawing by American artist Wade Reynolds. Known mostly for his figure paintings and drawings, this piece falls right in line with his style. The portrait of a man on paper with penci...

Painting by American artist Robert Shirk captures playful illusions by painting layered plexiglass to bring to life a visually pleasing images. This large scale framed artwork showca...

Framed acrylic abstract painting on canvas by artist, Jon Staley featuring a range of earth tones. Signed by the artist. Dimensions 25.75" width x .5" depth x 37.5" height. Condit...

Acrylic Relief Painting by Paul Maxwell "Exterior Concerns" - 1985, USA. Dimensions 48" width x 30" height Condition Good vintage condition; professionally cleaned.

Acrylic Relief Painting by Paul Maxwell "Ridgemont" - 1985, USA. Dimensions 60" width x 36" height Condition Good vintage condition; professionally cleaned.

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Flowers of the Alps" ("Blumen der Alpen") Depicting young standing and posing young maiden holding a wicker b...

Sam Francis (1923–1994) Paradise of Ash (SF-276) (one panel), 1981. Lithograph in colors on HMP Koller handmade off-white paper measuring 46¼ h × 32¼ w in (117 × 82 cm). Oak frame 36...

Vintage Hand Painted scenic oil painting panels - a pair Additional information: Materials: Giltwood, Paint Color: Blue Period: Mid-20th Century Art Subjects: Landscape Styl...

Great aquarium, fish tank in Murano Glass, by Cenedese and attributed to Riccardo Licata, well known Murano artist. This is an early piece with a big fish, t...

Linocut. Year produced: 1964 Artist: Henry Evans. Country: United States of America Introducing the Botanical Linocut by Henry Evans, Hand Signed #1/100 and dated 1964. - a stunning piece of art that will add a touch of elegance to any room. This linocut features a beautiful image of red flowers that is both vibrant and intricate. The picture is framed and ready to be displayed, making it an effortless addition to your home decor. What makes this linocut truly special is that it is hand signed by the artist, Henry Evans, and is one of only 100 prints in existence. This means that you are not only purchasing a beautiful piece of art, but also a rare and valuable collectible. Printed with the utmost attention to detail, the Botanical Linocut by Henry Evans is a true masterpiece. The colors are rich and vibrant, and the intricate details of the flowers are sure to captivate and inspire. Whether you're an art enthusiast or simply looking for a unique and beautiful addition to your home, this linocut is an excellent choice. So why wait? Add the Botanical Linocut by Henry Evans, Hand Signed #1/100 to your collection today and experience the beauty and elegance of this truly remarkable work of art. Measurements: About the artist: Henry Evans (1918–1990) began making botanical prints in 1958, depicting some 1400 subjects in 31 years. In that time, he was accorded more than 250 one-man shows in many countries around the world and, almost every state in the union. Admired by art lovers and naturalists alike, Henry’s work reveals a style intriguingly personal and botanically faithful, unerring in its feeling for rhythm and design. Self-taught as a printer, botanist, and artist, he developed a unique style and technique. He drew directly from living subjects, and all subjects were portrayed life-size. He used linoleum as a printing surface and an 1852 Washington Hand Press to make the prints. All of the work was done by hand. All of the materials that were used were of the best quality, and all of the editions were limited. Each linoleum-block print was numbered, dated, and signed by the artist. After printing, the blocks were destroyed. Henry Evans’s linocuts are found in the great print collections of the Albertina in Vienna, the Library of Congress in Washington, and the New York Public Library; in various museums and libraries across the country; and in numerous private collections in America and abroad. Henry Evans wrote and illustrated books and magazine articles, talked before groups both here and abroad on printmaking (including a stint of lectures for the State Department in Europe and the Middle East), and, along with his wife, Marsha, met the public in their galleries in the Napa Valley and San Francisco. From 1974, Marsha worked on shows and gallery arrangements and did most of the presswork on the prints. Henry selected the subjects, made the drawings, cut the blocks, and mixed the colors. It was, in the best sense, a husband-and-wife team. Among numerous publications, the artist’s most important books and portfolios include The State Flowers of the United States (1972); Botanical Prints: With Excerpts from the Artist’s Notebooks (1977); and California Native Wildflowers (1985). Some of the more notable exhibitions of Henry Evans’s prints...

Àlvar Suñol Munoz-Ramos (Spanish, born 1935) Intérieur Rêve (Interior Dream), late 20th century Color lithograph on paper Signed to the lower right margin Artist proof edition numbered 14 of 25 From the artist’s Le Miracle Quotidien suite Signed and numbered with pencil. Measurements: 42 inches high x 34.50 inches wide x 1.50 inches projection from the wall. Image only: 31 inches high x 23.50 inches wide. Àlvar Suñol Munoz-Ramos was born on January 29, 1935, in a Catalan fishing village on the Mediterranean coast near Barcelona. He started painting oils...

