New York City - Masks

MISTO invites itself into your interior to ward off spells, evil spirits and evil influences. Sophie Dries reinvents the traditional Calabrian mask with her contemporary graphic li...

In Greek mythology, the name CARIDDI (Charybdis in English) belonged to a monster that lived in the sea between Calabria and Sicily and destroyed ships by swallowing them up and spitting them back out, generating dangerous whirlpools in the water. This myth is reinterpreted in the form of a mask, which inverts the traditional convex surface to create a concave volume inspired by the underwater world. The mask invites the gaze into the blue depths of its smooth interior, where an uncanny protrusion emerges in the shape of a nose, a signature motif in Giovanni De Francesco’s artistic production. Each nose-island is different from the others; every mask has a unique beauty accentuated by imperfections, smudges, and uncontrollable colors, invoking the unpredictability of fear. This perception overturns the ferocious symbolism of the legendary monster, rewriting CARIDDI as a welcoming narrative. The artist’s explorations of fear, danger, and the unknown become particularly poignant when placed in the recent historical context of Calabria and the Mediterranean Sea. In the exceptional conditions of the present moment, when hundreds of millions of people are spending more time at home than ever before in living memory, the homeware brand TRAME wants to share the inspiring and supportive influences of these Mediterranean ritual objects with the entire world. The masks, whether the traditional forms or the contemporary design interpretations, reveal a sense of both timelessness and contemporaneity in their aspirational evocation of a social life with more serenity and less fear. Details: - Dimension: approximately 28 H x 22 W x 8 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted CARIDDI Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...

The apotropaic (warding off evil) mask from Seminara can be distinguished by its horns, wide eyes, mustache, and screaming mouth with its tongue sticking out. The masks are finished in enormous wood fired kilns, which adds an uncontrollable twist to the features and colors rendered by the artisan’s hands—the final touch in their fierce and imperfect beauty. The demonic aspect of this mask is manifested in order to be expelled, bringing serenity to the owner and ridding the home of negative energy. Giovanni De Francesco takes an idiosyncratic approach to the traditional mask, aiming not for verisimilitude but for a rough impression of the volumes of the face. Using sculptural gestures to shape the clay, he accentuates the fundamental geometry and makes the shapes more grotesque. Incense can also be placed within TA RA TA TA’s ceramic jaws for ritual burning. This function alludes to a specific variation of the typical mask in in the form of a chimneypot: with smoke pouring out of its mouth and eyes, the mask would appear much more ferocious—and thus even more powerful. Details: - Dimension: approximately 32 H x 25 W x 10 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted TA RA TA TA Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...

The traditional masks of the Calabrian town of Seminara are intended to chase away evil from the home, dispel fears and gossip with their exaggerated and grotesque features. The mask...

A visibly old mask from the Javanese masks theatre ‘wayang topeng’: carved from hard wood, and painted on the front side. The mask shows clear traces of ...

Ditto potters with Antonio Bonamico. The ceramic masks of Seminara are ostentatious and grotesque, with deliberately frightening features to scare away ...

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...

MISTO invites itself into your interior to ward off spells, evil spirits and evil influences. Sophie Dries reinvents the traditional Calabrian mask with her contemporary graphic li...

Covered with an extraordinary black crusted patina, this wooden Liberian mask was hand-crafted in the style of the Bassa ethnic group. Bassa communities have a number of rich masking...

African Lwalwa tribal mask enhanced with white pigment on the mouth and ears.

We offer this rare antique Mexican Demon mask in wood, circa 1970. The mask makes a sound when moved.

This graphic Songye Kifwebe mask has fine carved lines curved over the eyes and diagonal lines radiating from the nose and mouth in classic Kifwebe form. ...