USA - Art

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...

PABLO PICASSO (1881-1973) Sujet colombe (A. R. 435) Terre de faïence vase, 1959, numbered 398/500, with the workshop numbering, inscribed 'Edition Picasso', with the Edition Picass...

Beautiful impressionistic portrait of Soviet master, Aleksei Belykh's, wife. Belykh was a Russian artist from Sverdlovsk. This painting is signed and dated and in great condition. ...

Ed. of 21, estate-stamped. Includes black frame. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990. Born in 1913,...

One of a group of over 100 works personally selected by the artist and gifted to a close personal friend in 1969, this work was never matted, framed, glued, taped or exposed to light...

Signed Upper Left by Artist

ink on beige sight size: 254 x 317 mm. PROVENANCE Acquired directly from the artist by Edward Laning (who inherited Marsh's studio) to Jack Henderson...

Émile Gilioli La Boisselune 1954-59 Bronze 23.6 x 15.4 x 7.9 in, 60 x 39 x 20 cm Signed, dated and numbered on the back: “Gilioli, 59, 1/6" Cast from La Plaine Edition 1/6 P...

Sergei Besedin was born in the village of Ruska near the Ukrainian city of Lozovaya. He was born into a working class family who were staunch communists. Besedin, shortly after the R...

Charcoal on cream laid paper mounted on board. 940x590 mm; 37x23 1/4 inches. Signed in charcoal, lower right recto. Unframed, The Paper has a slight ripple in the chest area. Four s...

This sunbathed painting will light up your room with warmth. Sundblom's painting technique has the freedom and quick energy in his paint application. His subjects are bathed in the ...

Signature: Signed Lower Left ‘Stevan Dohanos’ Medium: Mixed Media on Paperboard Laid Down on Masonite The present work was published as the cover illustration of the June 26th, 1954...

Medium: Pastel and Collage on Paper Signature: Signed Lower Center and Dated Lower Right Framed dimensions: 30.00" x 27.00"

Date: 1958 Medium: Oil on Board Dimensions: 23.20" x 33.50" Signature: Signed Lower Left Story illustration for Good Housekeeping magazine, December 1958. Image of woman and two sailors leaving house at Christmas time. Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- January 5, 2014 A Native American finding a Raggedy Ann doll...

Date: 1952 Medium: Oil on Board Dimensions: 23.00" x 16.00" Signature: Signed Lower Left This is the paperback cover for A Bullet For My Love by Octav...

1954 Gelatin silver Print, vintage 14 x 11 in. Stamped on verso

Signed lower right Printer's and designer's marks in margins "Tool pearls in bodice, train & headband & ribbon under bosom." Ex-collection photographer Frank Paulin...

Medium: Oil on Canvas Signature: Signed Lower Left End of Track - Paperback Cover, written by Ward Weaver, Popular Library, 1951.

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.

Signature: Signed Lower Right Medium: Gouache on Board

Blueprints into Reality - Full-page ad for United Engineers that ran in Fortune Magazine, March 1958, and other business magazines. As Fred Taraba stated, this image is symbolic of optimism and potential. Work includes the original issue of Fortune Magazine with the ad in which United Engineers mentions Stanley Meltzoff. "Here Stanley Meltzoff dramatizes with tools and massive concrete forms...

Medium: Oil on Board Signature: Unsigned Illustration celebrating important women throughout history, published in McCall's magazine, May 1959. Accompanied by a tear sheet of the p...

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Date: 1952 Medium: Oil on Board Dimensions: 22.25" x 16.25" Signature: Signed Lower Left This classic Nappi painting was first published as the cover for Backwoods Hussy by Hallam Whitney (PBO, Original books...

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.50" x 12.00" Johnson & Johnson reproduced the present work as an advertisemen...

PABLO PICASSO (1881-1973) Sauterelle sur une branche (A. R. 259) Terre de faïence bowl, 1955, from the edition of 100, partially glazed and painted, with the Madoura Empreinte Orig...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Jim’s of Lambertville is proud to offer this artwork by: Rex Ashlock (1918 – 1999) Born in Spokane, Washington in 1918 Rex Ashlock was known for his abstract, figurative expression...

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Right On 20.00" x 13.00" illustration board with an image that measure to 14.00" x 10.00." Illustration includes blue to indicate halftone. Caricature by George Wachstster (1911-2006) of Female Impersonator T.C. Jones on Broadway in `Mask and Gown` at the Golden Theatre. Ran 9/10-10/12/1957. Jones impersonated Bette Davis, Tallulah Bankhead, Mae West, Judy Holliday, Marilyn Monroe, Katharine Hepburn and Ethel Merman...

Medium: Oil on Canvasboard Signature: Unsigned Dimensions: Sight Size 18.00" x 24.00;" Framed 28.50" x 35.50" Cover for Fate Magazine - August 1953 The original cover painting by H.W. McCauley used for the August 1953 cover of Fate (True Stories of the Strange and Unknown), illustrating "The Gods of Voodoo" by North Hildabrand. In this offering a dancing pin...

PABLO PICASSO (1881-1973) Arrastro (A. R. 423) Terre de faïence plate, 1959, dated, numbered 32/50, partially glazed and painted, with the Empreinte Originale de Picasso and Madour...

Medium: Oil on Board Signature: Signed Lower Right Book cover for "Company K" by William March. Subject matter features three army soldiers in monochrome ...

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

Medium: Pen and Ink Cardstock Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of the lovely Patricia Morison recreating her...

Medium: Oil on Board Signature: Signed Lower Right

Medium: Painting Signature: Unsigned Contact for dimensions. Katrina, By Jeramie Price. Publisher is Pocket Books, Inc. (1956). Comes with book.

