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Chinese Famille Rose Porcelain Figure of a Phoenix, circa 1875
Located in New York, NY
Chinese Famille Rose Porcelain Figure of a Phoenix, circa 1875
Category
Antique 1870s Chinese Animal Sculptures
Materials
Porcelain
Italian Majolica Figural Compote, circa 1880
Located in New York, NY
Italian Majolica Figural Compote, circa 1880
Category
Antique 1880s Italian Figurative Sculptures
Materials
Majolica
Oil on Canvas Painting Titled "In The Line of Fire" by Griffith Morgan, ca. 1860
Located in New York, NY
Griffith Morgan, 1816-1890
In the Line of Fire, ca. 1860
Oil on canvas
30 x 25 inches
Signed (lower left): G. Morgan
Category
1860s Figurative Paintings
Materials
Oil, Canvas
Set of 12 Tiffany Silver Wine Goblet, 1907-1947
Located in New York, NY
Cone-shaped cup with baluster stem on sloping spreading foot. Marked Tiffany and Co.
Category
Antique Early 19th Century Sterling Silver
Materials
Sterling Silver
Tiffany Sterling Silver Two-Handled Vase, 1902-1907
Located in New York, NY
Of amphora form, the double swan handles terminating on the shoulder with masks of "comedy' and "tragedy", the mouth, shoulder and foot with embossed stiff leaf decoration.With conte...
Category
Antique Early 1900s Vases
Materials
Sterling Silver
Pair of English Porcelain Cobalt Two-Handled Vases, Coalport, circa 1820
Located in New York, NY
Each vase depicts a landscape scene on one side and a bouquet of flowers on the other.
Category
Antique 1820s Vases
Materials
Porcelain
German Silver Gilt Oval Tobacco Box, Augsburg, circa 1720
Located in New York, NY
Maker Elias Adams. Finely engraved with arabesques on cover, shoulder and body.
Category
Antique 1720s Snuff Boxes and Tobacco Boxes
Materials
Silver
French Gilt Bronze and Crystal Three-Tiered Stand, circa 1860
Located in New York, NY
The graduated deeply cut and faceted bowls with scalloped rims, the base with alternating paw and shell feet.
Category
Antique 1860s Platters and Serveware
Materials
Crystal, Bronze
A Large Belleek Willets Porcelain Tea Service, circa 1890
Located in New York, NY
Consisting of pot, sugar, creamer (restored), two trays and six cups and saucers. Delicately gilded on an ivory ground.
Category
Antique 1890s American Tea Sets
Materials
Porcelain
Austrian Bronze Panther, by Friedrich Gornick, circa 1920
Located in New York, NY
Signed F. Gornick with the Arthur Rubinstein foundry mark.
Category
Vintage 1920s Animal Sculptures
Materials
Bronze
Pair of Royal Worcester Yellow Ground Porcelain Vases, Dated 1877
Located in New York, NY
Decorated in relief with Asian emblems and flowers. Both with impressed marks and one with additional green mark.
Category
Antique 1870s English Vases
Materials
Porcelain
Pair of German Porcelain Figures of Bacchus and Ceres, Nymphenburg, circa 1900
Located in New York, NY
Ceres is draped in a cloth resting on a tree stump while holding a sheaf of grain. Bacchus, the god of wine, also rests on a tree stump while holding up a cluster of grapes.
Category
Antique Early 1900s German Figurative Sculptures
Materials
Porcelain
Pair of Chinese Export Porcelain Roosters, circa 1800
Located in New York, NY
With famille rose-verte decoration.
Category
Antique Early 1800s Chinese Animal Sculptures
Materials
Porcelain
Pair of Chinese Porcelain Robin's Egg Foo Dogs on Stands, circa 1890
Located in New York, NY
Pair of Chinese Porcelain Robin's Egg Foo Dogs on Stands, circa 1890
Category
Antique 1890s Chinese Animal Sculptures
Materials
Porcelain
Large Royal Crown Derby Covered Jar, 19th century
Located in New York, NY
With hand painted floral decoration.
Category
Antique 19th Century English Vases
Materials
Porcelain
Pair of Chinese Export Porcelain Double-Walled Hexagonal Green Vases, circa 1860
Located in New York, NY
Molded with Chinese vases and flowers in relief on each panel. The shoulders with painted miniature landscapes within leaf panels, the neck with trailing flowers.
Category
Antique 1860s Chinese Vases
Materials
Porcelain
Silver Mounted German Porcelain Meissen Dragon Vase, circa 1920
Located in New York, NY
Under glazed blue circling dragons on either side with flaming pearls in iron-red.
