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USA - Paintings

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Item Ships From: USA
Period: Early 1900s
Continental Porcelain Oval Plaque circa 1900
Located in West Palm Beach, FL
A Continental porcelain oval plaque circa 1900 painted with a beauty holding a rose after Nathaniel SICHEL (1843-1907), impressed C above 170, within a ...
Category

Early 1900s Antique USA - Paintings

Materials

Porcelain

The Life of Emma, Lady Hamilton by J T Herbert Baily, 1st Ed
Located in valatie, NY
The Life of Emma, Lady Hamilton by J T Herbert Baily. Published by Menzies London, 1905. 1st Ed hardcover no dust jacket as published. 137 untrimmed pages with all 23 portraits of Lady Hamilton each with a tissue guard. Dame Emma Hamilton...
Category

Early 1900s English Antique USA - Paintings

Materials

Paper

Mid-Century Abstract Painting by Charles Maussion
Located in Los Angeles, CA
Mid-century abstract expressionist oil painting by Charles Maussion. The energetic vibrancy of the piece is balanced by its smoky, woody palette of grays and ochres. Dynamic yet serene, the painting has a wonderfully spontaneous sense of gesture. Charles Maussion (1923 - 2010) was a prominent French painter in mid-century abstract expressionist circles. Interested in the intersection of music and math, he showed his moody, minimalist paintings in the 1950's and 60's at the Arnaud Gallery, Iris Clert, Lucien Durand...
Category

Early 1900s French Edwardian Antique USA - Paintings

Materials

Paint

Allegorical Belle Époque Limoges Enamel Painting Plaque of a Semi-Nude Bacchante
By Limoges
Located in Los Angeles, CA
An Allegorical Belle Époque Limoges Enamel Painting Plaque of a Semi-Nude Bacchante. The convex baked enamel copper plaque finely painted depicting a scantily clad young female Maen...
Category

Early 1900s French Belle Époque Antique USA - Paintings

Materials

Copper

1904 Folk Art Cats Kittens in Basket Painting
Located in Seguin, TX
Antique 1904 oil on artist board folk art painting of three kittens in an old basket. Signed A. Marston and dated 1904 lower right corner. Note on old backing (Wendell Marston Wait...
Category

Early 1900s American Folk Art Antique USA - Paintings

Materials

Paint

1903 Folk Art Puppy Dogs and Mouse Painting
Located in Seguin, TX
Antique 1903 oil on artist board folk art painting of a pair of puppies and a mouse. They look like little Jack Russell terriers and are in a barn and the mouse hole is on the left....
Category

Early 1900s American Folk Art Antique USA - Paintings

Materials

Paint

Hans Zatzka, Austrian (1859-1945) Oil on Canvas "Young Girl in a Sailor's Suit'
By Hans Zatzka
Located in Los Angeles, CA
Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...
Category

Early 1900s Austrian Belle Époque Antique USA - Paintings

Materials

Canvas, Giltwood

Early 20th Century English Hound Painting
Located in Chicago, IL
In this captivating early 20th-century English oil on canvas painting, the essence of rural life is vividly captured as a majestic hound sits regally amidst the rustic charm of a hay...
Category

Early 1900s English Country Antique USA - Paintings

Materials

Canvas, Paint

French Neoclassical Revival Style Stained Glass Panel Praying Angel or Cupid
Located in Los Angeles, CA
A French early 20th Century Neoclassical Revival stained glass panel depicting a praying angel or cupid. The charming oval shaped hand-painted multi-colored glass panel or window dep...
Category

Early 1900s French Renaissance Revival Antique USA - Paintings

Materials

Art Glass, Stained Glass

Early Arts and Crafts Sweeping Landscape of Countryside
Located in Redding, CT
Early Arts and Crafts Sweeping Landscape of Countryside. Romantic rolling fields with sheep and blue mountains in the distance. Perfect painting for above a stone fireplace with your...
Category

