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Untitled
By Donald Roy Purdy
Located in Washington, DC
Painting by Donald Purdy (1924 - 2016). Oil on masonite Provenance Schoneman Gallery, 1964. Measures 25"L x 23"W. Work is behind glass with wonderful antique frame.
Category

1960s Modern Figurative Paintings

Materials

Masonite, Oil

Girl with Cat
Located in Washington, DC
Painting by Noche Crist (1909 - 2004). Work is untitled and signed. Measures 22" x 12". Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the...
Category

1960s Outsider Art Figurative Paintings

Materials

Acrylic

Daniel Brush Painting "untitled", 1973
Located in Washington, DC
Painting by Daniel Brush (1947-2022). Signed and dated 73'. Aquatec pigments, mediums and gels on board. Measures 60" x 10". Exhibited at the Phillips Collection, 1974 when Dan...
Category

1970s Abstract Geometric Abstract Paintings

Materials

Mixed Media, Board

Thomas Victor Young "Moon", 1985
By Thomas Downing
Located in Washington, DC
Painting by Thomas Downing (1928 - 1985). "Moon", 1985 Acrylic on paper bag 35" x 15" (framed) Dedication on reverse to his wife Helen. Downing’s works are in many collections in...
Category

1980s Abstract Abstract Paintings

Materials

Paper, Acrylic

Transmitter
Located in Washington, DC
Exceptional painting by Maryanne Pollock titled "Transmitter". Work is signed and dated 2021 on reverse. Painting measures 48" x 48" and is mixed media on canvas. Artists Robert ...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Mixed Media

Rebirth the Earth
Located in Washington, DC
Exceptional painting by Maryanne Pollock titled "Rebirth the Earth". Work is signed and dated 2021 on reverse. Painting measures 48" x 48" and is mixed media on canvas. A mentor ...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Acrylic

Pre-Columbian Narino Bowl
Located in Washington, DC
Fine Pre-Columbian Narino footed bowl from Columbia, circa 850 to 1500. Desirable polychrome bowl with vibrant color.
Category

Antique 15th Century and Earlier Colombian Antiquities

Materials

Ceramic

Surreal Landscape
Located in Washington, DC
A major work by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is casein paint and plaster on board, which allows for wonderful color and text...
Category

1960s Outsider Art Landscape Paintings

Materials

Plaster, Wood, Casein

Girl with Cat
Located in Washington, DC
One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is made with casein on plaster on wood. Catalogue of a postumous ret...
Category

1960s Outsider Art Figurative Paintings

Materials

Plaster, Wood, Casein

Window into Studio
Located in Washington, DC
Painting titled "Window into Studio" and dated 2023 by Jeanne Cosimano. The painting is gouache on paper, frame is included. This work was recently included in a solo exhibition at Gallery 2112...
Category

2010s Abstract Paintings

Materials

Gouache, Archival Paper

Carl Auböck Horn Bowl
By Werkstätte Carl Auböck
Located in Washington, DC
Impressive large horn bowl by Austrian designer Carl Auböck. Bowl measures 8.5" x 3".
Category

Vintage 1950s Austrian Mid-Century Modern Decorative Bowls

Materials

Horn

Horseman
Located in Washington, DC
"Horseman" by Washington DC artist Jeanne Cosimano. Painting in gouache on paper and dated 2021. Artist is known for her dynamic compositions and skillful ...
Category

2010s Abstract Abstract Paintings

Materials

Gouache, Archival Paper

Carl Auböck Atom Vase
By Werkstätte Carl Auböck
Located in Washington, DC
Impressive solid brass Atom vase by Carl Auböck. Signed to undersigned.
Category

Vintage 1950s Austrian Mid-Century Modern Vases

Materials

Brass

A Different Beat
Located in Washington, DC
"A Different Beat" by Washington DC artist Jeanne Cosimano. Painting in gouache and chalk on paper and dated 2022. Artist is known for her dynamic composit...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Chalk, Gouache, Archival Paper

Tuesday
Located in Washington, DC
Wonderful painting by Washington DC artist Jeanne Cosimano. Painting is titled "Tuesday" and dated 2021. Artist is known for her dynamic compositions and ski...
Category

2010s Abstract Abstract Paintings

Materials

Gouache, Archival Paper

Bearded Man with Cat
Located in Washington, DC
Painting by Noche Crist (1909 - 2004). Titled "Bearded Man with Cat". Catalogue of an exhibition in 2008 at the Katzen Art Museum in Washington D.C. is ...
Category

1960s Outsider Art Figurative Paintings

Materials

Wood, Casein, Plaster

Cutout Shaped Painting
Located in Washington, DC
Important painting by Noche Crist (1909- 2004). Wonderful shaped painting made with cut wood, acrylic paint, plaster and mirror. Noche Crist imbued he...
Category

Late 20th Century Outsider Art Figurative Paintings

Materials

Mirror, Plaster, Wood, Acrylic

Femme Fatale
Located in Washington, DC
An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...
Category

