All Items from this Seller (173)

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...

Chinese Han Dynasty earthenware cocoon jar Cocoon jars or Cocoon-shaped jars are funerary pottery vessels in China, belonging to the period of the 1st millennium BCE. The shape is s...

Chinese Han Dynasty earthenware cocoon jar Cocoon jars or Cocoon-shaped jars are funerary pottery vessels in China, belonging to the period of the 1st millennium BCE. The shape is s...

Louis Aimé Japy (1840-1916) Oil on canvas Cows in river with village in background Signed lower right, Japy. Canvas 26” x 32” Overall in a period gilt frame 38” x 44”. Conditi...

A Chinese famille rose plate. Yongzheng period Decorated in the famille rose palette with peonies and other flowers. Country: China Period : Yongzh...

A pair of Chinese export armorial octagonal plates, Qianlong period, Ca. 1765 18th century Diameter: 9 Inches Condition: very good with glazing slips and very minor flea bites to e...

Tiffany Studios, New York, 'Jeweled Blossom' table light, c. 1907 Height: 21.5 Inches (55 cm) Diameter: 16 inches (40.2 cm) Leaded opal glass with some white cabochons, mainly in g...

Tang Dynasty Painted Pottery Figure of a Fat Lady or Female Courtesan. Period (618 - 907AD) Estate / Collection: The Collection of Jay I. Kislak sold to benefit the Kislak Family Fo...

Tang Dynasty Painted Pottery Figure of a Fat Lady or Female Courtesan. Period (618 - 907AD) Estate / Collection: The Collection of Jay I. Kislak sold to benefit the Kislak Family Fo...

L. & J.G. Stickley Morris Arm Chair. Original antique circa 1905 Morris chair, #470 Fayetteville, New York Oak, upholstery Unsigned Dimensions: 32 In...

Brazilian Wei Wei Casava Graters Two graters constructed of wood and sharpened rock used by the Wai Wai Indigenous tribe of Northern Brazil to process raw Cas...

A large carved wooden purbha sculpture Tibet 15th - 16th Century With the triangular blade issuing from the mouth of a makara, the grip with stylized endless knot, the finial with t...

Tiffany Studios New York Geometric Greek Key Table Lamp New York circa. 1910 Leaded glass, Patinated bronze Dimensions: 22.25 Inches High Diameter: 16 Inches...

Francois-Raoul Larche 'Loie Fuller' Gilt Bronze Figural Table Lamp The pinnacle of bronze Art Nouveau lamps for your consideration. This particular Raoul Larch lamp has a beautiful bronze gilt color which is not a bright gold. The chasing is exquisite and the condition is almost flawless with only traces of verdigris and zero other condition issues. The two light fixture have been tested and work perfectly. The full sun photos...

Idoma Ibo Female Figure. Africa, Nigeria 20th century or earlier. A seated female figure on a stool smoking a long pipe with painted with pigments and adorned with scarification mar...

Tiffany Studios Empire Jewel Table Lamp Important and rare Tiffany Studios New York "Empire Jewel" Table Lamp, Only 2-3 known to exist and well documented in Alastair Duncans Tiffan...