Early 1900s Arts and Crafts Antique USA - Paintings

Materials

Canvas, Wood, Oak, Paint

European Landscape Oil Painting signed Maurice Braun
Located in Haddonfield, NJ
Oil Painting on Canvas signed Maurice Braun, 1902 Listed Artist A very lifelike rendering of a European street scene with houses. This early 20th Century painting features houses ...
Category

Early 1900s French Romantic Antique USA - Paintings

Materials

Wood, Paint

Oil on Canvas, Abbott Fuller Graves, Spring Garden, Kennebunkport, Christies NYC
Located in Stamford, CT
Oil on Canvas, Abbott Fuller Graves, Spring Garden, Kennebunkport, Christies NYC An original oil on canvas by this wonderful American painter and Illustrator. This finely framed oi...
Category

Early 1900s Antique USA - Paintings

Materials

Paint

Antique Landscape Oil Painting by James Martin Griffin
Located in Ross, CA
Antique landscape oil painting by James Martin Griffin painted around 1900. The painting shows cows in the forefront with dark clouds with clear skies coming through in the distance....
Category

Early 1900s American Victorian Antique USA - Paintings

Materials

Paint

Henry William Standing (British, 1894-1931) Equine Painting
Located in Middleburg, VA
Henry William Standing (British, 1894-1931) Equine Painting, watercolor and gouache on paper. Depicting an English Lady riding Dressage Side Sad...
Category

Early 1900s English Antique USA - Paintings

Materials

Paint, Paper

Vintage Set of 4 Illustrations Signed Zoe Kennedy From 1909
Located in Seattle, WA
Character Study Portrait on Paper.Each is Signed by Zoe Kennedy 09 as Pictured. Wooden Frame, Vintage Condition Consistent with Age as Pictured. Dimensions. 14.5 W ; 1/2 D ; 19 1/2 D
Category

Early 1900s Antique USA - Paintings

Materials

Wood

Émile Renard (French, 1850-1930) A Charming Oil on Canvas "A Good Poker Hand"
By Renard
Located in Los Angeles, CA
Émile Renard (French, 1850-1930) A Fine and Charming Oil on Canvas "A Good Poker Hand", depicting a joyous seated man, smoking a pipe, showing his Poker h...
Category

Early 1900s French Other Antique USA - Paintings

Materials

Canvas, Wood

A Hand Painted Chinoiserie Design Wallpaper on Board Panel
Located in New York, NY
A hand painted Chinoiserie design in oil on rice paper, mounted on board. Depicting village figures in a scene with buildings, mountains, and greenery. The design is based on an exam...
Category

Early 1900s French Chinoiserie Antique USA - Paintings

Materials

Paper

John Henry Frederick Bacon, A.R.A. Lifesize Family Portrait
Located in New York, US
Our magnificent oil on canvas by John Henry Frederick Bacon, A.R.A. (1868-1914), entitled The Golden Butterfly, depicts the family of John and Julietta Boyd-Harvey at Tondu House in South Wales in 1907. It was exhibited at the Royal Academy in London in 1907, no. 572. This very large painting depicts the Boyd-Harvey family on the lawn of Tondu House in South Wales, with the mountain and valley of Tondu in the background. John Bacon...
Category

Early 1900s British Edwardian Antique USA - Paintings

Materials

Canvas

Bay of Naples Gouache Seascape with Vesuvius Erupting, 1906
Located in Nantucket, MA
Antique Bay of Naples Gouache Seascape with Vesuvius Erupting, 1906, a fine gouache on paper seascape with the panoramic Bay of Naples stretching wide, wit...
Category

Early 1900s Italian Grand Tour Antique USA - Paintings

Materials

Paper

19th Century Oil Painting of Dance of the Nymphs
Located in Austin, TX
This 19th-century oil canvas; from Maison Blanchet; known for top-notch art supplies; is stamped with a 1890 mark. Blanchet; situated at rue Saint-Benoît 20; was an artist's haven offering premium colors; high-quality canvases; easels; and brushes. The painting showcases nymphs dancing...
Category