Silver marked '800 Dresden'
With blue crossed swords mark.
Category
Vintage 1920s German Vases
Materials
Porcelain
Pair of Chinese Porcelain Green Foo Dogs, circa 1840
Located in New York, NY
With bulging eyes, a somewhat snarling expression with baring teeth.
Category
Antique 1840s Chinese Animal Sculptures
Materials
Porcelain
Royal Copenhagen Porcelain Art Nouveau Charger, circa 1890
Located in New York, NY
Signed by Bertha Nathanielsen (1869-1914).
Category
Antique 1890s Decorative Art
Materials
Porcelain
Fine French Biscuit Bust of Louis 18th, Dated 1849
Located in New York, NY
Now on a Sevres porcelain socle dated 1849.
Category
Antique 1840s French Busts
Materials
Pottery
American Coin Silver Wine Bottle Wagon, Circa 1855
Located in New York, NY
Eoff and Sheppard (1851-1861) retailed by Ball Black and Co. Marked behind the two hind wheels.
Category
Antique 1850s American Sterling Silver
Materials
Porcelain
Oil on Canvas Painting of a Still Life by Abraham Baylinson, Dated 1948
Located in New York, NY
Abraham Baylinson, 1882-1950
Still Life, 1948
Oil on canvas
23 ½ x 33 ½ inches
Signed and dated (lower right): A. Baylinson / 1948
Working in a real...
Category
1940s Still-life Paintings
Materials
Canvas, Oil
Oil on Canvas Portrait Painting of "Femme Avec Le Chapeau Plumé, by Hildebrandt
Located in New York, NY
Howard Logan Hildebrandt, 1872-1958
Femme Avec Le Chapeau Plumé, n.d.
Oil on canvas
26 ½ x 21 ½ inches
Signed (lower right): H L Hildebrandt
Provenance
Private collection, Detroit
A...
Category
1890s Portrait Paintings
Materials
Canvas, Oil
Oil on Canvas Portrait Painting of a "Fashionable Young Lady" by Irving Wiles
Located in New York, NY
Irving Ramsay Wiles, 1861-1948
A Fashionable Young Lady
Oil on canvas
28 1/8 x 22 5/8 inches
Signed lower right: Irving R Wiles
Illustrator, teacher, and painter Irving Ramsey Wiles was adept at portraits, figural works, and
landscapes characterized by the informal elegance of cosmopolitan American art at the turn of the twentieth century. Wiles received his earliest art instruction from his father, landscape painter and teacher Lemuel M. Wiles (1826–1905), and at the age of eighteen, in 1879, exhibited his first painting at New York’s prestigious National Academy of Design. After one year’s study at the Art Students League in New York, under the influential painter-teachers William Merritt Chase and J. Carroll Beckwith, Wiles went to Paris for further study. He enrolled in the Académie Julian, a popular school among American artists, and then worked in the studio of French academic painter Charles Auguste Émile Durand, known as Carolus-Duran (1837–1917). During his student years Wiles painted watercolor street scenes of Paris, and he also traveled in Italy and in the French countryside.
Wiles returned to New York in 1884 and exhibited two of his sketches. These attracted the notice of the art editor of the popular Century Magazine, who asked the young artist to make illustrations for the journal. Wiles’s illustrations appeared in other publications as well, and he also supported himself by teaching at his studio and at his father’s summer art school in upstate New York. Wiles was elected a member of the progressive Society of American Artists and, after one of his works won a prize there, to the National Academy of Design as an associate member; full membership followed in 1897. By that date, Wiles was able to devote himself more fully to portraits and figural compositions in oils, paintings that mark the influence of his teacher Chase, who remained a lifelong friend. Like his mentor, Wiles also worked in watercolor and pastel and belonged to several organizations devoted to those media, which enjoyed revivals in late-nineteenth-century America. He exhibited his work widely and won numerous awards throughout his career.
In the late 1890s, Wiles and his father moved their summer classes to Peconic, on the North Fork of New York’s Long Island...
Category
1890s Portrait Paintings
Materials
Canvas, Oil
Large French Faience Two Handled Garden Vase, Nevers, Circa 1680
Located in New York, NY
On a 'Persian' blue ground, the handles intertwined, the body with "candle" style decoration which imitates splashes of candle wax.