L & LG Stickley Oak Bookcase. Circa 1910 A single 16 pane glass window door bookcase with mortise and tenon oak wood construction is wonderful condition with a beautiful finish ready to complete your arts and crafts Gustave Stickley collection. Dimensions: 54-3/4 x 34-1/4 x 12 inches (139 x 87 x 30.5 cm) (each) Provenance: Property from the Estate of Angela Gross Folk Condition: Very good condition with tasteful handmade quality of the Arts and Crafts movement. Minor nicks and losses to edges throughout. Minor splits. Paint on interior not original to bookcase tastefully done.. No chips or cracks to glass pane. Founded in 1900 by Leopold and John George Stickley, L. and J.G. Stickley, Inc. is a manufacturer and marketer of premium solid wood furniture. Privately owned by the Audi family since 1974, the company now operates a facility greater than 400,000 square feet in Manlius, New York, an upholstery plant in North Carolina, and six retail showrooms in New York and Connecticut. Stickley, then 41, returned home to Eastwood, New York, where he set up his Craftsman Shops in 1898 and began to experiment with his own distinctive designs. He favored clean lines and emphasized the inherent beauty of natural wood and leather. Like Morris, he sought inspiration in the styles of the medieval period. He worked in natural white oak because of its strength and "honesty." Rejecting ornamentation and valuing craftsmanship, he based his designs on rectilinear forms; construction features, such as mortise and tenon and dovetail joints, doubled as decoration. He labeled his original pieces with his name and shopmark, which depicted a small joiner's compass inset with the slogan "Als ik kan," or "To the best of my ability," in Flemish. Stickley's furniture--called Mission Oak because of the early 1900s popularity of California mission architecture and because it somewhat resembled the furniture used in the missions--soon found enthusiastic support. So, too, did Stickley's philosophy, which others embraced as visionary and reformist. Soon manufacturers across the country were creating their own versions of "mission" furniture. These included Stickley's own younger brothers: Leopold and John George, who incorporated in Fayetteville, New York, in 1904, and, in 1905, introduced their first furniture line alongside Gustav's Mission Oak at a Grand Rapids trade show; Albert Stickley, who made furniture under the label Stickley Brothers Co. in Grand Rapids, Michigan; and Charles Stickley, who shared ownership of Stickley and Brandt Chair Co. in Binghamton, New York. All of the Stickleys were accomplished craftsmen, who, like their older brother, were not opposed to machines; they simply used machinery to get the manufacturing process to the point where the hand could efficiently take over and complete the joinery. It was not industrialization per se that they rejected, but the sloppy work practices encouraged by mass production. In fact, Leopold and John George Stickley introduced some cutting edge designs and innovative construction techniques of their own with their Handcraft line. However, only Gustav Stickley attempted to market a lifestyle. Like his European counterparts, Gustav Stickley published on the subject of his philosophy of simplicity. He introduced his own magazine, The Craftsman, whose masthead announced its purpose as being "in the interest of better art, better work, and a better, more reasonable way of living," and filled it with treatises and illustrations of his furniture and interior design--every aspect of the designed environment, from tiles and pottery to gardens and landscape. He also developed and sold model house plans...

Emile Gallé Cameo Glass Leaves and Pods Vase, circa 1900 Marks: Gallé Height: 15.25 inches (38.7 cm) Width: 6.5 Inches Depth: 5 Inches Condition: Tall vase of colorless glass overlaid in peach, chartreuse and green acid-etched with cascading branches of maple leaves and seed pods. In overall very good condition. Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé...

Emile Galle (French 1846 -1904) Soufflé Cameo Vase Large Emile Gallé Mold-Blown Cameo Glass Berries Vase, circa 1910 Yellow and cream background with mold ...

Gabriel Argy-Rousseau Pâte de Verre Chevalier Paperweight, Circa 1920 Art Nouveau - Art Deco period mottled glass is shades of red, pink, orange and purpl...

Tiffany Studios New York "Jeweled Colonial" Table Lamp Circa 1910 Leaded glass, patinated bronze Shade impressed "Tiffany Studios, New York, 1593" Base impressed "Tiffany Studios, New York, 29733" and with the Tiffany Glass & Decorating Company monogram Dimensions: 22.5 inches high, Shade: 16 inch diameter. Provenance: Property from a Massachusetts Collection Condition: The shade with 11 single hairline cracks dispersed throughout, mostly in the bottom border panels. The base in excellent overall condition and retains the original sockets. Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York City, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll...

Daum Nancy French Art Nouveau Table Lamp. Circa 1900 Antique Art Nouveau French gilt bronze floral formed table lamp with Daum Nancy Mottled glass shade. The special shade speaks for itself and is in pristine condition emitting golds, purples, reds and oranges. The treasure here is the mystery museum quality gilt bronze art nouveau floral base which may be the most beautiful chased bronze base I have ever seen. That comes from someone who sells 25 Tiffany Studios and dozens of other Daum, Galle, Majorelle and Edgar Brandt lamps a year. This one wont last long. Shade signed: "Daum Nancy" Base not signed. Dimensions: Height: 17.5 Inches x Width 17 Inches (Shade) H: 6.25 x D: 6.25 Condition: Excellent with no damage or repairs. Some regilding. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Tiffany Studios New York Table Lamp This Damascene shade has exceptional blue and green iridescence and is in pristine condition. ...

A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...

Tiffany Studios Jeweled Feather Table Lamp. New York, Circa 1910 Base signed TIFFANY STUDIOS NEW YORK 584, Height 22 Inches Shade signed TIFF...

Tiffany Studios Geometric and Bronze Table Lamp. Art Nouveau Circa 1910 Beautiful leaded glass table lamp by Tiffany Studios. The 18" diameter shade is comprised of a geometric patt...

A LOUIS MAJORELLE CARVED MAHOGANY AND MARQUETRY TWO TIER TABLE. CIRCA 1900 Inlaid in various woods with stylised vines, leaves and branches, the top with inlaid inscription, bronze ...

LOUIS MAJORELLE (1859-1926) TWO-TIER OCCASIONAL TABLE, CIRCA 1900 mahogany, the tops inlaid in various fruitwoods, cast bronze mounts 32¼ in. (82 cm.) high; 35½ in. (90 cm.) wide;...