Early 1900s French Antique USA - Paintings

Materials

Gold Leaf

19 Century Scottish Or English River Landscape Oil Painting
Located in Delray Beach, FL
Fine quality antique oil painting by unknown artist , much admired and celebrated River landscape, with two people overlooking at the river and a bridge .interesting with Fine detai...
Category

Early 1900s Antique USA - Paintings

Materials

Wood, Canvas

"Femme Nue" by Ludovic-Rodo Pissarro
By Ludovic-Rodo Pissarro
Located in Wiscasset, ME
Pencil and gouache work on paper of a nude female by Ludovic-Rodo Pissarro. Provenance: Private collection The Netherlands, purchased from Stern Art-Dealers London, 1996. Ludovi...
Category

Early 1900s French Art Nouveau Antique USA - Paintings

Materials

Paper

Barbizon Landscape Painting of Harvest by Olof Hermelin 'Swedish, 1827-1913'
Located in Shippensburg, PA
OLOF HERMELIN Swedish, 1827-1913 Collecting the Harvest Oil on canvas Signed lower left "O. HERMELIN" Item # 107LUY29P A vibrant scene of workers l...
Category

Early 1900s Swedish Barbizon School Antique USA - Paintings

Materials

Canvas, Paint

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique USA - Paintings

Materials

Canvas, Giltwood

After Raffaello Sanzio 1483-1520 Raphael La Madonna della Seggiola Oil on Canvas
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Los Angeles, CA
A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...
Category

Early 1900s Italian Baroque Antique USA - Paintings

Materials

Canvas, Giltwood

Eduardo León Garrido (Spanish, 1856-1949) Oil on Panel "Dressing for the Ball"
By Eduardo Leon Garrido
Located in Los Angeles, CA
Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century scene of a young 'High Society' maiden getting dressed for the ball,...
Category

Early 1900s Spanish Rococo Antique USA - Paintings

Materials

Wood

Japanese Two Panel Screen: Bamboo with Calligraphy Poem
Located in Hudson, NY
Moon and bamboo in ink on gold paper with red and black lacquered negoro frame. (Meiji period) Calligraphy reads: Beauty in ink painting with standing woods and branches, like in par...
Category

Early 1900s Japanese Antique USA - Paintings

Materials

Paper

19th Century Painting, View of a North Italian Village by a Lake
Located in Belmont, MA
Very decorative painting of an unknown artist. "View of a North Italian Village by a Lake," oil on canvas. Measurements without frame: 11.5 x 19 inches.
Category

Early 1900s Italian Romantic Antique USA - Paintings

Materials

Canvas

Japanese Two Panel Screen: Sheep Resting under Grape Arbor
Located in Hudson, NY
Soft mineral pigments on silk with brocade border. Signature and seal read: Jyogyu
Category

Early 1900s Japanese Antique USA - Paintings

Materials

Brocade, Silk

Japanese Modern Abstract Ink Painting
Located in Hudson, NY
On mulberry paper with silk brocade. From the estate of Andrea Bollt. Artist's seal reads: Mitsushito (died 1922).
Category

Early 1900s Japanese Antique USA - Paintings

Materials

Brocade, Silk, Paper

Large Orientalist Oil Painting
Located in Los Angeles, CA
Large, early 20th century orientalist painting. Oil on canvas. No trace of signature.
Category

Early 1900s French Aesthetic Movement Antique USA - Paintings

Materials

Canvas, Paint

Pair of Oval Porcelain Plaques
Located in Los Angeles, CA
Charming pair of oval porcelain plaques with the frame in ormolu bronze represent scenes of a couple having fun in a landscape and the other one ...
Category

