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Joanna Poag Binding Time (Black Grid with Quills) Ceramic Sculpture, 2021
By Joanna Poag
Located in New York, NY
Contemporary American ceramic artist Joanna Poag's Binding Time (Black Grid with Quills) table top sculpture is part of a series. It's hand built clay, high fired to cone 6 with glaz...
Category

21st Century and Contemporary American Organic Modern Abstract Sculptures

Materials

Ceramic, Stoneware

Joanna Poag Binding Time (Black Grid with leaves) Ceramic Sculpture, 2021
By Joanna Poag
Located in New York, NY
Contemporary American ceramic artist Joanna Poag's Binding Time (Black Grid with leaves) table top sculpture is part of a series. It's hand built clay, high fired to cone 6 with gla...
Category

21st Century and Contemporary American Organic Modern Abstract Sculptures

Materials

Ceramic, Stoneware

Joanna Poag Binding Time (Black Grid with Stars) Ceramic Sculpture, 2020
By Joanna Poag
Located in New York, NY
Contemporary American ceramic artist Joanna Poag's Binding Time (Black Grid with Stars) table top sculpture is part of a series. It's hand built clay, high fired to cone 6 with glaze...
Category

21st Century and Contemporary American Organic Modern Abstract Sculptures

Materials

Ceramic, Stoneware

Chris Klapper and Patrick Gallagher "Sequence 6 010126;16" Photograph, 2012
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's 'Sequence 6 010126;16' Photograph is a C-Print, museum-mounted to plexiglass with a French cleat. The images in th...
Category

21st Century and Contemporary American Minimalist Photography

Materials

Aluminum

Chris Klapper and Patrick Gallagher "DATAATADATA" Photograph, 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's 'DATAATADATA' Photograph is a large-scale metallic C-Print, museum-mounted on aluminum with a French cleat. 'Dataa...
Category

21st Century and Contemporary American Minimalist Photography

Materials

Aluminum

Chris Klapper and Patrick Gallagher "Fibonacci Sequence F24", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F24" is made up of five individually hand-cast concrete numbers mounted on a raw steel shelf. ...
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Chris Klapper and Patrick Gallagher "Fibonacci Sequence F23", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F23" is made up of five individually hand-cast concrete numbers mounted on a raw steel shelf. ...
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Metal

Chris Klapper and Patrick Gallagher "Fibonacci Sequence F22", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F22" is made up of five individually hand-cast concrete numbers mounted on a raw steel shelf. ...
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Chris Klapper and Patrick Gallagher "Fibonacci Sequence F21", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F21" is made up of five individually hand-cast concrete numbers mounted on a raw steel shelf. ...
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Chris Klapper and Patrick Patrick Gallagher "Fibonacci Sequence F72", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F72" is made up of fifteen individually hand-cast concrete numbers mounted on a raw steel shel...
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Concrete, Cement, Metal, Steel

Chris Klapper and Patrick Patrick Gallagher "Fibonacci Sequence F32", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F32" is made up of seven individually hand-cast concrete numbers mounted on a raw steel shelf....
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Chris Klapper and Patrick Patrick Gallagher "Fibonacci Sequence F35", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F35" is made up of seven individually hand-cast concrete numbers mounted on a raw steel shelf....
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Chris Klapper and Patrick Patrick Gallagher "Fibonacci Sequence F33", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F33" is made up of seven individually hand-cast concrete numbers mounted on a raw steel shelf....
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Chris Klapper and Patrick Patrick Gallagher "Fibonacci Sequence F34", 2016
By Chris Klapper and Patrick Gallagher
Located in New York, NY
Contemporary New York artists Chris Klapper and Patrick Gallagher's "Fibonacci Sequence F34" is made up of seven individually hand-cast concrete numbers mounted on a raw steel shelf....
Category

21st Century and Contemporary American Minimalist Wall-mounted Sculptures

Materials

Cement, Concrete, Metal, Steel

Peter Buchman "Note to Self”, Voice-Over Paintings Series, 2024
By Peter Buchman
Located in New York, NY
Contemporary New York artist Peter Buchman's 'Note to Self' is created using laser-cut plexiglass, acrylic medium, and enamel on wood. It's part of his Voice-Over series, in which th...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Enamel

Peter Buchman "Exit Strategy”, Voice-Over Paintings Series, 2024
By Peter Buchman
Located in New York, NY
Contemporary New York artist Peter Buchman's "Exit Strategy" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series, in which the ar...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Enamel

Peter Buchman "Star Wars”, Voice-Over Paintings Series, 2024
By Peter Buchman
Located in New York, NY
Contemporary New York artist Peter Buchman's 'Star Wars' is created using laser-cut plexiglass, acrylic medium, and enamel on wood. It's part of his Voice-Over series, in which the a...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Enamel