Loetz Three Handle iridescent glass vase in the Glatt Bronze design, handles applied with raspberry prints. Height: 6.5 Inches. Diameter: 6 Inches Condition; Very good Johann Loetz W...

Tiffany Studios Leaded Glass and Gilt Bronze Jeweled Drophead Dragonfly Table Lamp, circa 1910. At the turn of the century, Clara Driscoll, head of the women’s glass cutting department and the brains behind some of Tiffany’s most iconic shades introduced the “Drophead Dragonfly” to the world. Unable to cut the pieces of glass small enough to give the desired lacy effect to the wings of the dragonfly, Driscoll came up with the idea of using a brass filigree overlay that would be soldered over top of the glass wings, giving a much more intricate appearance. These filigrees had previously been used on smaller decorative items but were a new concept in lamp design. The Dragonfly became one of Tiffany’s first recorded leaded shades, shown as early as 1899 by Art Nouveau tastemaker Siegfried Bing at Grafton Galleries in London The design won her the bronze medal at the 1900 world's fair a year later. As the son of Tiffany & Co-founder Charles Lewis Tiffany, jewels to Louis Comfort Tiffany were as water is to a fish. It is no wonder with this background that Tiffany made the bold decision to employ Leo Popper & Sons of New York City as its producer of glass jewels Popper was founded in 1880 to produce imitation stones for costume jewelry, and Tiffany’s entrepreneurial prowess saw the possibility of using jewels in leaded glass shades. On the subject, Tiffany wrote: “Anyone who has seen the great rose windows of Chartres has, intuitively or otherwise, understood the relationship between glass and jewels. Designed to refract light prismatically, and placed to raise heads beatifically, they resemble nothing so much as magnificent celestial jewels.” It was likely for this reason that model no. 1507 was Tiffany’s favorite. More than any of its variants, the shade was spangled with a wide assortment of cabochon topaz glass jewels. This lamp features a unique example of Tiffany Studios' iconic Drophead Dragonfly shade depicting a swarm of nine descending dragonflies, each with a distinct combination of body and eye color. Dragonflies, each with wings of strikingly mottled apple green and deep red and a unique combination of eye and body color. The ground is a warm saffron yellow shaded up to rich butter yellow, punctuated by twinkling amber cabochons jewels and topped by geometric bands of purple mauve and mint green. The vibrancy and variation in the dragonfly glass...

Tiffany Studios Leaded Glass and Patinated Bronze Geometric Table Lamp, circa 1910. Art nouveau classic wit Art Deco design. Attractive orange peel texture with light gilding and red coloring bronze base crowned be a conical geometric leaded and mottled glass shade. Marks to shade: TIFFANY STUDIOS NEW YORK 1493 Marks to base: TIFFANY STUDIOS, NEW YORK, 532 Height: 26.5 Inches (68 cm) Diameter: 20.3 inches (51.7 cm) Condition: 2-3 hard to find tight heat cracks. Period correct sockets and paddles. Rewired. LITERATURE: Alastair Duncan, Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, Woodbridge, Suffolk, 2019, p. 172, fig. 695 (similar example of shade 1493) and fig. p. 120, fig. 462 (similar example of base 532). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

Charles Raphaël Peyre (French 1874-1949) A French Art Nouveau Gilt-Bronze Figure of a Maiden Cast by Louchet, circa 1900 Modeled in a standing pose with her hands clasped closed...

A Tiffany Studios New York "Swirling Lemon Leaf" glass and bronze table lamp. The shade sits atop an Art Nouveau three cluster stick base. Literature: Shade pictured in: Tiffany Lamps and Metalware, by Alastair Duncan, New Edition New York: p. 164. Plate 665, p.128. Plate 506 Base pictured in: Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair p. 118, plate 458, plate 459, p. 209, plate 812 Shade sighed: “TIFFANY STUDIOS NEW YORK 1474” Base signed: "TIFFANY STUDIOS NEW YORK". Condition: Wear to patina on base with 2-3 tight cracks difficult to find. Replaced sockets with period correct porcelain sockets. Rewired with silk cloth cord. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Tiffany Studios "Crocus" Table circa 1900 Leaded glass, patinated bronze Kerosene base electrified. Shade impressed "Tiffany Studios, New York" Base impressed "Tiffany Studios, New York, 29938" Height: 23 in. high, Shade: 14 1/2 in. diameter Condition: The shade is in very good condition with only two single line cracks in the flower petals. Could be cleaned. The base with minor surface scratches, abrasions and discolorations to the patina commensurate with age. Later heat cap. AVANTIQUES is dedicated to providing an exclusive curated collection of fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...