Early 1900s French Louis XVI Antique USA - Paintings

Materials

Bronze

Japanese Ink and Wash Scroll Painting by Watanabe Seitei
Located in Atlanta, GA
Watanabe Seitei, also known as Watanabe Shotei (1851–1918), was born in late Edo period. He was one of the earliest Japanese artists who visited and be...
Category

Early 1900s Japanese Japonisme Antique USA - Paintings

Materials

Brocade, Silk, Paper

"The Seated Woman" by Albert Andre
By Albert Andre
Located in Wiscasset, ME
Framed watercolor by Albert Andre signed lower right. Measures 17" x 15" including frame and 12" x 9" sight. Provenance: Sothebys Andre came to Paris in 1889 as an industrial designer. At the age of 23 he enrolled at the studio of William Bouguereau at the Académie Julian, where he met Ranson, Louis Valtat and the young poet and dramatist Henry Bataille, who at the time was training as a painter. He illustrated L'étang de Berre by Charles Maurras and Les Petites Alliées by Claude Farrère. He produced cartoons for tapestries for the Beauvais factory. In his youth he worked in Paris and Loudun, but later settled in the Midi, where he became curator of the museum in Bagnols-sur-Cèze, building up a major collection of contemporary art, including works by Monet, Renoir, Bonnard, Vuillard, Matisse and Despiau. In 1923, as a friend of Renoir, he compiled his recollections of the painter in a preface to an album of collotypes of his works. He was initially influenced in his painting by Delacroix, and it was Cézanne's paintings that helped him discover how to give the impression of volume using colour: warm tones for illuminated surfaces and cool colours for shadow. But it was undoubtedly Renoir who had the most profound influence on him, especially as it was Renoir who noticed his paintings in 1894 and introduced him to Paul Durand...
Category

Early 1900s French Art Nouveau Antique USA - Paintings

Materials

Paint

"The Ballerina" by Pierre Carrier-Belleuse
Located in Wiscasset, ME
Pastel on canvas, signed lower right, measuring 38" x 48.25" including the frame. Pierre Carrier-Belleuse His first studies were with his father, the sculptor Albert-Ernest Carri...
Category

Early 1900s French Art Nouveau Antique USA - Paintings

Materials

Paint

Pair Victorian Still Life Paintings of a Bowl of Cherries and Red Raspberries
Located in San Francisco, CA
Gouache on paper: each well-rendered painting depicting mounds of cherries and raspberries in bowls on a black ground; in period gilded frames; newer mattes and gilt fillets; vibrant...
Category

Early 1900s English Victorian Antique USA - Paintings

Materials

Paper

Eugène Galien-Laloue "Theatre du Chatelet" Watercolor and Gouache
By Eugene Galien-Laloue
Located in Los Angeles, CA
Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...
Category

Early 1900s French Belle Époque Antique USA - Paintings

Materials

Glass, Giltwood, Paper

Original European Impressionist Oil Painting, circa 1900-1920
Located in Chicago, IL
Starting in 1874, a dedicated group of artists, referred to as; “The Anonymous Society of Painters Sculptors”, etc. organized their own exhibition in Paris and thus began the movement called, Impressionism. Members included; Claude Monet, Edgar Degas, and Camille Pissarro and others. The canvas itself measures exactly one meter high, which tells us, that this is a European Impressionist...
Category

Early 1900s French Antique USA - Paintings

Materials

Canvas, Wood, Paint

Rare Triptych Scroll Paintings by Watanabe Seitei Meiji Period
Located in Atlanta, GA
A set of three paintings of ink and watercolor on silk mounted within brocade borders as scrolls by Watanabe Seitei (1851-1918). This is a very rare an...
Category

Early 1900s Japanese Japonisme Antique USA - Paintings

Materials

Brocade, Silk, Wood

Large Antique 19th Century Genre Portrait of a Boy by Adolf Heller, Oil Painting
By Adolphe Keller
Located in Buffalo, NY
Large antique 19th century Genre Portrait of a boy by listed artist Adolf Heller, (German , 1874 -1914) A beautifully executed portrait that captures the ...
Category