Peter Buchman "Pardon my French”, Voice-Over Paintings Series, 2024
By Peter Buchman
Located in New York, NY
Contemporary New York artist Peter Buchman's "Pardon my French" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series, in which the...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Enamel

Peter Buchman "Now Showing”, Voice-Over Paintings Series, 2024
By Peter Buchman
Located in New York, NY
Contemporary New York artist Peter Buchman's 'Now Showing' is created using laser-cut plexiglass, acrylic medium, and enamel on wood. It's part of his Voice-Over series, in which the artist gathers linguistic phrases to immortalize the valuable contributions of other cultures to the American Diaspora. To describe Buchman's word paintings as 'A Figure of Speech' is an understatement of the profound soulfulness they embody. They bear the marks of the artist's hand but also carry the collective spirit of those who came before him. These words derive from familiar phrases, music albums, his unique brand of irony, and the very essence of the human form. 'Now Showing' draws inspiration from Film Noir, a genre that held a profound influence on Peter's film and cinematic journey. The strident and punctual dialogue always fascinated him, along with the black and white director's perspectives. As an artist who spent hours drawing and sketching in pencil, the dramatic black and white hardened scenes just gripped him. He wanted smoke and spit and to rough something up. He wanted to emulate those textures, those scenes, that gut reaction with danger but in a poetic sense. The work reflects someone who is under interrogation, spilling their guts out, or just spilling the beans. It's a collection of phrases Peter unearthed or scratched out from movies or vintage pulp...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Enamel

Jennifer Printz "Tracing the Mysteries" Prints, Depth and Entirety Series, 2021
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Tracing the Mysteries l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrach...
Category

21st Century and Contemporary American Modern Prints

Materials

Plexiglass, Wood, Paper

Jennifer Printz "As Within" Prints, Depth and Entirety Series, 2021
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "As Within l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrachrome inks on...
Category

21st Century and Contemporary American Modern Prints

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Lifetimes Alone" Prints, Depth and Entirety Series, 2021
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Lifetimes Alone l and ll" is part of a series of two monoprints that blend photography, relief print with chine colle (epson ultrachrome inks on ...
Category

21st Century and Contemporary American Modern Prints

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Without Ceasing" Prints, Depth and Entirety Series, 2021
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Without Ceasing l, ll and lll" is part of a series of three monoprints that blend photography, relief print with chine colle (epson ultrachrome i...
Category

21st Century and Contemporary American Modern Prints

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Quietus I" Prints, Graphite and Inks on Antique Paper, 2017
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Quietus" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood,...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Quietus I" Prints, Graphite and Inks on Antique Paper, 2017
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Quietus I" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in woo...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Quietus II" Prints, Graphite and Inks on Antique Paper, 2017
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Quietus II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wo...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Quietus II" Prints, Graphite and Inks on Antique Paper, 2017
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Quietus II" series of six prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. Jennifer Printz, an artist with a love for the poetic, carefully selects titles for her pieces and exhibitions to evoke multiple meanings. One such significant title in her work is "Quietus," symbolizing resolution and rest. She chose this title to reflect the artwork's creation during a sabbatical, a period of rejuvenation and tranquility. "Quietus" also represents her core artistic motivation – emphasizing the importance of stillness and calm in life. In the hustle and bustle of life, we often miss out on essential experiences unless we allow ourselves to be quiet and introspective. Jennifer believes that finding solace is crucial, and she invites viewers to appreciate its significance. Her work provides a meditative space, offering a brief moment of quiet reflection. In 2017, she was interviewed by Jenine Culligan, the director at the Eleanor D. Wilson Museum at Hollins University, where her solo exhibition sabbatical work was titled "An Almost Unnoticed Quietus." This title cleverly connects "quietus" with "almost unnoticed," highlighting the themes of meditation and mindfulness. Through these practices, Jennifer uncovers profound aspects of our world and emotions often overlooked in our hurried lives. Meditation has taught her to appreciate the moments when we are on the verge of giving up, as these are often when unexpected greatness can unfold. Shown in the first photo, from top left to right: Image 3: Unpaused Moment Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 4: Lead to Dust Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 5: Strata Rises Through Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 6: Dark Serenity Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 7: A Few Splinters of Time Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 8: Sinking Through the Sands...
Category

21st Century and Contemporary American Modern Drawings

Materials

Paper, Plexiglass, Wood

Jennifer Printz "Quietus" Prints, Graphite and Inks on Antique Paper, 2017
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Quietus I and II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Quietus" Prints, Graphite and Inks on Antique Paper, 2017
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Quietus I and II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "More than Memory" Prints, Graphite and Inks on Paper, 2020
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "More than Memory" Prints, Graphite and Inks on Paper, 2020
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...
Category