20th Century Figurative Paintings

Materials

Plaster, Mirror, Wood, Acrylic, Pencil

Rose Iris
By Lowell Nesbitt
Located in Washington, DC
Oil painting by Lowell Nesbitt (1933 - 1993). Titled "Rose Iris" and dated 1982. Wonderful vibrant painting in excellent condition.
Category

1980s Pop Art Still-life Paintings

Materials

Oil, Canvas

Ice Skating
Located in Washington, DC
Painting titled "Ice Skating" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhi...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Gouache, Archival Paper

Disco Inferno
Located in Washington, DC
Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant painting is gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...
Category

21st Century and Contemporary Abstract Expressionist Abstract Paintings

Materials

Gouache, Archival Paper

Totem
Located in Washington, DC
Painting titled "Totem" and dated 2021 by Jeanne Cosimano. Painting is gouache on paper and framed. The painting was recently included in a solo exhibition at Gallery 2112...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Gouache, Archival Paper

Ceramic Vase by Tim Keenan
By Tim Keenan
Located in Washington, DC
Beautiful ceramic vase by Tim Keenan. Condition is excellent.
Category

21st Century and Contemporary Vases

Materials

Ceramic

Aluminum Nut Cracker by Pierre Mandel, France, 1970s
By Pierre Vandel
Located in Washington, DC
Wonderful functional sculptural nut cracker by French designer by Pierre Vandel. Made in solid aluminum.
Category

Vintage 1970s French Mid-Century Modern Barware

Materials

Aluminum

Raul Valdivieso Latin American Ceramic Sculpture, 1960s
By Raúl Valdivieso
Located in Washington, DC
Ceramic sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Sculpture retains the original wood and black laminate base with metal cage. Ceramic is in good original condition. Laminate is in poor condition with a few chips. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...
Category

1960s Modern Nude Sculptures

Materials

Metal

Botanical Painting Ode to Angelo - Malibu
Located in Washington, DC
Painting by Maryanne Pollock titled "Ode to Angelo - Malibu". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2021 on reverse. Maryanne Pollock received her BFA...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Mixed Media

Botanical Painting Ode to Angelo in Heaven
Located in Washington, DC
Painting by Maryanne Pollock titled "Ode to Angelo in Heaven". Work is mixed media on D'Arches Aquarelle paper, signed and dated 2023 on reverse. Measurements are 22" x 30". Maryan...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

Ode to Angelo - Fall Sunflowers
Located in Washington, DC
Painting titled "Ode to Angelo - Fall Sunflowers" by Maryanne Pollock. Mixed media on D'Arches paper, signed and dated 2022 on reverse. Measurements are 22" x 30". Maryanne Pollock...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Acrylic

Noche Crist Female Nude Sculpture
Located in Washington, DC
Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...
Category

1970s Outsider Art Nude Sculptures

Materials

Resin

Surreal Artwork "The Worshiper of a Beautiful Watering Can", 1965
Located in Washington, DC
Wonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...
Category

1960s Surrealist More Prints

Materials

Paper, Pencil

Latin American Sculpture by Raúl Valdivieso
By Raúl Valdivieso
Located in Washington, DC
Bronze sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...
Category

1960s Abstract Abstract Sculptures

Materials

Bronze

Pink Pop Art "In the Sun", 1960s
Located in Washington, DC
Psychedelic silkscreen work by Noche Crist (1909- 2004). One of the few remaining from a very small printing by the artist. Image is from her "In the Sun" series. Catalogue of a po...
Category

1960s Pop Art Abstract Prints

Materials

Paper

"Harmony" Diptych
By Richard W. Dempsey
Located in Washington, DC
A pair of abstract modern paintings by Richard W. Dempsey (1909 - 1987). Paintings are oil on masonite and signed "Dempsey" front bottom corner. On the back of each painting on tape is written "Harmony". Richard Dempsey was born in Ogden, Utah, on September 14, 1909. His youth was spent in Oakland, CA, where he attended Sacramento Junior College (1929-31) as an art major. He then studied at The California School of Arts and Crafts (1932-34) and the Students Art Center (1935-40), where he was taught by the sculptor Sargent Johnson. In 1941, he moved to Washington, DC and studied at Howard University...
Category

1950s Abstract Abstract Paintings

Materials

Masonite, Oil

Japanese Rock Garden Block Print by Okiie Hashimoto, 1959
Located in Washington, DC
Rare and early contemporary Japanese print by master print maker Okiie Hashimoto (1899-1993). Self printed, the bottom margin is signed, titled in Kanj...
Category

1950s Contemporary Landscape Prints

Materials

Paper

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Sumi Ink, Archival Paper, Graphite, Wax Crayon

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Archival Paper, Graphite, Wax Crayon, Sumi Ink

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

The Devil's Mirror
Located in Washington, DC
A major work by Noche Crist (1909- 2004). Titled "The Devil's Mirror" and signed on reverse. The mirror in the center of the painting reflects a distorted ...
Category

