Tri-State Area

1790 Chinese Fret-work wood lantern with pabrick shade. Original wiring in working order. 24 inches black wire and canopy. 6 pieces available priced individually

This gown retains no label, however the amount of hand-finishing points to Haute Couture or custom made quality, fully lined in silk. 1990S Cream Beaded Silk & Lace Minimalist Empire...

Meet this exquisite vintage Chanel dress from the iconic Spring/Summer 1998 collection, famously worn by the stunning Naomi Campbell. Crafted from luxurious black wool crepe, its sil...

This gown retains no label, however the amount of hand-finishing points to Haute Couture or custom made quality, fully lined in silk. 1990S Pearl White Strapless Silk Duchess Satin G...

This mesmerizing reproduction titled Kiss of Fire by Erté showcases the artist's mastery in creating visually captivating and elegant compositions. The piece features two women stand...

Giulietta is an Art Deco depiction of a woman posing in a long gown against a plain black background. Around her, ghostly hands rise up offering beautiful temptations for her to cons...

This semisheer dress is Alber Elbaz's contemporized take on Yves Saint Laurent influential African collection of spring summer 1967. Black sequins , ...

Called a “gem of the sun” by ancient Egyptians, the peridot spiritually represents positive power and strength. A 1.7 carat fine emerald-cut natural peridot stone with beautiful ye...

Late 20th C. Hickory chair off white matelassé covered swivel club chairs with a matching ottoman. The set is covered in Sovereign Upholstery by Hickory...

FALLING RIBBON is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival A...

Marker on a cardboard box by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in 2021. ROBERT LOUGHLIN (1949 - 2011) may have been one of the most elusive artists in New York, but his work was everywhere. You might have noticed his signature graffiti of a square-jawed man, The Brute, randomly appearing on doors, signs, and walls all over the city. Like his fellow graffiti artists who emerged during the 1980s, such as Basquiat, Keith Haring, and Kenning Scharf, Loughlin has now become a collectible name. Once considered outsiders to the mainstream art world, graffiti artists now command top dollar for their work and are shown in museums all over the world. When he wasn't making his mark on the city streets, Robert Loughlin still incorporated a similar grittiness into his art. He would ransack antique stores, thrift shops, flea markets, galleries, and estate sales and emerge with treasures that he would use as his canvas. Nothing was sacred...

Wonderful large abstract painting by Betty Weiss. Oil on canvas. Signed with her married name "Betty Perez". Measuring 40 by 48 inches. Artist Bio: Betty Weiss has been a Ne...

Authentic David Yurman Ladies Ring Size 7, 18k Gold & Sterling Silver Estate DY625 TRUSTED SELLER SINCE 2002 PLEASE SEE OUR HUNDREDS OF POSITIVE FEEDBACKS FROM OUR CLIENTS!! FREE ...

Modern Bar cart or tea trolly indoor or outdoor poolside white and wood. Circa 1990 or 1980. Powder coated white steel frame with exotic hardwood slats. Has (2) large white wheels wi...

This enchanting reproduction titled Sunrise by Erté beautifully captures a moment of transformation and renewal, where a woman gracefully emerges from her cocoon, seemingly transform...

Magnificent and Very Rare Mikimoto Akoya Pearl Necklace 33.5" 9 mm 18k Gold Estate Certified in $19,410 Estate Mikimoto 89 Pearls LARGE 8.5-9 mm 33.5 Inches 18 KT Yellow Gold Clasp ...

Finely crafted in 18k yellow gold. Signed by Cartier Circa 1990s 1 x 3/8 - 1/2 inches

This gown was a runway sample and retains the original style number tag hand written inside the bodice of the dress. Not in mint condition but is in very good wearable condition. 19...

18K Yellow gold and silver unite to create the stage for these superlative ear clips, which showcase a mosaic of gemstones that only JAR's creativity could bring to fruition. JAR cre...

the soft heart chair, Ron Arad for Moroso Italia, 1991 Made in Italy by Moroso Polyurethane foam, internal wood frame, upholstery Forms that speak volumes. A collection that, from ...

Authentic David Yurman Turquoise Ring Size 7 Sterling Silver Estate DY607 TRUSTED SELLER SINCE 2002 PLEASE SEE OUR HUNDREDS OF POSITIVE F...

This Chanel Trapezoid bag is a rare and exquisite vintage piece from Series 1, made between 1989 and 1991. Crafted from soft diamond-quilted lambskin leather, it features the iconic ...

Finely crafted in 18k white gold with an Aquamarine. Signed by Cartier Circa 1999 Size 6 1/2

Introducing the champagne gold evening bag by Chanel, a timeless piece from 1992. This mini flap bag comes with a gold chain link shoulder strap and is meticulously crafted from meta...

A post modern take on a classic design. Eames Aluminum group dining or conference table with an 80's take. Stunning cork laminate top with almond edge banding makes this table very d...

This is the official invitation to the 1990 exhibition Paradise by John Baldessari, held at the Brooke Alexander Gallery in New York City. This original gallery invitation, designed ...

Monies style signature resin barbaric style, faux coral necklace of vari size polished and naturalistic beads Strung on brown woven cotton cord wi...

20th century Paris, France. A set of 12 "Rencontre" silver-plated domed plate covers with acorn handles by Ercuis. The Rencontre collection distinguishes i...

This amazing wavy bangle bracelet is crafted in solid 18k yellow gold, featuring 40 round brilliant cut top quality diamonds throughout its center. Each of the fiery diamonds is perf...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - A Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 80 Image Size: 16 x 20 inches Size: 20 in. x...