Woodblock print by Kiyoshi Saito (1907-1997). Titled in pencil: Garden Sendo-Gosyo Kyoto (B) The piece signed, dated and titled. Measurements: 27.25 inches wide x 7/8 inches pr...

Miguel Berrocal, master of the puzzle sculptures, made this Torso, titled Marzotto signed and number 240/1500, made of parts as shown in pictures.

Artist: Hodaka Yoshida (1926-1995) Country of Origin: Japan Medium: Woodblock Introducing the stunning Woodblock Print Titled "Snake Mexico" By Hodaka Yoshida, Japan 1956, a true masterpiece of Japanese artistry. This gorgeous woodblock print features an abstract design printed on high-quality paper, with striking black and brown colors that are beautifully accented with splashes of vibrant red on the snake which is the center of this masterpiece. The intricate details and intricate composition of this piece make it an excellent addition to any art collection or interior décor. Created by the renowned Japanese artist Hodaka Yoshida in 1956 after his trip to Mexico and exposure to pre-Colombian art...

Heinz Pinggera (Italian, b 1900) "A Recital for the Cardinal" oil on canvas within a gilt-wood and gesso frame. The interior 18th century rococo scene depicting a seated Cardinal or ...

Introducing the Custom Made Letter Sign in Solid Brass by Cain Studio, USA Made – the perfect addition to any space! Hand crafted in Los Angeles by skilled artisans with precision an...

Beautiful silver plated bird sculpture with 0nyx eyes.

Beautiful mounted sculpture from the Puzzle Spanish master Miguel Berrocal, This work is signed in front and numbered 809/1000.

Vintage French Art Deco Le Verre Francais Glass Wall Sconce Covers, 1930s. This lovely pair of glass sconce covers date to the art deco period. Ad...

A large Flemish 17th-18th century baroque pictorial tapestry "The Royal Garden". The large tapestry depicting an allegorical park-scene of R...

Henri Victor Lesur (Roubaix, France 1863-1900) a very fine French 19th century oil on panel titled "The Flower Seller by the River Seine" (Marchand de fleurs, par la Seine, Paris) Depicting an 18th century street scene of a flower stand by the river Seine in Paris, the young flower seller attending to an aristocrat couple buying flowers; within its original ornately carved giltwood carved frame. circa: Paris, 1890. Note: The artist is also known as Henry Victor Lesur. Like many of his contemporaries during the last quarter of the 19th Century, Lesur's works took inspiration from scenes of French 18th century life, romance and every day enjoyment. Victor Gabriel Gilbert, Louis Marie de Schryver, Vittorio Reggianini, Maurice Leloir, Charles Soulacroix...

Beautiful jewelry box by the known American artist Ken Belgian. He worked in Taxco, Mexico in a modern/primitive style craft . This wooden box ...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890's. Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Discover a unique blend of art and history with this captivating block print of an animal. Set against a soothing green matte, this vintage piece stands as an intriguing dialogue bet...

Wenzel Ulrik Tornøe (Danish, 1844-1907) A very fine and large oil on canvas titled "Systue" ("The Sewing Room"). The finely executed artwork depicting the interior of a sewing room w...

Mid-Century Modern abstract graphic textile wall art.

A vintage handmade block print of a cat in a warm wood frame is a charming and unique addition to any home. This delightful piece of art captures the pla...

A fine pair of French 18th-19th century whimsical rococo style chinoiserie oil on canvas, circle of Jean-Baptiste Pillement. (French, 1728-1808). One oil painting depicting an outdoor patio scene of a standing young mother, holding a fan, with her three young children playing with a horse-toy, a parrot and a cat, all surrounded by flowers, plants, trees, planters and flanked by a dragon fountain...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Imagine the StarBoard suspended from the rafters or leaning against the wall acting as POP art in the home. It will certainly add an element of futuristic sci-fi and be a conversation starter. The rocket is based on SpaceX's Star Ship that is gearing up to transport humans to Mars. The surfboard is by Chris Christensen and designed by Christopher Kreiling...

Mid-Century Modern graphic Textile wall art.

Great esoteric clay painting / sculpture. Wheel thrown clay with sculpted stalagmites. No cracks, but has some barely visible hidden minor chips on the stalagmites (covered in black ...

19th century Italian hand hammered painted and parcel gilt metal panel. The panel is decorated with gold leaf flowers swirling throughout.

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...