Date: 1956 Medium: Oil and Pencil on Paperboard Dimensions: 18.00" x 15.00" Signature: Signed with the Artist's Initials 'N/R' Lower Right Pan American World Airways advertising campaign Exhibitions West Stockbridge, Massachusetts, Norman Rockwell Museum...

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea. John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Center Caricature by George Wachsteter (1911-2004) of Comedian and Radio Broadcaster Will Rogers...

Contact for exact dimensions. The Atlantic Magazine Cover Illustration. November 1956, Volume 198

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Archivally Matted to 17.75 x 16.75 inches Signed lower left

Medium: Pen and Ink on Cardstock Signature: Signed Lower Center Double Set of Caricatures by George Wachsteter (1911-2004) for 1957 Off-Broadway Hit Revivals `The Three Penny Opera` & `The Iceman Cometh`, at the Theatre de Lys & Circle in the Square...

Date: 1950s Medium: Gouache and Watercolor on Board Dimensions: 13.75" x 12.00" Signature: Signed Center Left Yankee Storekeeper Cover, Written by R.E Gould, Bantam Books

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida. Estate stamped and hand numbered edition o...

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

A good Spanish Modernist Abstract Impressionist painting by Juan Guillermo Rodriguez Baez (1916-1968), still life oil on canvas, circa 1950. The painting depicts a table with a brigh...

A beautiful, large romantic landscape/mountainscape by European artist E. Feith in green tones. The painting has a silver/champagne-toned frame.

Mid Century Serene Lake German Impressionist Landscape by Karl Max Lechner Gorgeous mid-century plein air oil painting of a lake in a sprawling ...

Mid Century Impressionistic French Etching - "Degel en Haute Loire" ("Thaw in High Loire) by Andre Jacquemin Wonderful French Impressionist winter landscape of Loire hills by Andre...

This painting is part of our current exhibition - America Coast to Coast: Artists of the 1940s Untitled (Elevated Platform), 1950, oil on canvas, signed and dated lower right, 30 x...

Portofino 1957 C print Signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate. The Westin Excelsior Hotel on the Lido in ...

Monumental modernist oil on panel painting by Louis Demott Bunce (1907-1983), from an installation for the Oregon Centennial Exposition, 1959. A rare & important and monumental abstract painting by the celebrated Oregon artist Louis Bunce, the artist was commissioned to paint a mural for the 1959 Oregon Centennial & Trade Fair in Portland, the installation was titled " Gay Garden Way ", it was painted for the exterior of the Horticultural building. The mural having abstract plant abstractions, according to Bunce in his own words it was "the rounded shapes of flowers and the sun", the mural created a major furor from the conservative art public. The painting signed and dated by the artist lower left, the work was sold in the late 1980s through the celebrated Laura Russo Gallery, this painting is featured in Roger Hull's book; "Louis Bunce, Dialogue with Modernism". The painting is in good condition and ready to grace your wall. Louis Bunce attended high school and the Museum Art School before leaving for the Art Students League in New York. He established a New York connection that began when he first attended classes there in 1927 and continued over the years with frequent visits. He became friends with many promising artists, including Jackson Pollock and David Smith. In 1939 he worked for the WPA Easel Project in New York and by the time he returned to Portland he was an established artist on the East Coast. He worked at the WPA art center in Salem as an Instructor and Assistant Director. His work included murals, two of which are in the Post Offices in Grants Pass and St. Johns. Their subjects, mining and orchard farming, are activities of each region. "I have always been visually drawn to the landscape, at first the desert and mountain regions of Wyoming; then the lush and gentle color of the Pacific Northwest and the urban landscape of New York." From 1942-1945 he worked as an illustrator, a tool designer, and in assembly for the Oregon Shipbuilding Corporation. After WWII, Bunce joined the faculty of the Museum Art School in Portland, where he had been a student in 1925-1926. He taught there until his retirement in 1972. He excelled at producing screen-prints and introduced this technique to Oregon. While maintaining a national reputation throughout the 1950s and 1960s, some of New York's most prestigious galleries represented him. Theater buffs will remember his murals and portraits for Portland Civic Theater's 1938 production of Pride and Prejudice. In a career that made him one of the most recognized names in Oregon's art history, Bunce had many styles: cubism, expressionism, surrealism and abstractionism. His 1958 mural in the Portland International Airport presents this abstract style: "whirling propellers and shadows of the concourse as seen from above." It was controversial at the time as being too abstract for a public art project. Louis and wife Eda opened a full-time art gallery in Portland in 1949, called the Kharouba. Located first at 1016 SE Morrison, then at SW 11th and Alder, the gallery represented many of the leading artists of the day: Josephine Cameron, William Givler, Clifford Gleason, Jack Hammack, Charles Heaney, Frederick Heidel, George Johanson, Jack McLarty, Rick Norwood, C.S. Price, Arthur Runquist, Jolan Torok, Charles Voorhies...

Mid Century Bay Area Abstract Expressionist Cats and Birds Composition in Acrylic on Paper How many cats and birds do you see? This striking painting by San Francisco's Bay Area abs...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academiJirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. es on the west coast including both the Chouinard Art Institute and the Otis Art Institute. The Gathering...

Series 67, No. 4 (1955) Oil on masonite 48" x 24 ½" 49" x 25 ¼" x 1 ¾" framed About this artist: Jack Wolsky was born in 1930 in Rochester, New York. He taught in the Department o...

MEDIUM: ​Original Concept Painting IMAGE SIZE: 9.75" x 9" PRODUCTION: Alice in Wonderland YEAR: 1951 SKU: CCV2373 Price includes deluxe framing. ABOUT THE ARTIST: Blair was a conce...

Original JAPAN, Fly by BOAC to the Caribbean. Small format. Archival linen-backed original vintage European travel poster in mint condition; ready to frame. This antique original poster...