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Chinese Famille Rose Porcelain Figure of a Phoenix, circa 1875
Located in New York, NY
Chinese Famille Rose Porcelain Figure of a Phoenix, circa 1875
Category

Antique 1870s Chinese Animal Sculptures

Materials

Porcelain

Italian Majolica Figural Compote, circa 1880
Located in New York, NY
Italian Majolica Figural Compote, circa 1880
Category

Antique 1880s Italian Figurative Sculptures

Materials

Majolica

Oil on Canvas Painting Titled "In The Line of Fire" by Griffith Morgan, ca. 1860
Located in New York, NY
Griffith Morgan, 1816-1890 In the Line of Fire, ca. 1860 Oil on canvas 30 x 25 inches Signed (lower left): G. Morgan
Category

1860s Figurative Paintings

Materials

Oil, Canvas

Set of 12 Tiffany Silver Wine Goblet, 1907-1947
Located in New York, NY
Cone-shaped cup with baluster stem on sloping spreading foot. Marked Tiffany and Co.
Category

Antique Early 19th Century Sterling Silver

Materials

Sterling Silver

Tiffany Sterling Silver Two-Handled Vase, 1902-1907
Located in New York, NY
Of amphora form, the double swan handles terminating on the shoulder with masks of "comedy' and "tragedy", the mouth, shoulder and foot with embossed stiff leaf decoration.With conte...
Category

Antique Early 1900s Vases

Materials

Sterling Silver

Pair of English Porcelain Cobalt Two-Handled Vases, Coalport, circa 1820
Located in New York, NY
Each vase depicts a landscape scene on one side and a bouquet of flowers on the other.
Category

Antique 1820s Vases

Materials

Porcelain

German Silver Gilt Oval Tobacco Box, Augsburg, circa 1720
Located in New York, NY
Maker Elias Adams. Finely engraved with arabesques on cover, shoulder and body.
Category

Antique 1720s Snuff Boxes and Tobacco Boxes

Materials

Silver

French Gilt Bronze and Crystal Three-Tiered Stand, circa 1860
Located in New York, NY
The graduated deeply cut and faceted bowls with scalloped rims, the base with alternating paw and shell feet.
Category

Antique 1860s Platters and Serveware

Materials

Crystal, Bronze

A Large Belleek Willets Porcelain Tea Service, circa 1890
Located in New York, NY
Consisting of pot, sugar, creamer (restored), two trays and six cups and saucers. Delicately gilded on an ivory ground.
Category

Antique 1890s American Tea Sets

Materials

Porcelain

Austrian Bronze Panther, by Friedrich Gornick, circa 1920
Located in New York, NY
Signed F. Gornick with the Arthur Rubinstein foundry mark.
Category

Vintage 1920s Animal Sculptures

Materials

Bronze

Pair of Royal Worcester Yellow Ground Porcelain Vases, Dated 1877
Located in New York, NY
Decorated in relief with Asian emblems and flowers. Both with impressed marks and one with additional green mark.
Category

Antique 1870s English Vases

Materials

Porcelain

Pair of German Porcelain Figures of Bacchus and Ceres, Nymphenburg, circa 1900
Located in New York, NY
Ceres is draped in a cloth resting on a tree stump while holding a sheaf of grain. Bacchus, the god of wine, also rests on a tree stump while holding up a cluster of grapes.
Category

Antique Early 1900s German Figurative Sculptures

Materials

Porcelain

Pair of Chinese Export Porcelain Roosters, circa 1800
Located in New York, NY
With famille rose-verte decoration.
Category

Antique Early 1800s Chinese Animal Sculptures

Materials

Porcelain

Pair of Chinese Porcelain Robin's Egg Foo Dogs on Stands, circa 1890
Located in New York, NY
Pair of Chinese Porcelain Robin's Egg Foo Dogs on Stands, circa 1890
Category

Antique 1890s Chinese Animal Sculptures

Materials

Porcelain

Large Royal Crown Derby Covered Jar, 19th century
Located in New York, NY
With hand painted floral decoration.
Category

Antique 19th Century English Vases

Materials

Porcelain

Pair of Chinese Export Porcelain Double-Walled Hexagonal Green Vases, circa 1860
Located in New York, NY
Molded with Chinese vases and flowers in relief on each panel. The shoulders with painted miniature landscapes within leaf panels, the neck with trailing flowers.
Category