Early 1900s German Early Victorian Antique USA - Paintings

Materials

Wood, Paint

Karl Viktor Mayr, Austrian Oil on Canvas "An Exotic Nude Girl"
By Karl Viktor Mayr
Located in Los Angeles, CA
Karl Viktor Mayr (Austrian, 1882-1974) a very fine Austrian oil on canvas "An Exotic Nude Girl" depicting a young semi-nude woman, revealing her breast...
Category

Early 1900s Austrian Folk Art Antique USA - Paintings

Materials

Canvas, Giltwood

French Woman Nude Academic Oil on Cavas
Located in palm beach, FL
Academic painting of a nude woman showing a direction with her left arm outstretched, her gaze extends her index finger which gives movement and a particular dynamic to the painting,...
Category

Early 1900s French Antique USA - Paintings

Materials

Paint

Japanese Four-Panel Screen Water Landscape
Located in Hudson, NY
Japanese four-panel screen: Water landscape, Meiji period (1868-1912) painting of a waterfall on the left, leading to a meandering stream amongst a hi...
Category

Early 1900s Japanese Meiji Antique USA - Paintings

Materials

Silver Leaf

Limoges Enamel Plaque “La Fileuse”
By Limoges
Located in Dallas, TX
A large enamel on a convened copper plaque. The scene is of a seated elderly woman looming cotton or wool yarn, Circa 1900. Hand painted then baked on in a oven by Limoges. Signed “...
Category

Early 1900s French Aesthetic Movement Antique USA - Paintings

Materials

Copper

Japanese Two-Panel Screen Peony, Wisteria, Cherry and Bamboo on Soft Silver
Located in Hudson, NY
Japanese two-panel screen: Peony, Wisteria, cherry and bamboo on soft silver, Meiji period (1868-1912) painting of a garden in spring. Painted in mineral pigments on oxidized silver ...
Category

Early 1900s Japanese Meiji Antique USA - Paintings

Materials

Silver Leaf

Antique Framed Impressionist Oil on Canvas by Joseph Lagasse
Located in Dallas, TX
Antique framed impressionist oil painting on canvas by Joseph Lagasse (1878-1962) is another splendid work by the artist in ...
Category

Early 1900s Belgian Expressionist Antique USA - Paintings

Materials

Canvas

Italian 19th Century Porcelain Plaque of Madonna della Primavera, after Barabino
By Nicolò Barabino
Located in Los Angeles, CA
A very fine Italian 19th century porcelain plaque of Madonna della Primavera ("Madonna detter Primavera with Bambino"), after Nicolò Barabino (1831-1891). The finely painted standing Madonna holding baby Jesus in her arms surrounded by flowers, framed in a Gothic revival style giltwood carved frame. The back inscribed: "Madonna detter Primavera - nach Barabino" and handwritten "E. Guenther, Phila". Signed lower left corner, circa 1890-1900. Nicolò Barabino (1831–1891) was an Italian academic painter of religious and historical subjects, active in Florence and Genoa. He was born in Sampierdarena. His initial studies were at the Genovese Accademia Ligustica di Belle Arti, under Giuseppe Isola. In Genoa, he befriended Maurizio Dufour. In 1857, he won the Durazzo scholarship to attend the Accademia di Belle Arti in Florence. He designed some of the lunettes completed as mosaics for the portals of the Florence Cathedral...
Category

Early 1900s Italian Gothic Revival Antique USA - Paintings

Materials

Porcelain, Giltwood

Japanese Two Panel Screen Summer Flowers on Silver
Located in Hudson, NY
Japanese two panel screen: Summer flowers on silver. Meiji period painting (1868 - 1912) of Summer flowers including morning glories and daisies against a garden fence. Signature and...
Category