Loetz Candia Papillos three handled vase. Austria Circa 1910 Measures: Height: 5.75 inches Diameter: 5.5 inches Condition Excellent with no issues. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

DAUM NANCY Cameo and Enameled Art Nouveau Glass vase circa 1900 Enameled and acid etched with mottled glass. Signed: 'Daum Nancy' with the Cross of Lorraine Height: 9.3 Inches (23.5cm) Condition: Very Good condition and appearance with no issues detected. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

A pair of Ming dynasty sancai blue glazed pottery figures. Circa 1500 AD Ming Dynasty I have owned over 250 ming tomb figures including over 80...

GEORGES DE FEURE (1868-1943), Five Piece Salon Suite circa 1900 Walnut and parcel-gilt, comprising a settee, two armchairs and two side chairs. It is rare to find a full set of...

Gallé Cameo glass wheel carved and acid etched hydrangeas covered box, circa 1910. Art Nouveau. Marks: (star) Gallé (1904-1907) Height: 3 Inches, diameter 5.75 inches (7.4 x 14.6 cm) Condition: very good with no damage or repairs. Could use a good cleaning. This is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

Tall Early Gallé Fire-Polished Cameo Glass Solifleur Vase, circa 1900 Signed: In Japonism script “gallé” Height: 12.4 inches (31.5 cm) Tall vase with pe...

Fine Daum Partial Gilt, Enameled and Acid-Etched Glass “Au Gui L'an Neuf” Bowl with Silver Mount, circa 1895. Art Nouveau Vase Parlant. Marks: Daum, (Cross of Lorraine), Nancy Heig...

Large Tiffany Studios Gold Favrile trumpet vase, 1908 Marks: 32565C L.C. Tiffany-Favrile, (applied paper label) Dimensions: Height: 16.5 inches (41....

Tall Tiffany Studios wheel-carved Favrile glass leaves vase, 1918 Art Nouveau. Marks: 7062M L.C. Tiffany Inc. Favrile Measures: Height: 11.85 inches (29.8 cm) Diameter: 3.5 Inc...

Large and finely carved Four color Gallé Cameo glass floral floor vase, circa 1910, art Nouveau. Marks: Gallé Measures: Height: 24.35 inches (62 cm) Diameter: 9.75 inches Condition: Very good with no damage or repairs. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic...

Chinese Tang Dynasty painted pottery dancer TL Tested. Ca. 618-907 AD A delicate female dancer wearing a long flowing gown with draped, winged sleeves. The...

Large And Important Tang Dynasty (618-907AD) Pottery Horse TL Tested. China. Ca. 618-907 AD A beautiful pottery figure of a horse. The animal is shown in a...

Near Pair of Chinese Archaic bronze Gu vases. 18th century Late Ming Period, Measures: Height: 11.4 inches. Diameter: 6.4 Inches Condition: Very good with ...

Louis Comfort Tiffany Favrile glass vase. Circa 1900 Art Nouveau period. Decorated with pulled feathers with delicate white ruffles. The gre...

Daum Nancy Wheel Carved And Acid Etched Cameo Scenic Lamp. Daum Nancy French cameo lamp of a mushroom shade with a lake scene of boats set on a cameo base with thistles, shade signe...

Louis Comfort Tiffany Studios Early Jack In the Pulpit vase. Circa 1895 Art Nouveau. A early and rare Favrile decorated pulled feather floriform flared iridescent vase. New York, NY ...

Daum Nancy Art Nouveau Applied Handle footed Vase. A very rare donut shaped vase with beautiful applied handles. From reds to pinks to creams to green. Height: 5 Inches Width: 3.75 ...

Chinese Bronze Archaistic Warring States Period Ding Pot. Circa 500 BCE A beautifully shaped medium size bronze ritual vessel with three elegant feet and a l...

Tiffany studios New York acorn and bronze Art Nouveau table lamp. Circa 1910 A beautiful Tiffany Studios green acorn table lamp in close to perfect...

Tang Dynasty Horse and Rider. China (618-907 AD) During the Tang Dynasty, horses were revered creature, considered relatives of the mythical...

Daum Cameo Glass and Wrought Iron Maple Leaf Table Lamp, circa 1920 Art Nouveau Art Deco design. Mottled and variegated glass base with with carve...

Circa 618-907 ADA mold-formed pottery tomb attendant figure in the form of a woman who is wearing a lengthy robe with a red-painted skirt, upper clothin...

Circa 386-534 ADA well defined Chinese Northern Wei Terracotta Attendant Statue. The Figure is depicted standing with his hands along the body, wearin...