Antique 1860s Chinese Vases

Materials

Porcelain

Silver Mounted German Porcelain Meissen Dragon Vase, circa 1920
Located in New York, NY
Under glazed blue circling dragons on either side with flaming pearls in iron-red. Silver marked '800 Dresden' With blue crossed swords mark.
Category

Vintage 1920s German Vases

Materials

Porcelain

Pair of Chinese Porcelain Green Foo Dogs, circa 1840
Located in New York, NY
With bulging eyes, a somewhat snarling expression with baring teeth.
Category

Antique 1840s Chinese Animal Sculptures

Materials

Porcelain

Royal Copenhagen Porcelain Art Nouveau Charger, circa 1890
Located in New York, NY
Signed by Bertha Nathanielsen (1869-1914).
Category

Antique 1890s Decorative Art

Materials

Porcelain

Fine French Biscuit Bust of Louis 18th, Dated 1849
Located in New York, NY
Now on a Sevres porcelain socle dated 1849.
Category

Antique 1840s French Busts

Materials

Pottery

American Coin Silver Wine Bottle Wagon, Circa 1855
Located in New York, NY
Eoff and Sheppard (1851-1861) retailed by Ball Black and Co. Marked behind the two hind wheels.
Category

Antique 1850s American Sterling Silver

Materials

Porcelain

Oil on Canvas Painting of a Still Life by Abraham Baylinson, Dated 1948
Located in New York, NY
Abraham Baylinson, 1882-1950 Still Life, 1948 Oil on canvas 23 ½ x 33 ½ inches Signed and dated (lower right): A. Baylinson / 1948 Working in a real...
Category

1940s Still-life Paintings

Materials

Canvas, Oil

Oil on Canvas Portrait Painting of "Femme Avec Le Chapeau Plumé, by Hildebrandt
Located in New York, NY
Howard Logan Hildebrandt, 1872-1958 Femme Avec Le Chapeau Plumé, n.d. Oil on canvas 26 ½ x 21 ½ inches Signed (lower right): H L Hildebrandt Provenance Private collection, Detroit A...
Category

1890s Portrait Paintings

Materials

Canvas, Oil

Oil on Canvas Portrait Painting of a "Fashionable Young Lady" by Irving Wiles
Located in New York, NY
Irving Ramsay Wiles, 1861-1948 A Fashionable Young Lady Oil on canvas 28 1/8 x 22 5/8 inches Signed lower right: Irving R Wiles Illustrator, teacher, and painter Irving Ramsey Wiles was adept at portraits, figural works, and landscapes characterized by the informal elegance of cosmopolitan American art at the turn of the twentieth century. Wiles received his earliest art instruction from his father, landscape painter and teacher Lemuel M. Wiles (1826–1905), and at the age of eighteen, in 1879, exhibited his first painting at New York’s prestigious National Academy of Design. After one year’s study at the Art Students League in New York, under the influential painter-teachers William Merritt Chase and J. Carroll Beckwith, Wiles went to Paris for further study. He enrolled in the Académie Julian, a popular school among American artists, and then worked in the studio of French academic painter Charles Auguste Émile Durand, known as Carolus-Duran (1837–1917). During his student years Wiles painted watercolor street scenes of Paris, and he also traveled in Italy and in the French countryside. Wiles returned to New York in 1884 and exhibited two of his sketches. These attracted the notice of the art editor of the popular Century Magazine, who asked the young artist to make illustrations for the journal. Wiles’s illustrations appeared in other publications as well, and he also supported himself by teaching at his studio and at his father’s summer art school in upstate New York. Wiles was elected a member of the progressive Society of American Artists and, after one of his works won a prize there, to the National Academy of Design as an associate member; full membership followed in 1897. By that date, Wiles was able to devote himself more fully to portraits and figural compositions in oils, paintings that mark the influence of his teacher Chase, who remained a lifelong friend. Like his mentor, Wiles also worked in watercolor and pastel and belonged to several organizations devoted to those media, which enjoyed revivals in late-nineteenth-century America. He exhibited his work widely and won numerous awards throughout his career. In the late 1890s, Wiles and his father moved their summer classes to Peconic, on the North Fork of New York’s Long Island...
Category