1980s Outsider Art Nude Paintings

Materials

Oil, Mirror, Plaster, Wood

Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Blue Collograph with Horns
Located in Washington, DC
Appealing collograph Intaglio work by Noche Crist (1909- 2004). Unsigned from the 1970s but one of a kind and handprinted by the artist on thick paper. Catalogue of a postumous retr...
Category

1970s Folk Art Figurative Prints

Materials

Intaglio

The Eggs of My Amnesia
By Joel-Peter Witkin
Located in Washington, DC
B&W photograph by Joel-Peter Witkin (b. 1939). Title is The Eggs of My Amnesia, Rome, 1996. Print is signed on reverse and is marked AP. Frame is included. ...
Category

1990s Nude Photography

Materials

Photographic Paper

Women Loving Woomen
Located in Washington, DC
Signed silkscreen work by Noche Crist (1909- 2004). From Women Loving Woomen series. Wonderful work printed by the artist on thick paper. Catalogue of a postumous retrospective in...
Category

1970s Outsider Art Nude Prints

Materials

Paper

Year of the Ram
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 3/15 lower left. Printed by the artist in the 1970s. Image is from her Year of the Ram series...
Category

1970s Outsider Art Nude Prints

Materials

Paper

Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Reclining Figure
Located in Washington, DC
Sculpture by Brazilian-born artist Elizabeth Freire. B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...
Category

Early 2000s Figurative Sculptures

Materials

Terracotta, Acrylic

Totem
Located in Washington, DC
Sculpture by Brazilian-born artist Elizabeth Freire. Sculpture is mounted on marble base and signed "EF". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...
Category

Early 2000s Modern Abstract Sculptures

Materials

Terracotta

In the Wind
Located in Washington, DC
Sculpture by Brazilian-born artist Elizabeth Freire. B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...
Category

1990s Figurative Sculptures

Materials

Resin

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

Archival Paper, Graphite, Wax Crayon, Sumi Ink

In Bad Spirits, 1969
By Joe Shannon 1
Located in Washington, DC
Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and is dated 1969. The painting was exhi...
Category

1960s Contemporary Figurative Paintings

Materials

Canvas, Acrylic

St. Catherine's
Located in Washington, DC
Painting by Maryanne Pollock titled "St. Catherine's". Signed and titled on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Italy. She...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Acrylic, Archival Paper

Winter Walk
Located in Washington, DC
Painting by Maryanne Pollock titled "Winter Walk". Signed and titled on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Italy. She continued studying at the Pennsylvania Academy of Fine Arts, the Corcoran College of Art and Design and American University. Maryanne Pollock represented the United States in a contextual exhibition at the 54th Venice Biennale, at the Arts Embassies Program in Egypt, and had solo exhibitions in Paris, Glasgow, Basel, and Cairo. Publications include Home and Design, Luxe, Traditional Home, Professional Artist (cover), and the Washington Post...
Category

21st Century and Contemporary Abstract Expressionist Abstract Paintings

Materials

Acrylic, Archival Paper

Homage to D.S.
Located in Washington, DC
Painting by Maryanne Pollock titled "Homage to D.S.". Work is signed and titled on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Ital...
Category

21st Century and Contemporary Abstract Expressionist Abstract Paintings

Materials

Acrylic, Archival Paper

"Succubus Festival"
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 7/9 lower left. Printed in 1974 by the artist. Image is from her "Succubus Festival" series. Catalogue of a postumous re...
Category

1970s Outsider Art Nude Prints

Materials

Paper

"Sitting Bull Goes To Washington"
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Work is from from her "Sitting Bull Goes to Washington" series. Marked in pencil 15/18 lower left. Printed in 1976 by the artist. Catalo...
Category

1970s Outsider Art Figurative Prints

Materials

Paper

"Carousel"
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 28/30 lower left. Printed in 1973 by the artist. Image is from her "Carrousel" series. Catalogue of a postumous retrospe...
Category

1970s Outsider Art Animal Prints

Materials

Paper, Ink

Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

"Alizarin Maze ll"
Located in Washington, DC
Painting by Maryanne Pollock titled "Alizarin Maze ll". Work is signed and dated 2019 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic, Archival Paper

Maryanne Pollock "Beige Haze"
Located in Washington, DC
Painting by Maryanne Pollock titled "Beige Haze". Work is signed and dated 2020 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Ital...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Acrylic, Archival Paper

Maryanne Pollock "Alizarin Maze l"
Located in Washington, DC
Painting by Maryanne Pollock titled "Maze l". Work is signed and dated 2018 on reverse. Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Italy. S...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Acrylic, Archival Paper

Carpathian Ancestor
Located in Washington, DC
One of a kind painting by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is on casein paint on plaster on board. Catalogue of a postumous retr...
Category

1960s Outsider Art Figurative Paintings

Materials

Casein, Plaster, Wood

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