Tiffany & Co Estate Zigzag Wave Brooch Pin Sterling Silver By Paloma Picasso TIF483 Designed by Paloma Picasso TRUSTED SELLER SINCE 2002 PLEASE SEE OUR HUNDREDS OF POSITIVE FEEDBA...

Wrapped Reichstag Christo and Jeanne-Claude, Bulgarian (1935–2020) Offset Lithograph, signed in plate Image Size: 31.5 x 24.5 inches Size: 39 x 27.25 in. (99.06 x 69.22 cm) Frame Siz...

This limited edition serigraph titled Westport, Massachusetts by renowned artist Gretchen Dow Simpson is a meticulously crafted piece that captures the serene and picturesque landsca...

This gown retains no label, however the amount of hand-finishing points to Haute Couture or custom made quality, fully lined in silk. 1990S Blush Pink & White Rayon Silk Chantilly La...

To Swallow a Photo of Him the Way One Swallows the Eucharist 1994 Lifetime gelatin silver print 10.75 x 7.125 inches, image 14 x 11 inches, sheet This work is offered by CLAMP in...

Jim Dine, American (1935 - ) - Walking Memory Guggenheim Exhibition Poster, Year: 1999, Medium: Poster mounted to foamboard, signed in marker, Size: 31 x 18 in. (78.74 x 45.72 cm)...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

An 18 karat yellow gold ring designed with an oval cabochon pink tourmaline center. The stone is set east /west on a matte shank detailed with gold beads...

Artist: Helen Frankenthaler (after), American (1928 - 2011) Title: Live from Lincoln Center, 20th Year (Eve) Year: 1995 Medium: Lithograph Poster, signed in the plate Size: 48 in. x ...

A truly magnificent classic ring. The cushion shaped Burmese ruby center stone is flanked by trilliant diamonds in a handmade platinum and 18 kt yellow gold mounting. Ruby total weig...

This vintage beaded gown was made in the 90s and reminds me exactly of the dresses John Galliano was doing in the 90s through the early 2000s, both at Christian Dior and at his epony...

This sleek and elegant Mid-Century Modernist Brass Menorah signed Morningstar Metalworks origiantes from the United States, C. 1998. This piece features a well balanced rectilinear b...

18 karat gold bracelet. This bracelet is set with a single row of round Brilliant Diamonds in 4 prong white gold settings, down the center. The outer 2 rows are made up of yellow gol...

This contemporary silver cuff bracelet displays plenty of texture and flair in its unique basket weave design. Handmade by Mikolay of...

A highly stylized post modern Memphis inspired valet coat stand in black powder coated metal. The ball on top and discs on sides are accented in gold. The base of the valet measures ...

Louis Vuitton, Steamer Trunk, Monogram Canvas, Leather, Special Order Style m12031 Custom with a wait time of up to two years. We are pleased to offer one of two large and impressi...

Under the trademark Quadrillion, Bez Ambar created the modern square shaped princess cut diamond. It became one the most innovative and widely used gemstone cuts of the 21st century....

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges 40 × 60 in 101.6 × 152.4 cm Edition 8/30 (unique variant) Frame included Measurements: Sheet: 40 inches (vertical) by 60 inches (horizontal) Frame: 42 inches x 62 inches x 1 inch Dexter's Choice, State # II is a unique, mixed media work from an edition of 30 unique variants done in pochoir, (25 stencils, 14 colors). Here, Zox uses watercolor instead of inks, which is applied to heavy 300 lb. watercolor paper. Although it is a multiple signed and numbered from the edition of 30, each work of art is unique because of how the paper receives the watercolor brush. In addition, this work is created like a mixed media painting because it has 11 lines added by hand with wax and water based crayons and oil sticks. The unique watercolor technique that Zox employed in making "Dexter's Choice" is documented in the textbook, "Screen Printing: Water Based Techniques,Roni Henning, NYIT ". Dexter's Choice was published by Images Gallery, and this work was acquired directly from the publisher before they sold out. This work is elegantly floated and framed in a white wood frame. Accompanied by gallery issued Certificate of Guarantee Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

1990S Sapphire Blue & Black Silk Lurex Matelassé Floral Halter Top Gown With Train

David Yurman Diamond Prasiolite Ring Size 8 Sterling Silver Estate DY600 TRUSTED SELLER SINCE 2002 PLEASE SEE OUR HUNDREDS OF POSITIVE FEEDBACKS FROM OUR CLIENTS!! FREE SHIPPING ...

Postmodern ceramic lamp in Iron stand by Casual lamps of California 1990. Great faux Tortoise detail.

Artist: Lowell Nesbitt (1933-1993) Title: Nude Series (Male Nude in Desert with Cacti) Year: 1989 Medium: Colored pencil on Arches paper Size: 50.25 x 35.5 inches Inscription: Signed...

The Chanel Vintage Fall 1992 black silk bodycon midi dress is a piece of fashion history, famously seen on supermodel Eva Herzigová as she graced the runw...

Oscar de la Renta Chantilly Lace Cocktail Dress with Guipure lace over embroidery details. Gathered cuffs are caught with bowed satin ribbon. A flirty lace flounce finishes hem. Plea...

1990S JOHN GALLIANO Pink, Black, & Multicolor Silk Slip Dress

SUMMER RUSH is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett (1938-2020), printed using hand lithography techniqu...

Tiffany & Co, 18 karat yellow gold band featuring a double 'X' design. 5.4 Grams Size 4

American artist Mark Yurkiw made this Viagra Pill for the Pfizer Corporation as a promotional material. This viagra pill is one of a kind and it a fun conv...

1990S Black Beaded Silk Skirt

Presenting a stunning black velvet Chanel dress designed by Karl Lagerfeld from the Fall/Winter 1993 collection. This elegant piece has a structure...