1890s Portrait Paintings

Materials

Canvas, Oil

Large French Faience Two Handled Garden Vase, Nevers, Circa 1680
Located in New York, NY
On a 'Persian' blue ground, the handles intertwined, the body with "candle" style decoration which imitates splashes of candle wax.
Category

Antique 1680s French Planters, Cachepots and Jardinières

Materials

Faience

Oil on Board Painting Titled "Above the Bay", by Renwick Taylor, 1925
Located in New York, NY
Renwick Taylor Above the Bay, 1925 Oil on board Signed (Lower right and verso): RENWICK TAYLOR
Category

1920s Landscape Paintings

Materials

Oil, Board

Gouache on Board Painting Titled "Barbecue Stand", by Aaron Bohrod, circa 1935
By Aaron Bohrod
Located in New York, NY
Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...
Category

1930s Figurative Paintings

Materials

Gouache

Claude-Levy Cast Iron Sculpture of Flora, Dated 1925
Located in New York, NY
Claude-Lévy, 1895 – 1942 Alice Nikitina in the role of Flora, from the Dukelsky/Braque production of the ballet Zephyr & Flore at the Ballets Russes, 1925 Cast Stone Signed and dated: Claude-Levy 1925 on rear face of self-base. The present sculpture is as rare as it is delightful. Mademoiselle Claude-Levy, as the catalogues of the period list her, was one of the truly original talents of the Art Deco period. Painter, architect, decorator, and sculptor, she was a friend of the Parisian, Modernist sculptors, Chana Orloff, Henri Laurens and the Martel brothers, to whom her work was often compared. The ingenuity of her models brought her great critical acclaim, but she seems to have stopped producing in the early 1930s. Her output, although fine, is rare. Claude-Levy’s gentle Cubism might be better described as Purism in sculpture. It is characterized by simplified surfaces, rounded (as opposed to angular) forms, and smooth, lustrous surfaces. The Purist movement included the painters Léger, Ozenfant and Le Corbusier in its ranks. Claude-Lévy, along with other artists of the avant- garde living in the Gallic capital (Czaky, Zadkine, Archipenko, Lipchitz, Lambert Rucki Miklos, Nadelman, Vörös, Orloff) helped to develop a collective twentieth century figurative sculptural idiom that exploited the daring and rich possibilities of geometric abstraction. The present work is Claude-Lévy’s Commedia dell’Arte figures inspired by the Stravinsky/Picasso Ballet...
Category

1920s Abstract Sculptures

Materials

Cast Stone

Watercolor on Paper Painting, by Charles Burchfield, 1919
Located in New York, NY
Charles Burchfield 1893-1967 Trilliums and Rock Ledge, 1919 Gouache and watercolor on paper Provenance: The artist until at least 1963 Private collection, New York Private Collectio...
Category

1910s Landscape Drawings and Watercolors

Materials

Watercolor, Gouache

Oil on Board Painting of "Woman in Yellow", by Renwick Taylor, 1924
Located in New York, NY
Renwick Taylor, 1898 – d/o/d unknown Woman In Yellow, 1924 Oil on board Signed (Lower right): RENWICK TAYLOR Inscribed (verso): Painted at National Academy of Design School 1924/Exh...
Category

1920s Portrait Paintings

Materials

Oil, Board

Oil on Masonite Painting Titled "Lobster Shack", by Aaron Bohrod, 1938
By Aaron Bohrod
Located in New York, NY
Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...
Category

1930s Figurative Paintings

Materials

Masonite, Oil

Watercolor and Gouache on Paper, by Charles Burchfield, circa 1925
Located in New York, NY
Charles Burchfield, 1893-1967 Wallpaper Design No.2, 1922-28 Watercolor and gouache on paper
Category

1920s Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Ink on Paper Drawing of "The Tree of Knowledge, Science", Dale Nichols, ca. 1940
By Dale Nichols
Located in New York, NY
Dale Nichols, 1904-1995 The Tree of Knowledge, Science, ca.1940 Ink and china white on paper Initialed: dn Provenance: Susan Teller Gallery...
Category