Category
Antique 1680s French Planters, Cachepots and Jardinières
Materials
Faience
Oil on Board Painting Titled "Above the Bay", by Renwick Taylor, 1925
Located in New York, NY
Renwick Taylor
Above the Bay, 1925
Oil on board
Signed (Lower right and verso): RENWICK TAYLOR
Category
1920s Landscape Paintings
Materials
Oil, Board
Gouache on Board Painting Titled "Barbecue Stand", by Aaron Bohrod, circa 1935
By Aaron Bohrod
Located in New York, NY
Aaron Bohrod, 1907-1992
Barbecue Stand, circa 1935
Gouache on board
Signed Lower left: “Aaron Bohrod”
Inscribed and signed on verso
Bohrod-1
Provenance:
Private estate, Rhode Island...
Category
1930s Figurative Paintings
Materials
Gouache
Claude-Levy Cast Iron Sculpture of Flora, Dated 1925
Located in New York, NY
Claude-Lévy, 1895 – 1942
Alice Nikitina in the role of Flora, from the Dukelsky/Braque production of the ballet Zephyr & Flore at the Ballets Russes, 1925
Cast Stone
Signed and dated: Claude-Levy 1925 on rear face of self-base.
The present sculpture is as rare as it is delightful. Mademoiselle Claude-Levy, as the
catalogues of the period list her, was one of the truly original talents of the Art Deco period. Painter, architect, decorator, and sculptor, she was a friend of the Parisian, Modernist sculptors, Chana Orloff, Henri Laurens and the Martel brothers, to whom her work was often compared. The ingenuity of her models brought her great critical acclaim, but she seems to have stopped producing in the early 1930s. Her output, although fine, is rare. Claude-Levy’s gentle Cubism might be better described as Purism in sculpture. It is characterized by simplified surfaces, rounded (as opposed to angular) forms, and smooth, lustrous surfaces. The Purist movement included the painters Léger, Ozenfant and Le Corbusier in its ranks.
Claude-Lévy, along with other artists of the avant- garde living in the Gallic capital (Czaky, Zadkine, Archipenko, Lipchitz, Lambert Rucki Miklos, Nadelman, Vörös, Orloff) helped to develop a collective twentieth century figurative sculptural idiom that exploited the daring and rich possibilities of geometric abstraction.
The present work is Claude-Lévy’s Commedia dell’Arte figures inspired by the Stravinsky/Picasso Ballet...
Category
1920s Abstract Sculptures
Materials
Cast Stone
Watercolor on Paper Painting, by Charles Burchfield, 1919
Located in New York, NY
Charles Burchfield 1893-1967
Trilliums and Rock Ledge, 1919
Gouache and watercolor on paper
Provenance:
The artist until at least 1963
Private collection, New York
Private Collectio...
Category
1910s Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Oil on Board Painting of "Woman in Yellow", by Renwick Taylor, 1924
Located in New York, NY
Renwick Taylor, 1898 – d/o/d unknown
Woman In Yellow, 1924
Oil on board
Signed (Lower right): RENWICK TAYLOR
Inscribed (verso): Painted at National Academy of Design School 1924/Exh...
Category
1920s Portrait Paintings
Materials
Oil, Board
Oil on Masonite Painting Titled "Lobster Shack", by Aaron Bohrod, 1938
By Aaron Bohrod
Located in New York, NY
Aaron Bohrod, 1907-1992
Lobster Shack, 1938
Oil on masonite
16 x 20 inches
Signed and dated ower left: Aaron Bohrod 1938
Bohrod-3
Provenance:
Private estate, Rhode Island, 2004
Am...
Category
1930s Figurative Paintings
Materials
Masonite, Oil
Watercolor and Gouache on Paper, by Charles Burchfield, circa 1925
Located in New York, NY
Charles Burchfield, 1893-1967
Wallpaper Design No.2, 1922-28
Watercolor and gouache on paper
Category
1920s Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Ink on Paper Drawing of "The Tree of Knowledge, Science", Dale Nichols, ca. 1940
By Dale Nichols
Located in New York, NY
Dale Nichols, 1904-1995
The Tree of Knowledge, Science, ca.1940
Ink and china white on paper
Initialed: dn
Provenance:
Susan Teller Gallery...
Category
1920s Figurative Drawings and Watercolors
Materials
Paper, Ink
French Porcelain Platter, Sevres, Dated 1792
Located in New York, NY
This platter comes from a Sèvres dinner service sold to the Dutch banker Jean-Baptiste Vandernyver on 29th November 1792. The platter is marked p...
Category
Antique 1790s Platters and Serveware
Materials
Porcelain
French Bronze Pheasant Preying on a Lizard, Alphonse-Alexandre Arson (1822-1880)
Located in New York, NY
Titled Perdrix au lézard. Inscribed Arson.
Category
Antique 1850s Animal Sculptures
Materials
Bronze
French Bronze Group of Pheasant Hen and Her Young, Alphonse-Alexandre Arson
Located in New York, NY
Bronze sculpture of a mother pheasant protecting her chicks from an approaching lizard. Inscribed Arson.