21st Century and Contemporary American Modern Drawings

Materials

Plexiglass, Wood, Paper

Jennifer Printz "Beset" and "Mourning" Prints, 2013
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Beset" and "Mourning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass glazing. It'...
Category

21st Century and Contemporary American Modern Prints

Materials

Wood, Paper, Plexiglass

Jennifer Printz "Walking on Water" and "Drowning" Prints, 2013
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "Walking on Water" and "Drowning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass g...
Category

21st Century and Contemporary American Modern Prints

Materials

Wood, Paper, Plexiglass

Jennifer Printz "As in the Heavens" and "And on the Earth Below" Prints, 2013
By Jennifer D. Printz
Located in New York, NY
Contemporary artist Jennifer Printz "As In The Heavens and And On The Earth Below" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare...
Category

21st Century and Contemporary American Modern Prints

Materials

Plexiglass, Wood, Paper

James Bearden Capsule Cabinet, Cathedral Series, 2013
By James Bearden
Located in New York, NY
The "Capsule Cabinet" by James Bearden is a captivating piece from his Cathedral Series. Crafted with blackened textured steel and fused bronze element...
Category

21st Century and Contemporary American Brutalist Cabinets

Materials

Metal, Bronze

Adrian Pearsall Wave Chaise Lounge for Craft Associates, circa 1970s
By Adrian Pearsall, Craft Associates
Located in New York, NY
The Adrian Pearsall Wave Chaise Lounge, originating from the 1970s and designed for Craft Associates, has recently been reupholstered using...
Category

20th Century American Mid-Century Modern Chaise Longues

Materials

Fabric, Wood

Paul Evans PE 131 Coffee Table, 1973
By Paul Evans
Located in New York, NY
The PE-131 coffee table, designed by Paul Evans, is an impressive piece within the line he created for Directional Furniture. It belongs to the popular bronze series PE100-200, intro...
Category

20th Century American Brutalist Coffee and Cocktail Tables

Materials

Bronze

Richard Hirsch Encaustic Painting of Nothing #72, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #79, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #75, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #28, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #53, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #76, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #62, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #77, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #63, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #50, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #78, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #52, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #55, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Wendy Hendelman Tiger's Eye Head Sculpture, 2015
By Wendy Hendelman
Located in New York, NY
Contemporary American sculptor Wendy Hendelman's Tiger's Eye Head Sculpture on marble base. Hendelman’s work reflects her love of the primitive and the ancient. The small scale and s...
Category

21st Century and Contemporary American Modern Abstract Sculptures

Materials

Marble

Richard Hirsch Encaustic Painting of Nothing #26, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #40, 2014
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #73, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #70, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #54, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #61, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #60, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #44, 2015
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Bonnie Edelman "Sand Bar" Photograph, Scapes Series, 2011
By Bonnie Edelman
Located in New York, NY
Contemporary artist Bonnie Edelman's "Sand Bar" was photographed in 2011 and is part of the Sea Scapes Series. As her most recognized collection "Scapes" consists of landscapes, seascapes and skyscapes whose specific forms have been blurred in order to direct viewers’ focus toward colors and compositions. Sublime and abstract, the photographs capture grain fields, sea horizons, and sunsets from around the world. This photograph is being offered as a C-print face-mounted onto 1/8” non glare plexi with a custom maple floating frame (1/2" face x 2" deep with 3/8" gap). It will ship directly from the artist's printmaking studio with a signed certificate of authenticity. About the artist: Bonnie Edelman was born in New York City. She earned her Bachelor of Arts degree from Connecticut College on an academic and athletic scholarship. Having been raised in a family of artists and architects, Bonnie was always creating. Whether it was sculpture, painting, jewelry making and interior design, she has always had an intense need to express herself through creativity. Fashion was an all encompassing self expression so it was because of this idea of materializing thoughts, desires and inspirations that she decided to devote her career to the editorial side of the fashion industry. After an internship at Rolling Stone Magazine and then formally starting her career as the assistant to the Fashion Director at Seventeen Magazine, Bonnie moved through the ranks at Glamour Magazine and MTV. She then settled into the position of Travel Editor at Sports Illustrated, where she navigated the world producing exotic and inspiring photo shoots for the magazine’s annual Swimsuit Issue. It was during this time spent in The Islands of the Maldives, Ecuador, Venezuela and Kenya, to mention a few, while working closely with photographers like Sante D’Orazio, Russell James...
Category

21st Century and Contemporary American Modern Photography

Materials

Paper

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