1920s Figurative Drawings and Watercolors

Materials

Paper, Ink

French Porcelain Platter, Sevres, Dated 1792
Located in New York, NY
This platter comes from a Sèvres dinner service sold to the Dutch banker Jean-Baptiste Vandernyver on 29th November 1792. The platter is marked p...
Category

Antique 1790s Platters and Serveware

Materials

Porcelain

French Bronze Pheasant Preying on a Lizard, Alphonse-Alexandre Arson (1822-1880)
Located in New York, NY
Titled Perdrix au lézard. Inscribed Arson.
Category

Antique 1850s Animal Sculptures

Materials

Bronze

French Bronze Group of Pheasant Hen and Her Young, Alphonse-Alexandre Arson
Located in New York, NY
Bronze sculpture of a mother pheasant protecting her chicks from an approaching lizard. Inscribed Arson.
Category

Antique 1850s Animal Sculptures

Materials

Bronze

Two German Porcelain Cylindrical Vases, Meissen, 20th century
Located in New York, NY
One vase painted with yellow dragon and phoenixes, the other painted with blue dragon decoration.
Category

20th Century German Vases

Materials

Porcelain

Pair of Delft Blue and White Vases, circa 1820
Located in New York, NY
With vivid cobalt decoration in Chinoiserie style.
Category

Antique 1820s Vases

Materials

Delft

French Bronze Sculpture of a Stallion, PJ Mene (1810-1871)
Located in New York, NY
This highly detailed study of a Normandy mare is an excerpted model from Mêne's popular Jument normande et son poulain, exhibited in wax at the 1868 Salon (no. 3749), and in bronze t...
Category

Antique 1850s French Animal Sculptures

Materials

Bronze

English Porcelain Cobalt Ground Dessert Service, Circa 1830
Located in New York, NY
Comprising a tazza (height 6.75", diameter 9.25"), two smaller tazza; a sauce tureen and cover; twelve plates; and one smaller plate.
Category

Antique 1830s Dinner Plates

Materials

Porcelain

Pair of English Mason's Ironstone Covered Vases, Circa 1830
Located in New York, NY
Decorated in various tones of blue on a gray ground with stylized birds and flowers with gilt highlights, with dolphin handles and twin dolphin finials.
Category

Antique 1830s English Vases

Materials

Porcelain

Bronze Mounted French Porcelain Limoges Vase, circa 1890
Located in New York, NY
Beautifully hand painted green white design with lovely gilt accents. Ornate bronze mounts at top of the vase as well as the base. Limoges Depose France...
Category

Antique 1890s French Vases

Materials

Porcelain

Large English Porcelain Ewer, Derby, circa 1800
Located in New York, NY
With a light-green marbelized ground, with alternated roundels finely painted with an eagle perched on a branch and a landscape.
Category

Antique Early 1800s English Pitchers

Materials

Porcelain

Pair of Bronze Busts on Marble Stands of Babies, by Victor Heinrich Seifert
Located in New York, NY
Pair of Bronze Busts on Marble Stands of Babies, by Victor Heinrich Seifert (1870-1953)
Category

Vintage 1910s Busts

Materials

Bronze

Pair of Victorian Two-Colored Glass Candlesticks, circa 1870
Located in New York, NY
Pair of Victorian Two-Colored Glass Candlesticks, circa 1870
Category

Antique 1870s Candlesticks

Materials

Glass

Oil on Board Painting Titled "Moon Over Bay" by Renwick Taylor, circa 1920
Located in New York, NY
Moon Over Bay, ca. 1920 Oil on board 8 x 10 inches
Category

1920s Landscape Paintings

Materials

Oil, Board

Oil on Board Painting Titled "Delaware River", by Renwick Taylor, Dated 1924
Located in New York, NY
Delaware River, 1924 Oil on board 12 x 16 Signed (lower left): RENWICK TAYLOR Inscribed (verso): From Original Sketch Painted at Eddy Farm, Delaware River Sept 1924
Category

1920s Landscape Paintings

Materials

Oil, Board

Oil on Board Painting Titled "Tent City", circa 1920
Located in New York, NY
Tent City, ca. 1920 Oil on board 16 x 20 inches Signed (lower right and verso): RENWICK TAYLOR
Category