Early 1900s Japanese Meiji Antique USA - Paintings

Materials

Silver Leaf

Eugenio Zampighi 'Italian, 1859-1944' 19th/20th C. Oil on Canvas "Joyous Family"
By Eugenio Zampighi
Located in Los Angeles, CA
Eugenio Zampighi (Italian, 1859-1944) A fine and charming Italian 19th/20th century oil on canvas Titled "A Joyous Family" depicting an interior scene of a seated joyous mother with her smiling toddler child on her lap, as her young daughter amuses them while holding a small kitten picked-up from the cat...
Category

Early 1900s Italian Country Antique USA - Paintings

Materials

Gesso, Canvas, Giltwood

Miniature Portraits of Napoleon II & Imperatrice Marie Louise of Austria
Located in West Palm Beach, FL
Pair of hand painted miniature framed portraits of Napoleon II and his mother the Archduchess Marie Louise of Austria. Marie Louise was Napoleon's...
Category

Early 1900s European Empire Antique USA - Paintings

Materials

Glass, Paint, Wood

Berlin K.P.M. Porcelain Plaque "Der Eremit" 'The Hermit' After Salomon Koninck
By Königliche Porzellan-Manufaktur (KPM)
Located in Los Angeles, CA
A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...
Category

Early 1900s German Baroque Antique USA - Paintings

Materials

Porcelain, Giltwood

Oil Painting on Canvas by Xavier Wurth
Located in Dallas, TX
Oil painting on canvas by Xavier Wurth (1869-1933) is a splendid panoramic landscape by the artist who was beloved in his native region of Liege. This par...
Category

Early 1900s Belgian Belle Époque Antique USA - Paintings

Materials

Canvas

Japanese Two Panel Screen Nara Deer in Gentle Yoshino Landscape
Located in Hudson, NY
Japanese two panel screen: Nara Deer in Gentle Yoshino Landscape. Yoshino is in the Nara Prefecture, an area famous for these small and tame deer native to J...
Category

Early 1900s Japanese Meiji Antique USA - Paintings

Materials

Gold Leaf, Silver Leaf

Lovely Set of 3 French Romantic Antique Paintings on Polymer
Located in Hopewell, NJ
Lovely set of 3 French romantic antique paintings on polymer, matted in plush orange velvet and fancy giltwood frames. Subjects are 18th century romantic rendezvous including shepherd and shpherdesss signed Geffie; lady and Gentleman of the court signed Pemia, and an oval miniature...
Category

Early 1900s French Antique USA - Paintings

Materials

Resin

"The Courtship" by Max Gaisser
Located in Wiscasset, ME
Oil on board signed lower right. Provenance: Private collection New England, David Dike Fine Art, Dallas Measuring 25" x 19" panel and 30" x 24" including the frame. Max Gaisser...
Category

Early 1900s German Victorian Antique USA - Paintings

Materials

Paint

Ink Painting
Located in Los Angeles, CA
French post-Impressionist black ink on paper landscape drawing mounted in custom simple black wood frame. The image nearly vibrates with moveme...
Category

Early 1900s French Antique USA - Paintings

Materials

Paper

Japanese Two-Panel Screen, Hibiscus In Bloom
Located in Hudson, NY
Japanese Two Panel Screen: Hibiscus in Bloom, Meiji period (1868 - 1912) painting of hibiscus flowers reaching for the sun in full bloom. Mineral pigments on silk with a silk brocad...
Category

Early 1900s Japanese Meiji Antique USA - Paintings

Materials

Silk, Wood, Paper

Limoges Enamel Plaque “La Fileuse”
By Limoges
Located in Dallas, TX
A large Limoges enamel painting on a convexed copper plaque. The scene is of a mother and daughter sitting in front of a fireplace drying yarn while the...
Category

Early 1900s French Aesthetic Movement Antique USA - Paintings

Materials

Copper

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