Category
Antique 1850s Animal Sculptures
Materials
Bronze
Two German Porcelain Cylindrical Vases, Meissen, 20th century
Located in New York, NY
One vase painted with yellow dragon and phoenixes, the other painted with blue dragon decoration.
Category
20th Century German Vases
Materials
Porcelain
Pair of Delft Blue and White Vases, circa 1820
Located in New York, NY
With vivid cobalt decoration in Chinoiserie style.
Category
Antique 1820s Vases
Materials
Delft
French Bronze Sculpture of a Stallion, PJ Mene (1810-1871)
Located in New York, NY
This highly detailed study of a Normandy mare is an excerpted model from Mêne's popular Jument normande et son poulain, exhibited in wax at the 1868 Salon (no. 3749), and in bronze t...
Category
Antique 1850s French Animal Sculptures
Materials
Bronze
English Porcelain Cobalt Ground Dessert Service, Circa 1830
Located in New York, NY
Comprising a tazza (height 6.75", diameter 9.25"), two smaller tazza; a sauce tureen and cover; twelve plates; and one smaller plate.
Category
Antique 1830s Dinner Plates
Materials
Porcelain
Pair of English Mason's Ironstone Covered Vases, Circa 1830
Located in New York, NY
Decorated in various tones of blue on a gray ground with stylized birds and flowers with gilt highlights, with dolphin handles and twin dolphin finials.
Category
Antique 1830s English Vases
Materials
Porcelain
Bronze Mounted French Porcelain Limoges Vase, circa 1890
Located in New York, NY
Beautifully hand painted green white design with lovely gilt accents. Ornate bronze mounts at top of the vase as well as the base. Limoges Depose France...
Category
Antique 1890s French Vases
Materials
Porcelain
Large English Porcelain Ewer, Derby, circa 1800
Located in New York, NY
With a light-green marbelized ground, with alternated roundels finely painted with an eagle perched on a branch and a landscape.
Category
Antique Early 1800s English Pitchers
Materials
Porcelain
Pair of Bronze Busts on Marble Stands of Babies, by Victor Heinrich Seifert
Located in New York, NY
Pair of Bronze Busts on Marble Stands of Babies, by Victor Heinrich Seifert (1870-1953)
Category
Vintage 1910s Busts
Materials
Bronze
Pair of Victorian Two-Colored Glass Candlesticks, circa 1870
Located in New York, NY
Pair of Victorian Two-Colored Glass Candlesticks, circa 1870
Category
Antique 1870s Candlesticks
Materials
Glass
Oil on Board Painting Titled "Moon Over Bay" by Renwick Taylor, circa 1920
Located in New York, NY
Moon Over Bay, ca. 1920
Oil on board
8 x 10 inches
Category
1920s Landscape Paintings
Materials
Oil, Board
Oil on Board Painting Titled "Delaware River", by Renwick Taylor, Dated 1924
Located in New York, NY
Delaware River, 1924
Oil on board
12 x 16
Signed (lower left): RENWICK TAYLOR
Inscribed (verso): From Original Sketch Painted at Eddy Farm, Delaware River Sept 1924
Category
1920s Landscape Paintings
Materials
Oil, Board
Oil on Board Painting Titled "Tent City", circa 1920
Located in New York, NY
Tent City, ca. 1920
Oil on board
16 x 20 inches
Signed (lower right and verso): RENWICK TAYLOR
Category
1920s Landscape Paintings
Materials
Oil, Board
Oil on Board Painting Titled "The Bay", by Renwick Taylor, circa 1920
Located in New York, NY
The Bay, ca. 1920
Oil on art board
12 x 15
Signed (verso): Renwick Taylor
Category
1920s Landscape Paintings
Materials
Oil, Board
Watercolor Painting by William Zorach, Titled "Redwoods, Yosemite Valley", 1920
By William Zorach
Located in New York, NY
William Zorach, 1887-1966
Redwoods, Yosemite Valley, 1920
Watercolor and pencil
15 ¾ x 13 ⅜ inches
Signed (at lower right): William Zorach
WZorach-7
Provenance:
Estate of William Zorach
Exhibited:
William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New
York; Feb. 10 – March 14, 1998.
William Zorach was born in Lithuania in 1889, and immigrated to the United States with his
family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902-
1908, making enough money to study painting with Henry G. Keller at the School of Art. In
1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his
own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be
conscious of the various modern influences that were invading the art world…I was disturbed
and confused, and yet I felt that I was a very young man entering a new age. The forces creating
modern art seemed more alive to me than anything I had known or anything being done in
America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist-
style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York
in 1916.
Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting
with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like
Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic,
Native American and African tribes. Zorach’s work developed in its use of block-like forms with
progressive suppression of detail—drawing elements from sources as disparate as the
contemporary cubist and modernist movements, and combining them with forms seen in early
African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily
focused upon a traditional subject matter, producing such well-known sculptures as Young Girl,
now in the Whitney Museum of American Art, and Mother and Child, in the collection of the
Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most
influential American artists dedicated to direct carving. Zorach also made an impression as a
teacher and writer, facilitating a major change in the aesthetic philosophy and technique of
sculpture in the United States.
During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...
Category
1920s Landscape Drawings and Watercolors
Materials
Watercolor, Pencil
Original Woodcut and Printed Colors of Malines, Emile Antoine Verpilleux, 1922
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
Malines, 1922
Original woodcut, printed in colors
14 x 15 inches
Signed in pencil
Category
1920s Landscape Drawings and Watercolors
Materials
Woodcut
Original Woodcut & Printed Colors of York, Emile Antoine Verpilleux, 1920
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
York, 1920
Original woodcut, printed in colors
14 x 18 inches
Signed in pencil
Category
1920s Landscape Drawings and Watercolors
Materials
Woodcut
Original Woodcut & Printed Colors of Edinburgh Castle, Emile Antoine Verpilleux
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
Edinburgh Castle, 1913
Original woodcut, printed in colors
14 ½ x 18 inches
signed and dated 'E. Verpilleux 1913', in pencil
Category
1920s Landscape Drawings and Watercolors
Materials
Woodcut
Original Woodcut & Printed Colors of Pasture, Emile Antoine Verpilleux, ca. 1920
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
Pasture, ca. 1920
Original woodcut, printed in colors
12 x 16
Signed in pencil
Category
1920s Animal Drawings and Watercolors
Materials
Woodcut
Original Woodcut & Printed Colors of The Tower Bridge, Emile Antoine Verpilleux
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
The Tower Bridge, 1912
Original woodcut, printed in colors
14 x 17 3/4 inches
signed and dated in pencil
Category
1910s Landscape Drawings and Watercolors
Materials
Woodcut
Original Woodcut of St. Paul’s Cathedral: Rainy Day, Emile Antoine Verpilleux
Located in New York, NY
Emile Antoine Verpilleux, 1888-1964
St. Paul’s Cathedral: Rainy Day, 1924
Original woodcut, printed in colors
14 x 18 inches
Signed in pencil
Category
1920s Landscape Drawings and Watercolors
Materials
Woodcut
Drawing on Paper of Water Nymphs by Everett Shinn
By Everett Shinn
Located in New York, NY
Everett Shinn, 1876-1953
Water Nymphs, n.d.
Pen and ink with gesso on paper
20 x 18 ½ inches
Signed (lower left)
Category
1930s Figurative Drawings and Watercolors
Materials
Ink
Oil Painting Titled "The Death of Crispus Attucks", by Thomas Dietrich, 1943
Located in New York, NY
Thomas M. Dietrich 1912-1998
The Death of Crispus Attucks, 1943
Tempera and oil on board
21 x 15 inches
Signed and dated: Tom Dietrich 1943
Thomas M. Dietrich was an artist in residence at Lawrence College for 30 years and painted in the American Regionalist style. He exhibited yearly at the Art Institute of Chicago where he also received the acclaimed International William Tuthill Prize for watercolors in 1941 (Charles Burchfield won the associated Logan prize that same year) Dietrich also received a Louis Comfort Tiffany Foundation fellowship and was a founding member of the Wisconsin Watercolor Society.
In 1943 Deitrich painted The Death of Crispus Attucks, depicting the historical battle known as the Boston Massacre...
Category
1940s Figurative Paintings
Materials
Oil, Tempera
Drawing on Paper Titled "The Card Game" by Marguerite Zorach, 1912
Located in New York, NY
Marguerite Zorach, 1887-1968
The Card Game, 1912
Ink on paper
9 ¼ x 12 inches
Signed and inscribed (on verso): Marguerite Zorach Playing Cards/Calif./1912.”
ZoraM-02
Category
1910s Figurative Drawings and Watercolors
Materials
Paper, Ink
Viennese Silver, Enamel and Jeweled Nef, circa 1880
Located in New York, NY
Finely enamelled in large and small panels with mythological scenes relating to water, the silver and enamel figural decoration further embellished with masks, dolphins and strapwork.
Category
Antique 1880s Austrian Abstract Sculptures
Materials
Silver, Enamel