1920s Landscape Paintings

Materials

Oil, Board

Oil on Board Painting Titled "The Bay", by Renwick Taylor, circa 1920
Located in New York, NY
The Bay, ca. 1920 Oil on art board 12 x 15 Signed (verso): Renwick Taylor
Category

1920s Landscape Paintings

Materials

Oil, Board

Watercolor Painting by William Zorach, Titled "Redwoods, Yosemite Valley", 1920
By William Zorach
Located in New York, NY
William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...
Category

1920s Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Original Woodcut and Printed Colors of Malines, Emile Antoine Verpilleux, 1922
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964 Malines, 1922 Original woodcut, printed in colors 14 x 15 inches Signed in pencil
Category

1920s Landscape Drawings and Watercolors

Materials

Woodcut

Original Woodcut & Printed Colors of York, Emile Antoine Verpilleux, 1920
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964 York, 1920 Original woodcut, printed in colors 14 x 18 inches Signed in pencil
Category

1920s Landscape Drawings and Watercolors

Materials

Woodcut

Original Woodcut & Printed Colors of Edinburgh Castle, Emile Antoine Verpilleux
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964 Edinburgh Castle, 1913 Original woodcut, printed in colors 14 ½ x 18 inches signed and dated 'E. Verpilleux 1913', in pencil
Category

1920s Landscape Drawings and Watercolors

Materials

Woodcut

Original Woodcut & Printed Colors of Pasture, Emile Antoine Verpilleux, ca. 1920
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964 Pasture, ca. 1920 Original woodcut, printed in colors 12 x 16 Signed in pencil
Category

1920s Animal Drawings and Watercolors

Materials

Woodcut

Original Woodcut & Printed Colors of The Tower Bridge, Emile Antoine Verpilleux
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964 The Tower Bridge, 1912 Original woodcut, printed in colors 14 x 17 3/4 inches signed and dated in pencil
Category

1910s Landscape Drawings and Watercolors

Materials

Woodcut

Original Woodcut of St. Paul’s Cathedral: Rainy Day, Emile Antoine Verpilleux
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964 St. Paul’s Cathedral: Rainy Day, 1924 Original woodcut, printed in colors 14 x 18 inches Signed in pencil
Category

1920s Landscape Drawings and Watercolors

Materials

Woodcut

Drawing on Paper of Water Nymphs by Everett Shinn
By Everett Shinn
Located in New York, NY
Everett Shinn, 1876-1953 Water Nymphs, n.d. Pen and ink with gesso on paper 20 x 18 ½ inches Signed (lower left)
Category

1930s Figurative Drawings and Watercolors

Materials

Ink

Oil Painting Titled "The Death of Crispus Attucks", by Thomas Dietrich, 1943
Located in New York, NY
Thomas M. Dietrich 1912-1998 The Death of Crispus Attucks, 1943 Tempera and oil on board 21 x 15 inches Signed and dated: Tom Dietrich 1943 Thomas M. Dietrich was an artist in residence at Lawrence College for 30 years and painted in the American Regionalist style. He exhibited yearly at the Art Institute of Chicago where he also received the acclaimed International William Tuthill Prize for watercolors in 1941 (Charles Burchfield won the associated Logan prize that same year) Dietrich also received a Louis Comfort Tiffany Foundation fellowship and was a founding member of the Wisconsin Watercolor Society. In 1943 Deitrich painted The Death of Crispus Attucks, depicting the historical battle known as the Boston Massacre...
Category

1940s Figurative Paintings

Materials

Oil, Tempera

Drawing on Paper Titled "The Card Game" by Marguerite Zorach, 1912
Located in New York, NY
Marguerite Zorach, 1887-1968 The Card Game, 1912 Ink on paper 9 ¼ x 12 inches Signed and inscribed (on verso): Marguerite Zorach Playing Cards/Calif./1912.” ZoraM-02
Category

1910s Figurative Drawings and Watercolors

Materials

Paper, Ink

Viennese Silver, Enamel and Jeweled Nef, circa 1880
Located in New York, NY
Finely enamelled in large and small panels with mythological scenes relating to water, the silver and enamel figural decoration further embellished with masks, dolphins and strapwork.
Category

Antique 1880s Austrian Abstract Sculptures

Materials

Silver, Enamel

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